QUESTIONS OF THEORY OF MUSIC |
Alla L. Chernyaeva |
«Philosophy of the Name» in chamber-instrumental compositions of Yury Vorontsov (the first decade of XXI century)
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Sergey N. Nikiforov |
The Poetological Ideas in The Early 18th Century and The Oeuvre of G. Ph. Telemann (1681–1767)
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Evgenia E. Gatovskaya |
Easter Stikheres in Partes Polyphony: on the question of cycle organization
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Vladislav E. Devutsky |
Multicolored European Chromaticity
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Anna A. Davydova |
Problem of tematizm in Domenico Scarlatti sonatas for clavier
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Alexandrà A. Dokuchaeva |
Formation of Debussy's piano style in chamber-vocal miniature and in music for piano (on the example of "Five Poems of Baudelaire")
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Svetlana G. Farkhutdinova |
The Avant-Garde technique of aleatory compositions as a means of expressiveness in music of the second half of the 20th century
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Alexander S. Yevdokimov |
Biblical parallelism in Handel’s Chandos Anthems: on textual and musical structures correlation
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Ruslan N. Vasilyev |
The Choral Concert ¹ 1 of Vasiliy Kulikov: interpretation of the cycle, form and compositional technique
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Galina A. Skhaplok |
Valeriy Pyankov. Sri Chinmoy. Music of the heart
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Moskva Julia V. |
Modal ethos from the liturgical standpoint (as seen in the case of Gregorian introits)
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Latyshev Nikolay A. |
A.P. Borodin’s instrumentation of the song «U Ludei-to v domu» («People differ – their homes differ»): the main aspects of the composer’s orchestral style
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Krom Anna E. |
American minimal music and the art of crossovers: parallels and interactions
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Devutsky Vladislav E. |
Crisis and dismantling of the tone concept in late sonatas by Alexander Scriabin
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SOURCE STUDY |
Tatiana V. Shabalina |
Moscow Finding: A Discovery of a Source of the Abendmusik 1692 by Buxtehude
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Tatiana V. Shabalina |
An Unknown Passion Oratorio by G. Ph. Telemann: a Discovery of its Libretto in St. Petersburg
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Grigory A. Moiseev |
V.I. Safonov and his «Draft Statute of the Imperial Russian Musical Society's Conservatories» (1891, 1898)
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MUSIC AND MEDIA |
Tatyana K. Egorova |
Film Music: the research trends in national and world history of art (on the example of studying the approaches of European-American and Soviet-Russian schools)
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JUBILEE DATES |
Violetta N. Yunusova, Angelina S. Alpatova |
World Musical Culture in Scientifi c and Pedagogical Activity of G.K. Mikhaylov (on occasion of his 80th birthday)
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Tatyana Yu. Maslovskaya |
To the 50th anniversary of the death of L.L. Sabaneyev. A. Skryabin in the life of L. Sabaneyev
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Andrey V. Yakovlev |
Victor Mikhaylovich Yakovlev (1933–1987)
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THE HISTORY OF MUSIC |
Anatoly V. Budanov, Andrey M. Lesovichenko |
Atheistic subject in the soviet music
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Natalia I. Verba |
"Song of Fish" from the poem "Mtsyri" by Lermontov in the romance genre XIX–XXth century
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Marina V. Pereverzeva |
Music and humor in works of the Canadian composers of the XX century
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Aysylu T. Gumerova |
On the role of church singing in the missionary educational institutions of the Middle Volga region (second half of the XIX beginning of the XX century)
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Îlga A. Skorbyashenskaya |
Liszt and Henselt (Part II). Liszt and Henselt at their performing & creative activity
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Maciejewska Elizaveta S. |
Wojciech Kilar: issues of evolution and periodization of creativity
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Moiseev Grigory A. |
«Russian Quartet» in the mirror of the documents of the Russian Musical Society and the Grand Duke Konstantin Nikolayevich’s personal diary (1870–1884)
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Kovnatskaya Ludmila G. |
The archive of Leningrad association for contemporary music as historiographical phenomenon
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AD LIBITUM |
Andzhela V. Gucheva, Murat A. Hokonov, Leyla H. Zhappueva, Madina K. Midova |
Circassian (Adyghe) Rites de Passage.«Psyhjeg"je» (the Order of Searchingfor the Soul of the Drowned Person)
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Lyudmila H. Mahieva |
The borrowed lexicon as the replenishment source karachay-balkarian of musical terms
