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Musicology

Index of articles published in the journals "Musicology" in 2019.

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ANNIVERSARY DATES
Kondakov Leonid, Deliy Pavel On the 80th anniversary of the Honored Artist of the Russian Federation, Doctor of Art History, Professor Lev Dmitrievich Belenov

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Buryakova Lyubov A. The phenomenon of crescendo professor Lyudmila Varavina

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MUSIC HISTORY
Smotrov Veniamin E. Charles-Valentin Alkan and Frederic Chopin, or about the attraction of opposites

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Okuneva Ekaterina G. Integral serialism in the mirror of critical reflection of the 1950s-1960s

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Frolov Sergey V. 200 years of publication of the collection of Kirsha Danilov with notes

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Valitova Marina G. Sergey Slonimsky and Heinrich Orlov: Pages of the History of the Russian national Symphony

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Krom Anna E. The Pleasure-Dome of Kubla Khan: American Orientalism of Charles Griffes

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Sergeev Maxim V. A Lost Pearl of The Russian Musical Culture: The C.M. Schroder Piano Building Company in Its Later Years (18851918)

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Verba Natalia I. The Archetypal Image of the Sea Maiden In Julia Weisbergs Creativity

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Koposova Irina V. Works for piano by Cornelius Cardew in the light of creative searches of the composer

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Dotsenko Vitaliy R. Latin American popular music and the problem of cultural identity

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Ostapenko Anton G. Olea Croger in the History of Norwegian Folklore Collection of the 19th Century

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QUESTIONS OF THEORY OF MUSIC
Loshakov Semyon A. Symphony of the universe of A.L. Lokshin: typology of the composer's symphonies

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Panteleeva Yulia N. "Beautiful clarity" in Pavel Karmanovs music: about methods of creation of modern musical composition

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Shchepkina Nadezhda A. Echoi structure of the eight-echoi doxastichon By the Divine Command

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Pridanova Elena V. Six epigraphes antiques by Debussy through the prism of the of choreography

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Rybalova Maria M. "The silence before the storm" in tango by E. Schulhoff

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Zhalnin Vladimir V. Darius Milhauds Octet: contrapuntal technique in polycomposition conditions

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Dolmatova Maria V. Emotions in music. Emotionally expressive discourse of choral scorein symphonic compositions B. Tishchenko, A. Karamanov, A. Schnittke

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Krasov Vladimir V. Choral solfeggio in modern domestic music

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Glivinsky Valeriy V., Fedoseyev Ivan S. (19492017) On particular commonalities of compositional approach in the works of the St. Petersburg classics

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Semenenok Ivliy A. On diminished triads, the ambivalence of the pitch-letter B and the musical theory of Nikolay Diletsky regarding four-part choral settings of the Znamenny Chant

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Lavchyan Anahit V. Methodological analysis of the distinguishing features of the structure and musical language of Vartan Adjemians sonatas for violin and piano

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Makina Anna V. In the Perm animal style for a piano in six hands of I.E. Mashukov: treatment of composite equipment

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Naumova Natalya I. Parody technique in masses by John Taverner

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Umnova Irina G. Vokal cycle on poems by Ivan Bunin Boris Lisitsyn (to the problem of the integrity of the form)

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Gerasimova Irina V. Finding the whole by its part": the problem of attribution of the four-voice partes Liturgy of the second half of the XVIIth century

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Galina Gulnaz S. Traditions of book singing as an object of comic transformation of spiritual characters in the Bashkir national Opera

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Korchinskaya Ludmila M. The role of symmetry in chamber sonatas of P. Hindemith

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Rybkova Irina V. Timbre layers in the cantata History of Dr. Johann Faust A. Schnittke

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INTERNATIONAL MOSAIC
Sahakyan Lusine Z. K. Sarajev and Armenia

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Tang Haichuan History of the development of the Chinese people song in the 20th century

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Lian Yicen The significance of the flute for the Chinese musical art

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Guliyeva Kamala R. The role of Shovket Alekperova in the development of the vocal art of Azerbaijan

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Sun Wei Method the teacher: Igumnov Konstantin Nikolaevich

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Tang Haichuan Major Musical Instruments Used in Chinese National Music

