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Musicology

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The Issues of the Contemporary Musical Style Formation: the Question of the Interpretation of the Hidden Model
Chernyaeva Alla L.

In the article the issue of the interpretation of the inner structure in the contemporary music. The term "inner structure" is considered as the result of dynamic relation between the outer criteria (form) and the objective one (content). The inner structure of music, being the derivative of the author’s hidden idea, is linked with subconscious acts of a specific composer. Thereby, the decipher of the semantic structures is possible through the system of protophenomena of a human being’s mind. The classification of these protophenomema corresponds to the two types of memory – biological (natural) memory and cultural (social) one. This is the fundamental idea of Claude Levi-Strausse’s structural anthropology. Protostructures are considered as universal constants, which reveal the unique process of individual genre and sound models creation in the style of a specific composer.
Keywords: contemporary music, style, the inner form of a composition, autopoetica, synergetic method, protomodels of modern music, ontologization of art, subconscious structures, structure-anthropological approach, biological memory, cultural memory, Claude Levi-Strauss, semantic structure.


DOI: 10.25791/musicology.08.2019.802

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Pp. 31-36.

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