| ANNIVERSARY DATES |
| Kondakov Leonid, Deliy Pavel |
On the 80th anniversary of the Honored Artist of the Russian Federation, Doctor of Art History, Professor Lev Dmitrievich Belenov
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| Buryakova Lyubov A. |
The phenomenon of crescendo professor Lyudmila Varavina
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| MUSIC HISTORY |
| Smotrov Veniamin E. |
Charles-Valentin Alkan and Frederic Chopin, or about the attraction of opposites
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| Okuneva Ekaterina G. |
Integral serialism in the mirror of critical reflection of the 1950s-1960s
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| Frolov Sergey V. |
200 years of publication of the collection of Kirsha Danilov with notes
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| Valitova Marina G. |
Sergey Slonimsky and Heinrich Orlov: Pages of the History of the Russian national Symphony
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| Krom Anna E. |
«The Pleasure-Dome of Kubla Khan»: American Orientalism of Charles Griffes
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| Sergeev Maxim V. |
A Lost Pearl of The Russian Musical Culture: The «C.M. Schroder» Piano Building Company in Its Later Years (1885–1918)
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| Verba Natalia I. |
The Archetypal Image of the Sea Maiden In Julia Weisberg’s Creativity
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| Koposova Irina V. |
Works for piano by Cornelius Cardew in the light of creative searches of the composer
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| Dotsenko Vitaliy R. |
Latin American popular music and the problem of cultural identity
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| Ostapenko Anton G. |
Olea Croger in the History of Norwegian Folklore Collection of the 19th Century
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| QUESTIONS OF THEORY OF MUSIC |
| Loshakov Semyon A. |
Symphony of the universe of A.L. Lokshin: typology of the composer's symphonies
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| Panteleeva Yulia N. |
"Beautiful clarity" in Pavel Karmanov’s music: about methods of creation of modern musical composition
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| Shchepkina Nadezhda A. |
Echoi structure of the eight-echoi doxastichon «By the Divine Command»
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| Pridanova Elena V. |
«Six epigraphes antiques» by Debussy through the prism of the of choreography
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| Rybalova Maria M. |
"The silence before the storm" in tango by E. Schulhoff
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| Zhalnin Vladimir V. |
Darius Milhaud’s Octet: contrapuntal technique in polycomposition conditions
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| Dolmatova Maria V. |
Emotions in music. Emotionally expressive discourse of choral scorein symphonic compositions B. Tishchenko, A. Karamanov, A. Schnittke
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| Krasov Vladimir V. |
Choral solfeggio in modern domestic music
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| Glivinsky Valeriy V., Fedoseyev Ivan S. (1949–2017) |
On particular commonalities of compositional approach in the works of the St. Petersburg classics
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| Semenenok Ivliy A. |
On diminished triads, the ambivalence of the pitch-letter B and the musical theory of Nikolay Diletsky regarding four-part choral settings of the Znamenny Chant
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| Lavchyan Anahit V. |
Methodological analysis of the distinguishing features of the structure and musical language of Vartan Adjemian’s sonatas for violin and piano
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| Makina Anna V. |
«In the Perm animal style for a piano in six hands of I.E. Mashukov: treatment of composite equipment
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| Naumova Natalya I. |
Parody technique in masses by John Taverner
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| Umnova Irina G. |
«Vokal cycle on poems by Ivan Bunin» Boris Lisitsyn (to the problem of the integrity of the form)
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| Gerasimova Irina V. |
Finding the whole by its part": the problem of attribution of the four-voice partes Liturgy of the second half of the XVIIth century
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| Galina Gul’naz S. |
Traditions of book singing as an object of comic transformation of spiritual characters in the Bashkir national Opera
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| Korchinskaya Ludmila M. |
The role of symmetry in chamber sonatas of P. Hindemith
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| Rybkova Irina V. |
Timbre layers in the cantata «History of Dr. Johann Faust» A. Schnittke
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| INTERNATIONAL MOSAIC |
| Sahakyan Lusine Z. |
K. Sarajev and Armenia
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| Tang Haichuan |
History of the development of the Chinese people song in the 20th century
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| Lian Yicen |
The significance of the flute for the Chinese musical art
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| Guliyeva Kamala R. |