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Thagazitov Yuri M. |
The light way of Zalimhan Dyshekov
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Gucheva Andzhela V. |
Musical and ethnographic complex religious practices of Circassians (Adyghe)
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ANNIVERSARIES |
Alla A. Baeva |
The fi rst opera opus by M. Weinberg(To the 50 anniversary of "Passenger")
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ETHNOMUSICOLOGY |
Svetlana Y. Nikolaeva |
About non-ritual improvisations in the song tradition of the Izhma Komi: structural and compositional aspect
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Vishnevskaya Liliya A. |
Features of Traditional Etiquette in the Structure of North Caucasian Vocal Polyphony (on the material of solo and group songs of Adyghes, Karachays and Balkars)
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Petri Elvira K. |
German songs of the year round
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MUSICAL THEATRE |
Yana Yu. Belousova |
The idea of duplicity in the opera Yu. Butsko "White Nights"
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Alexander A. Ermakov |
The Formation of the Russian Children's Music Theater in the 20s–30s of the 20th century in the Light of Trends of Cultural Policy in the USSR
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Alexander V. Naumov |
«Boris Godunov»–1937: from the musical history of Moscow Art theatre
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Bakshi Lyudmila S. |
"Overcoat" by N.V. Gogol. Two interpretation of one of the plot
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Dan`ko Larisa G. |
To the history of creation and the fi rst performance of music by A.K. Glazunov to drama K.R. "King of the Jews"
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INSTRUMENTATION |
Ivan V. Semeriaga |
On the history of the French horn: versions, guesses, interpretations
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Alexandra V. Ustugova |
Type of gudok with fl at decks on written and fine sources of the XVIII century
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QUESTIONS OF MUSIC PEDAGOGY |
Ihor V. Macijewski |
For the Development of Comparative Art-Criticism
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Evgeny M. Ilyichev |
Information and communication technologies as a basis for the music homework
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MUSICOLOGY |
Anastasia Y. Patoshina |
Eduard Voltaire – collector and scholar of Baltic folklore
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EPISTOLARY |
Yelena B. Dolinskaya |
Rachmaninoff and Medtner: the great friendship
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Îlga A. Skorbyashenskaya |
Liszt & Henselt. (Part I) «Honored colleague and beloved friend»: the history of relations between Franz Liszt and Adolf von Henselt, recreated by their correspondence
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PROBLEMS OF EXECUTION |
Evelina E. Zorina |
Articulation marks in J. Haydn’s clavier sonatas: specifi c of interpretation
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REVIEWS |
Andrei V. Denisov |
"Music sum" of Alexander Sergeyevich Klyuev (review of the monograph)
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Dolinskaya Yelena B. |
Epistolary duo of composers
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CONTEMPORARY MUSICAL CULTURE |
Aktoty R. Raimkulova, Raushan K. Jumaniyazova |
Dialectics of archaic in the contemporary musical art of Kazakhstan in the mirror of the ideas of Eurasianism (on the example of cello compositions of contemporary composers)
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Olga A. Moskvina |
To the question of the religious-philosophical views of S. Gubaidulina: literary parallels
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Maria M. Rybalova |
Composer’s method by L. Desyatnikov in the composition «Tracing Astor»
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IN MEMORIAM |
Egorova Tatyana K. |
Mikhail Evgenievich Tarakanov (on the occasion of his 90th birthday)
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MUSIC HISTORY |
Frolov Sergey V. |
M.I. Glinka`s Petersburg mummery
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Gerasimova Irina V. |
Musical versions of the "zadostoinik" chant from Nativity of the Virgin’s Service in Irmologions of the XVI–XVII cc.: to the style problem
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Smirnov Valeriy V. |
A.V. Ossovsky and the "new music"
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Demchenko Alexander I. |
Domestic music of the early XX century – the verge of grotesque
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Skorbyashenskaya Îlga A. |
Davidsbundler Union. Henselt, Schuman and others: Variations on the known subject
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A NEW LOOK |
Demchenko Alexander I. |
Categories of macrocosm and microcosm in Russian music of the ÕÕ century
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Okuneva Ekaterina G. |
Aesthetic paradigms of integral serialism
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SOURCE |
Shabalina Tatiana V. |
«East Prussian Bach» Georg Riedel (1676–1738): Findings of «lost» sources in St. Petersburg
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