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Jabrayil-zada Sevinj Gashim Performing traditions of Chopins works in the class of Merited Arts Worker of Azerbaijan, Professor Elmira Safarova, and her follower, Professor Mammad Guliyev

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Lian Yicen Features of using traditional Chinese flute playing techniques in P.-A. Genins Carnaval of Venice for flute and piano op. 14 (near 1857)

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Wu Jingyu, Medvedeva Julia P. The ways of Russian Musical Sinology in the context of China-Soviet relations 19201940s

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PORTRAITS
Molchanova Tatiana S. Composer and pedagogical activity of K.P. Galler: from the history of music of St. Petersburg

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Yunusova Violetta N. Redzep Allayarov East Pupil of Alfred Schnitke

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INSTRUMENTOLOGY
Malykhina Irina V. The Disklavier as a piano performance form of the 21st century

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Ustugova Alexandra V. Skripitsa in Slavic musical instrumental culture of the XVXVII centuries

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MUSICAL THEATRE
Sviridovskaya Nina D. Salome Casus: aratygins music to the Evreinovs performance

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Naumov Alexander V. Generalization of passed: Glieres music in The Mad Day, or the Marriage of Figaro of Moscow Art theatre (1927)

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Lazanchina Anna V. Vision of John the Terrible by S.M. Slonimskiy: intertextual aspects of the opera

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Selitsky Alexander Ya. Operetta in Rostov. Grigory Valyano pioneer of the genre

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THE ISSUES OF MUSIC PEDAGOGY
Shadt Kristina V. The role of the concertmaster in the preparation of the opera

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ETHNOMUSICOLOGY
Shvetsova Vera A. The rhythmic organization of the Northern Karelians wedding lamentsin the context of structural-typological research

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Alimova Elvina S. Polydialective specificity of language as the basis of Crimean Tatar song intonation

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QUESTIONS OF MUSICAL PEDAGOGY
Blok Oleg A. On the issue of mastering a musical work in the space 4 D

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Teryaev Oleg V. The use of traditional pianistic techniques when playing the digital keyboards

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Adishchev Vladimir I., Doroshenko Svetlana I. The Activities of the Scientific Counsil on the Problems of the History of Music Education: Interdisciplinary and Problematic Approaches

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Shalaeva Anna A. Language features of Chinese dialects and their influence on the process of mastering the European singing school

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EPISTOLARIAN
Skorbyashchenskaya Olga A. Correspondence of Schumann and Henselt (The experience of musical graphological research)

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DISCOURSES OF MODERN MUSIC
Chernyaeva Alla L. The Issues of the Contemporary Musical Style Formation: the Question of the Interpretation of the Hidden Model

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HISTORY OF MUSIC
Khasanova Alsu N. Creative path of the composer M.Z. Yarullin in the mirror of letters and memoirs of contemporaries

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Adishchev Vladimir I. Formation of a three-level structure of domestic music education (the 1920s)

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Maksimenko Alexander O. Concert Performances of Leonid Sabaneev: New Biographical Info. Abstract

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Kuprin Elena Yu. Co-creation Sh.-V. Alcan and R. Leventhal

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Chergeev Asan A. Representatives of the first postwar generation of the Union of composers of Crimea

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ETHNIC MUSICOLOGY
Kalaberda Anna V. Ethno-cultural interaction in the field of pastoral musical traditions of Estonians and Swedes

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A NEW LOOK
Stachinsky Vladimir I. Topology of Musical Image and Discretion of Thinking

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MEDIA AND MUSIC
Egorova Tatiana K. The theory of musical and visual counterpoint from Sergei Eisenstein to Juraj Lexmann

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PROBLEMS OF PERFORMANCE
Aliyeva Zarema E. The violin performance and his role in shaping the musical text

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Industrial Automatic Control Systems and Controllers
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Ecological Systems and Devices
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Aerospace Instrument-Making
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Engineering Physics
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History of Science and Engineering
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Music and Time
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Note Album
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Musicology
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Universal History
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Directory of engineer
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Applied Physics and Mathematics
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News Academy of Engineering Sciences A.M. Prokhorov
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