The role of Shovket Alekperova in the development of the vocal art of Azerbaijan
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| Sun Wei |
Method the teacher: Igumnov Konstantin Nikolaevich
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| Tang Haichuan |
Major Musical Instruments Used in Chinese National Music
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| Jabrayil-zada Sevinj Gashim |
Performing traditions of Chopin’s works in the class of Merited Arts Worker of Azerbaijan, Professor Elmira Safarova, and her follower, Professor Mammad Guliyev
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| Lian Yicen |
Features of using traditional Chinese flute playing techniques in P.-A. Genin’s «Carnaval of Venice» for flute and piano op. 14 (near 1857)
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| Wu Jingyu, Medvedeva Julia P. |
The ways of Russian Musical Sinology in the context of China-Soviet relations 1920–1940s
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| PORTRAITS |
| Molchanova Tatiana S. |
Composer and pedagogical activity of K.P. Galler: from the history of music of St. Petersburg
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| Yunusova Violetta N. |
Redzep Allayarov – East Pupil of Alfred Schnitke
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| INSTRUMENTOLOGY |
| Malykhina Irina V. |
The Disklavier as a piano performance form of the 21st century
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| Ustugova Alexandra V. |
Skripitsa in Slavic musical instrumental culture of the XV–XVII centuries
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| MUSICAL THEATRE |
| Sviridovskaya Nina D. |
Salome Casus: Кaratygin’s music to the Evreinov’s performance
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| Naumov Alexander V. |
Generalization of passed: Gliere’s music in «The Mad Day, or the Marriage of Figaro» of Moscow Art theatre (1927)
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| Lazanchina Anna V. |
«Vision of John the Terrible» by S.M. Slonimskiy: intertextual aspects of the opera
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| Selitsky Alexander Ya. |
Operetta in Rostov. Grigory Valyano – pioneer of the genre
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| THE ISSUES OF MUSIC PEDAGOGY |
| Shadt Kristina V. |
The role of the concertmaster in the preparation of the opera
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| ETHNOMUSICOLOGY |
| Shvetsova Vera A. |
The rhythmic organization of the Northern Karelians wedding lamentsin the context of structural-typological research
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| Alimova Elvina S. |
Polydialective specificity of language as the basis of Crimean Tatar song intonation
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| QUESTIONS OF MUSICAL PEDAGOGY |
| Blok Oleg A. |
On the issue of mastering a musical work in the space «4 D»
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| Teryaev Oleg V. |
The use of traditional pianistic techniques when playing the digital keyboards
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| Adishchev Vladimir I., Doroshenko Svetlana I. |
The Activities of the Scientific Counsil on the Problems of the History of Music Education: Interdisciplinary and Problematic Approaches
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| Shalaeva Anna A. |
Language features of Chinese dialects and their influence on the process of mastering the European singing school
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| EPISTOLARIAN |
| Skorbyashchenskaya Olga A. |
Correspondence of Schumann and Henselt (The experience of musical graphological research)
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| DISCOURSES OF MODERN MUSIC |
| Chernyaeva Alla L. |
The Issues of the Contemporary Musical Style Formation: the Question of the Interpretation of the Hidden Model
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| HISTORY OF MUSIC |
| Khasanova Alsu N. |
Creative path of the composer M.Z. Yarullin in the mirror of letters and memoirs of contemporaries
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| Adishchev Vladimir I. |
Formation of a three-level structure of domestic music education (the 1920s)
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| Maksimenko Alexander O. |
Concert Performances of Leonid Sabaneev: New Biographical Info. Abstract
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| Kuprinа Elena Yu. |
Co-creation Sh.-V. Alcan and R. Leventhal
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| Chergeev Asan A. |
Representatives of the first postwar generation of the Union of composers of Crimea
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| ETHNIC MUSICOLOGY |
| Kalaberda Anna V. |
Ethno-cultural interaction in the field of pastoral musical traditions of Estonians and Swedes
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| A NEW LOOK |
| Stachinsky Vladimir I. |
Topology of Musical Image and Discretion of Thinking
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| MEDIA AND MUSIC |
| Egorova Tatiana K. |
The theory of musical and visual counterpoint from Sergei Eisenstein to Juraj Lexmann
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| PROBLEMS OF PERFORMANCE |
| Aliyeva Zarema E. |
The violin performance and his role in shaping the musical text
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