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Musicology

Index of articles published in the journals "Musicology" in 2015.

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QUESTIONS OF THEORY
lexander S. Ryzhinskiy L. Berio's scenic mass: passage to new musical theater

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Sergey S. Popov The sky disappeared: about Symphony 3 by Sergey Berinsky

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Elena M. Smirnova On some features of musical texture of farit yarullins compositions

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Lidia G. Knyazeva New Essence of Thinking New Forms of Expression. Pierre Boulez: Douze Notations for Piano

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Grigoriy R. Konson N.A. Rimsky-Korsakov the scientist: refl ections of the Russian composer about music of R. Wagner

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MUSICAL HISTORY
Valeriya E. Nedlina Stylistic trends in academic music of Kazakhstan in 19802010's. On the issue of National Vanguard

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Grigory A. Moiseev Carl Reinecke: Russian Contacts: Russian Musical Society, conservatoires, august patrons

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Nataliya V. Zabolotnaya Catalogues of Church Chant Manuscripts as a Phenomenon of Cultural History

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Sufiya G. Muratalieva Hamburger Bach and his Oratorio Resurrection And Ascension of Jesus

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Viktor V. Khairullaev Nestor among composers: Antonio Salieri and his pupils

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Pavel V. Lutsker The Opera buffa Bertoldo, Bertoldino e Cacasenno on libretto by Carlo Goldoni: the question of authorship

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Mikhail A. Lobanov In the way of Vesna (On the artistic interests of the Composer Stravinsky The Rite of Spring)

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Natalia I. Degtyareva From the history of creation of the French Salom&#233; by Richard Strauss

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Petr N. Gordeev From the history of musical theatre in the revolutionary epoch: the struggle between opera and ballet

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Elena Y. Bagrova The spiritual theme in chamber music by Francis Poulenc

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Natalia A. Braginskaya Igor StravinskyRichard Strauss: to the problem of dialogue of cultures in the 20th century music

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Yuliya V. Glazkova Outstanding French organists of the XX century: Maurice Durufl &#233; (19021986)

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Margarita A. Rumyantseva Artistic Image and its Musical Embodiment (on the Example of 13th Century Motets)

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Natalia I. Verba Archetypal Images of A.F. Lvovs Ondine in the mermaids Musical Context of the XIX Century

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Maria M. Buloshnikova Music, which is struggling with the silence. On the style of instrumental compositions G&#233;rard Pesson

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Raisa G. Shitikova Sonata for Orchestra in the 20th-Century Music: A precedent or a genre evolution rule?

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Petr N. Gordeev The chorus against Chaliapin: an episode from the life of the great artist in the age of revolution

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Yaroslav V. Gloushakov O.K. Great Britany and Russian Soviet Land! Should the world be afraid of Russian Soviet songs of the period of World War II? Victorys price

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Nadezhda S. Ganenko About unknown autograph of Sergei Taneyev

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Anna E. Krom Musical time and the principles of its organization in the art of American minimalism

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Tatiana M. Siverskaya Composition and dramaturgy principles of the opera The Enchanted Wanderer by Rodion Shchedrin

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Anastasia . Logunova Opera Finale as Musical-dramatic Structure: La Solita Forma and its Modifi cations

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Olga A. Moskvina The theme of joy in the creation of Sofi a Gubaidulina: the question of religious software in instrumental works of the composer (for example Sonata Rejoice!)

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ETHNOMUSICOLOGY
Lidiya Daniilovna Dashieva, Oleg Sergeevich Rinchinov, Igor Jimbeevich Radnaev Buryat uligers in the digital space

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Saule I. Utegalieva, Aleksandr V. Kharuto, Computer Researches of Flageolets on the Kazakh Dombra

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Nailya M. Sharifullina Rhythmic types of lamentations in the wedding rite of Mishar Tatar

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Svetlana M. Lopushanskaia Piano in the Messiaens chamber music

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Galina Ye. Soldatova Regularities of temporal organization of Mansi instrumental tunes

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Liliya A. Vishnevskaya Vocal polyphony of Karachays and Balkars in the context of folklore and liturgical forms of polyphony

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Valentina I. Moiseeva About using an alphabetic and fi gures tablature for fi xing Karelian and Finnish melodies by Elias Lonnrot

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Irina V. Pchelovodova The instrumental variants of the Udmurt kubyzchi: Apay Syamen (Maiden dance)

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Andgela V. Gucheva, Mukhamed F. Bukhurov, Farizat H. Gulieva (Zanukoeva), Timur A. Dzughanov, Barasbi N. Berezgov Harmonica in the Context of Circassian (Adyghe) Customs and Ceremonies: Functions and Semantics (Historical and Ethnographic Review)

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YOUNG SCIENTISTS' WORKS
CONFERENCE
..

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REVIEWS
Aleksandr Vinnitskiy ,

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Elena M. Alkon In the wake of Mikhail Glinka in Italy. Review of the book Mikhail Glinka and Italy. Mysteries of life and creativity by E.M. Petrushanskaya

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PROBLEMS PERFORMING
Mikhail A. Gotsdiner To a Question of a Religious Fundamental Principle in I. S. Bach's Sonatas and Partitas for Violin Solo Performers Notes

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Vyacheslav A. Nedosekin Methods of intensifi cation of musical hearing of an accordionist at work on polyphonic compositions

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YOUNG SCIENTISTS WORKS
Anastasia V. Kuzkina About melodical structure in heirmoses of kievan chant

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Elena An. Nikiforova Mythological fairy-tale in the ballet The Prince of the Pagodas by Benjamin Britten

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Elizaveta V. Sanicheva Opera work A King, Riding by Klaas de Vries as a mirror of processes and tendencies of contemporary musical art

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Maria V. Kamyshanova Some Compositional and Dramaturgical Principles of Opera Epilogue

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IN MEMORIAM
Leo A. Mazel Some Compositional and Dramaturgical Principles of Opera Epilogue

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YOUNG SCIENTIST`S WORKS
Ivan A. Kolokolnikov Irkutsk opera troupe of 19361938

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Julia A. Kuranova The mysteriological in the Persephone by I. Stravinsky A. Gide: the specifi city of the objectifi cation

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Natalia S. Storchak Theory of species of fourth and fi fth, forming modes, of Marchetto of Padua (or an explanation of the musical dishes)

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CONFERENCES
: (1318 2015 )

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- . 2014 .

