Musicology Annotation << Back Igor Stravinsky–Richard Strauss: to the problem of dialogue of cultures in the 20th century music Natalia A. Braginskaya In this article, in the light of interaction of the different composition schools, there is concerned the question of Igor Stravinsky’s relation to the works of the most prominent German composer of the XX century – Richard Strauss. Through the analysis of documental sources (letters, interviews, evidences of contemporaries) the author tries to reveal both zones of confrontation and points of contact between the art of the two composers, including a paradoxical intertextual parallels in the scores of «Salome» and «The Rite of Spring». Keywords: Igor Stravinsky, Richard Strauss, Wagnerism, «Salome», «The Rite of Spring». Contacts: E-mail: nb-sky@yandex.ru Pp. 03-08.