Musicology Index of articles published in the journals "Musicology" in 2015. << Back QUESTIONS OF THEORY lexander S. Ryzhinskiy L. Berio's scenic mass: «passage» to new musical theater More » Sergey S. Popov The sky disappeared: about Symphony № 3 by Sergey Berinsky More » Elena M. Smirnova On some features of musical texture of farit yarullin’s compositions More » Lidia G. Knyazeva New Essence of Thinking – New Forms of Expression. Pierre Boulez: Douze Notations for Piano More » Grigoriy R. Konson N.A. Rimsky-Korsakov – the scientist: refl ections of the Russian composer about music of R. Wagner More » MUSICAL HISTORY Valeriya E. Nedlina Stylistic trends in academic music of Kazakhstan in 1980–2010's. On the issue of National Vanguard More » Grigory A. Moiseev Carl Reinecke: Russian Contacts: Russian Musical Society, conservatoires, august patrons More » Nataliya V. Zabolotnaya Catalogues of Church Chant Manuscripts as a Phenomenon of Cultural History More » Sufiya G. Muratalieva Hamburger Bach and his Oratorio «Resurrection And Ascension of Jesus» More » Viktor V. Khairullaev «Nestor among composers»: Antonio Salieri and his pupils More » Pavel V. Lutsker The Opera buffa «Bertoldo, Bertoldino e Cacasenno» on libretto by Carlo Goldoni: the question of authorship More » Mikhail A. Lobanov In the way of «Vesna» (On the artistic interests of the Composer Stravinsky «The Rite of Spring») More » Natalia I. Degtyareva From the history of creation of the French Salom&#233; by Richard Strauss More » Petr N. Gordeev From the history of musical theatre in the revolutionary epoch: the struggle between opera and ballet More » Elena Y. Bagrova The spiritual theme in chamber music by Francis Poulenc More » Natalia A. Braginskaya Igor Stravinsky–Richard Strauss: to the problem of dialogue of cultures in the 20th century music More » Yuliya V. Glazkova Outstanding French organists of the XX century: Maurice Durufl &#233; (1902–1986) More » Margarita A. Rumyantseva Artistic Image and its Musical Embodiment (on the Example of 13th Century Motets) More » Natalia I. Verba Archetypal Images of A.F. L’vov’s «Ondine» in the «mermaid’s» Musical Context of the XIX Century More » Maria M. Buloshnikova Music, which is struggling with the silence. On the style of instrumental compositions G&#233;rard Pesson More » Raisa G. Shitikova Sonata for Orchestra in the 20th-Century Music: A precedent or a genre evolution rule? More » Petr N. Gordeev The chorus against Chaliapin: an episode from the life of the great artist in the age of revolution More » Yaroslav V. Gloushakov «O.K. Great Britany and Russian Soviet Land!» Should the world be afraid of Russian Soviet songs of the period of World War II? Victory’s price More » Nadezhda S. Ganenko About unknown autograph of Sergei Taneyev More » Anna E. Krom Musical time and the principles of its organization in the art of American minimalism More » Tatiana M. Siverskaya Composition and dramaturgy principles of the opera «The Enchanted Wanderer» by Rodion Shchedrin More » Anastasia А. Logunova Opera Finale as Musical-dramatic Structure: La Solita Forma and it’s Modifi cations More » Olga A. Moskvina «The theme of joy» in the creation of Sofi a Gubaidulina: the question of religious software in instrumental works of the composer (for example Sonata «Rejoice!») More » ETHNOMUSICOLOGY Lidiya Daniilovna Dashieva, Oleg Sergeevich Rinchinov, Igor Jimbeevich Radnaev Buryat uligers in the digital space More » Saule I. Utegalieva, Aleksandr V. Kharuto, Computer Researches of Flageolets on the Kazakh Dombra More » Nailya M. Sharifullina Rhythmic types of lamentations