Krasov Vladimir V.
The article deals with genre-style features of choral solfeggio as a concert vocalise. As musical examples, the works of T. Korganov, R. Shchedrin, Y. Falik, M. Roytersheyn, A. Larin are cited. It is concluded that the choral solfeggio has the characteristics of an independent genre from the point of view of figurative and semantic content (virtuosity of singing), verbal basis (the name of musical sounds), factual and formulating principles (generalized concert), and the type of performance (concert choral vocalize). Special attention is paid to choral solfeggio as a principle of choral texture for creating a certain artistic effect of sounding, as well as for expressing implicit information, that is, an additional, hidden meaning of the plot basis. Based on the analysis of the works of R. Shchedrin (“The Execution of Pugachev”), Y. Evgrafov (oratorio “Autumn Hawk’s Cry”, concerts “Proverbs in C”, “The Old Man and the Sea”, “Children’s Literature”), S. Terentyev («Only “O”») the conclusion is made about the fact-forming and shaping properties of choral solfeggio.
Keywords: vocalism, choral solfeggio, texture, means of artistic expression, T. Korganov, R. Shchedrin, Y. Falik, M. Roytersheyn, A. Larin, Y. Evgrafov, S. Terentyev.
DOI: 10.25791/musicology.05.2019.640
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