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Vladislav O. Petrov Music art and science in the modern world: On the III International scientifi c conference in Astrakhan State Conservatory

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paleography
Tatiana F. Vladyshevskaya Study of Znamenny Chant in the Old Believers Schools on the Base of Ancient Russian Traditions

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Alexandr A. Lukashevich To the Question of Protograph of Putevoj Three-line Irmologion NRL.OLDP.Q.4

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ISSUES OF PEDAGOGY
Olga V. Shestakova On Some Principles of Education in Special Music Schools for Gifted Children

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Natalia S. Gavrilova Ideomotor Memory and Emotion as the Basis of Piano Craftsmanship

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Vladimir I. Adischev About the History of the Central Music School at the Moscow Conservatory

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Vladimir Ilyich Adischev, From the history of the Moscow Conservatory (Department of children`s musical education)

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EVENTS AND DATES
.. :

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MODERN MUSICAL CULTURE
Vladislav O. Petrov Theatricality of performing space in the works of John Corigliano

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Evgenii V. Dukov Ways of music cybernauts

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MUSIC HISTORY
Nadezhda A. Shchepkina On one particular formula kadentsionnyh Byzantine samoglasnyh stichera

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Elena V. Pankina The editorial policy of the publisher of music in the Renaissance: the activity of Ottaviano Petrucci dei Fossombrone

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Yaroslav V. Gloushakov The Soviet mass song: the secret of Aviamarch

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Nadezhda G. Minchenkova The origin of the name singing book Trezvony

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Tatiana V. Kraskovskaia The Soviet Karelia of 1980 in a Mirror of Cantata and Oratorical Genre

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Elena V. Stepanova N.A. Rimsky-Korsakovs participation in ensembles to Mitrofanov day

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Andrew B. Kovalev S. Rachmaninovs The Prayers Incessantly of God in the Context of the Development of the Genre of Spiritual Concert

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PROBLEMS OF THEORY
Grigory R. Konson Refl ections about the Concept of the Piano Concerto No. 2 of Sergei Rachmaninoff in the Research of Russian musicologists

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Ivan A. Subbotin The Study of Polystylism in Domestic and Foreign Musicology

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ANNIVERSARIES
Sergey V. Frolov Glinka Nameless anniversary: the 200th anniversary of the fi rst musical manifestation of feelings

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Elena V. Slavina The Philosophy of Free Creativity. On the 100th Anniversary of the Death of A. Skryabin (18721915)

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INSTRUMENTOLOGY
Alexandra A. Skroznikova Mandolin: from the Renaissance to the Classical

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QUESTIONS OF THEORY OF MUSIC
Aleksandra V. Voronina The problem of periodization in the context of the evolution of P.I. Tchaikovsky creativity (experience of generalization)

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HISTORY OF MUSIC
Petr N. Gordeev I would not be surprised if all this will end with a scandal: how V.A. Telyakovsky tried but failed to prevent the strike of the Mariinsky theatre chorus

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Olga A. Kalashnikova Features style interactions in piano sonatas A. Ukrainskogo Winds of alarms

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Pavel E. Karpov About Kastalsky cantata Verse of the Russian church singing (from archives)

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Alexander S. Yevdokimov The change of liturgical language as a musical style factor: on some English sacred music distinguishing features of the Reformation period

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Aleksandra V. Voronina An early work by P. Tchaikovsky (Quartet B-dur)

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QUESTIONS MUSIC PEDAGOGY
Nadezhda P. Mamaeva The outstanding people of music education of Russian abroad

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DISCUSSION FORUM
Aram S. Enfi adzhyan (Aram Enfi) About correct defi ning the concept of Symphonic music

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MISCELLANEOUS
Andgela V. Gucheva, Mukhamed F. Bukhurov, Timur A. Dzughanov, Fatima V. Gucheva Udzh in the Traditional Musical and Dancing Culture in the Adyghe Context of Mythological Concepts

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PERFORMING ARTS
Yuliya K. Drobot C.P. E. Bach about the art of the free fantasy

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INSTRUMENTOVEDENIYA
Vera V. Makhan Domra in Russia: the reasons for creating the four-strings domra and the fight between three-strings and four-strings domra in the 1920-30s

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OTHER
Andgela V. Gucheva, Fatima V. Gucheva, Asiyat M. Abaeva, Asiyat M. Abaeva, Oksana A. Marchenko, Leyla H. Zhappueva, Madina K. Midova Circassian (Adyghe) Former Dance KFA. Historical, Folklore and Ethnographic Review

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Zaira V. Kazharova Representation of the religious-mythological syncretism circassians in the ritual songs

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2015
- -

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 Sections

«About journal

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«Thematic focus of the journal

«Formatting rules

«Stages of the review and publication

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Instrument-Making and Automation Means. Encyclopedic Textbook
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Aerospace Instrument-Making
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Engineering Physics
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History of Science and Engineering
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Music and Time
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Note Album
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Universal History
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