in the wedding rite of Mishar Tatar More » Svetlana M. Lopushanskaia Piano in the Messiaen’s chamber music More » Galina Ye. Soldatova Regularities of temporal organization of Mansi instrumental tunes More » Liliya A. Vishnevskaya Vocal polyphony of Karachays and Balkars in the context of folklore and liturgical forms of polyphony More » Valentina I. Moiseeva About using an alphabetic and fi gures tablature for fi xing Karelian and Finnish melodies by Elias Lonnrot More » Irina V. Pchelovodova The instrumental variants of the Udmurt kubyzchi: Apay Syamen («Maiden dance») More » Andgela V. Gucheva, Mukhamed F. Bukhurov, Farizat H. Gulieva (Zanukoeva), Timur A. Dzughanov, Barasbi N. Berezgov Harmonica in the Context of Circassian (Adyghe) Customs and Ceremonies: Functions and Semantics (Historical and Ethnographic Review) More » YOUNG SCIENTISTS' WORKS CONFERENCE И.П. Шеховцова «Звучащий мир Древней Руси» More » REVIEWS Aleksandr Vinnitskiy И научное исследование, и практическое руководство More » Elena M. Alkon In the wake of Mikhail Glinka in Italy. Review of the book «Mikhail Glinka and Italy. Mysteries of life and creativity» by E.M. Petrushanskaya More » PROBLEMS PERFORMING Mikhail A. Gotsdiner To a Question of a Religious Fundamental Principle in I. S. Bach's Sonatas and Partitas for Violin Solo Performer’s Notes More » Vyacheslav A. Nedosekin Methods of intensifi cation of musical hearing of an accordionist at work on polyphonic compositions More » YOUNG SCIENTISTS WORKS Anastasia V. Kuzkina About melodical structure in heirmoses of kievan chant More » Elena An. Nikiforova «Mythological fairy-tale» in the ballet «The Prince of the Pagodas» by Benjamin Britten More » Elizaveta V. Sanicheva Opera work «A King, Riding» by Klaas de Vries as a mirror of processes and tendencies of contemporary musical art More » Maria V. Kamyshanova Some Compositional and Dramaturgical Principles of Opera Epilogue More » IN MEMORIAM Leo A. Mazel Some Compositional and Dramaturgical Principles of Opera Epilogue More » *** - Публикации научно-издательского центра «Московская консерватория» за 2014 г More » - Публикации редакционно-издательского отдела Казанской государственной консерватории (академии) им. Н.Г. Жиганова More » YOUNG SCIENTIST`S WORKS Ivan A. Kolokolnikov Irkutsk opera troupe of 1936–1938 More » Julia A. Kuranova The mysteriological in the «Persephone» by I. Stravinsky – A. Gide: the specifi city of the objectifi cation More » Natalia S. Storchak Theory of species of fourth and fi fth, forming modes, of Marchetto of Padua (or an explanation of the «musical dishes») More » CONFERENCES Григорий Консон Международная конференция «Искусствоведение в контексте других наук в России и за рубежом: Параллели и взаимодействия» (13–18 апреля 2015 года) More » - Публикации Российской академии музыки им. Гнесиных 2014 г. More » Vladislav O. Petrov «Music art and science in the modern world»: On the III International scientifi c conference in Astrakhan State Conservatory More » paleography Tatiana F. Vladyshevskaya Study of Znamenny Chant in the Old Believer’s Schools on the Base of Ancient Russian Traditions More » Alexandr A. Lukashevich To the Question of Protograph of Putevoj Three-line Irmologion NRL.OLDP.Q.4 More » ISSUES OF PEDAGOGY Olga V. Shestakova On Some Principles of Education in Special Music Schools for Gifted Children More » Natalia S. Gavrilova Ideomotor Memory and Emotion as the Basis of Piano Craftsmanship More » Vladimir I. Adischev About the History of the Central Music School at the Moscow Conservatory More » Vladimir Ilyich Adischev, From the history of the Moscow Conservatory (Department of children`s musical education) More » EVENTS AND DATES Г.