Musicology Annotation << Back Biblical parallelism in Handel’s Chandos Anthems: on textual and musical structures correlation Alexander S. Yevdokimov George Frideric Handel who had devoted major portion of his life to England rapidly adopted traditions of the English anthem and enriched them with a new bright solutions. Known for his attention to the text details, composer could not leave behind a biblical parallelism which is the key feature of scriptural texts. This article deals with Handel’s anthems of 1717–1718 and biblical parallelism implementation methods employed in their music. Keywords: Handel, English anthem, sacred music, baroque, biblical parallelism, text and music, psalms. Contacts: E-mail: yeas1986@gmail.com Pp. 03-18.