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Musicology

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Symphony of the universe of A.L. Lokshin: typology of the composer's symphonies
Loshakov Semyon A.

The task of this article is to characterize eleven symphonies of Alexander Lazarevich Lokshin, created in a short period (from 1957 to 1976), as a whole. Given the fact that for the designated period of Russian music this is the time of intensive search for the renewal of the symphonic genre, the originality of Lokshin's creative thinking is seen in an alternative plane of understanding. An attempt is made to classify the composer's symphonies according to a number of criteria (the author's attitude to the traditional structure of the Symphony, the performing composition, the literary text), as a result of which several different types of organization of the symphonic cycle are traced, each of which is characterized separately. By means of the score, the author creates a certain semantic field in which there is a code of variation with characteristic attributes that have developed in centuries-old practice. In the poetics of Lokshin, there is always something elusive, subtle and deep, something hidden from outsiders, who do not look and do not listen to the eyes of the alien. To pave the way for understanding the unique creative universe of the composer can establish the typical features of his musical language and form, which represent a single system, each time organized around a new poetic space, creating its subtext and inscribing it in a musical context.
Keywords: A.L. Lokshin, Symphony, postmodernism, poetry and music, the macrocycle, variation, the structure of the symphonic cycle, Soviet Symphony.


DOI: 10.25791/musicology.01.2019.406

Contacts: E-mail: Loshakov_91@mail.ru

Pp. 19-25.

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