Б. Шамилли Энциклопедия азербайджанского мугама: на пересечении прошлого и будущего More » MODERN MUSICAL CULTURE Vladislav O. Petrov Theatricality of performing space in the works of John Corigliano More » Evgenii V. Dukov Ways of music cybernauts More » MUSIC HISTORY Nadezhda A. Shchepkina On one particular formula kadentsionnyh Byzantine samoglasnyh stichera More » Elena V. Pankina The editorial policy of the publisher of music in the Renaissance: the activity of Ottaviano Petrucci dei Fossombrone More » Yaroslav V. Gloushakov The Soviet mass song: the secret of «Aviamarch» More » Nadezhda G. Minchenkova The origin of the name singing book «Trezvony» More » Tatiana V. Kraskovskaia The Soviet Karelia of 1980 in a Mirror of Cantata and Oratorical Genre More » Elena V. Stepanova N.A. Rimsky-Korsakov’s participation in ensembles to «Mitrofanov day» More » Andrew B. Kovalev S. Rachmaninov’s «The Prayers Incessantly of God» in the Context of the Development of the Genre of Spiritual Concert More » PROBLEMS OF THEORY Grigory R. Konson Refl ections about the Concept of the Piano Concerto No. 2 of Sergei Rachmaninoff in the Research of Russian musicologists More » Ivan A. Subbotin The Study of Polystylism in Domestic and Foreign Musicology More » ANNIVERSARIES Sergey V. Frolov Glinka Nameless anniversary: the 200th anniversary of «the fi rst musical manifestation of feelings» More » Elena V. Slavina The Philosophy of Free Creativity. On the 100th Anniversary of the Death of A. Skryabin (1872–1915) More » INSTRUMENTOLOGY Alexandra A. Skroznikova Mandolin: from the Renaissance to the Classical More » QUESTIONS OF THEORY OF MUSIC Aleksandra V. Voronina The problem of periodization in the context of the evolution of P.I. Tchaikovsky creativity (experience of generalization) More » HISTORY OF MUSIC Petr N. Gordeev «I would not be surprised if all this will end with a scandal»: how V.A. Telyakovsky tried but failed to prevent the strike of the Mariinsky theatre chorus More » Olga A. Kalashnikova Features style interactions in piano sonatas A. Ukrainskogo «Winds of alarms» More » Pavel E. Karpov About Kastalsky cantata «Verse of the Russian church singing» (from archives) More » Alexander S. Yevdokimov The change of liturgical language as a musical style factor: on some English sacred music distinguishing features of the Reformation period More » Aleksandra V. Voronina An early work by P. Tchaikovsky (Quartet B-dur) More » QUESTIONS MUSIC PEDAGOGY Nadezhda P. Mamaeva The outstanding people of music education of Russian abroad More » DISCUSSION FORUM Aram S. Enfi adzhyan (Aram Enfi) About correct defi ning the concept of «Symphonic music» More » MISCELLANEOUS Andgela V. Gucheva, Mukhamed F. Bukhurov, Timur A. Dzughanov, Fatima V. Gucheva «Udzh» in the Traditional Musical and Dancing Culture in the Adyghe Context of Mythological Concepts More » PERFORMING ARTS Yuliya K. Drobot C.P. E. Bach about the art of the free fantasy More » INSTRUMENTOVEDENIYA Vera V. Makhan Domra in Russia: the reasons for creating the four-strings domra and the fight between three-strings and four-strings domra in the 1920-30s More » OTHER Andgela V. Gucheva, Fatima V. Gucheva, Asiyat M. Abaeva, Asiyat M. Abaeva, Oksana A. Marchenko, Leyla H. Zhappueva, Madina K. Midova Circassian (Adyghe) Former Dance «KАFA». Historical, Folklore and Ethnographic Review More » Zaira V. Kazharova Representation of the religious-mythological syncretism circassians in the ritual songs More » Публикации журнала «Музыковедение» за 2015 год - - More »