Okuneva Ekaterina G.
Integral serialism is the most important phenomenon that caused a revolution in the musical consciousness in the middle of the XX century. During this period, the theoretical refl ections of the composers were inseparable from their art practice. Based on theoretical writings and musical compositions of Boulez, Stockhausen, Krenek, Goeyvaerts, Adorno, Nono, and others in the article builds up the aesthetic concept of integral serialism, which promoted a change of a musical picture of the world. As key principles, the author considers the devaluation of anthropocentrism, the refusal of an autonomous work of art, the material thinking, the aesthetics of tabula rasa, orientation to experiment, a new view of creative process, ontology program, antisubjectivity, scientific view of the world, the theorization of composing practice. For music of the second half of the twentieth century, the concept of integral serialism acquired epoch-making signifi cance. Serial thinking has had a signifi cant impact on further researches of composers in the field of music language.
Keywords: music of the twentieth century, integral serialism, devaluation of anthropocentrism, antisubjectivity, material thinking, experiment, aesthetics of tabula rasa.
DOI: 10.25791/musicology.11.2018.247
Contacts: E-mail: okunevaeg@yandex.ru
Pp. 18-28. |
