Musicology Annotation << Back On one particular formula kadentsionnyh Byzantine samoglasnyh stichera Nadezhda A. Shchepkina In this paper, a study undertaken by the poetic and melodic originality samoglasnyh chants, to which are still not paying attention. Based on observations of the holiday samoglasnymi stichera author concluded hymnographers application and melurgami formula serving a specifi c function main rhyme cadence. Signs of it are: 1. It is defi nitely the fi nal formula; 2. Reliance on modal ihosa abutment; 3. Eating chant two or more times; 4. Lines of the poetic text, raspetye this formula, often abundantly supplied with different methods of organization of the poetic text – from zvukopisi up rhymes. In tandem with the main rhyme cadence can work even one or two similar formulas, whose main task – «fl ashing» additional meanings and emphases of verbal text. Keywords: Byzantine chants, poetic lyrics, music lyrics, main rhyme cadence, pattern and relief. Contacts: E-mail: nadjach@yandex.ru Pp. 03-07.