Musicology Annotation << Back Theatricality of performing space in the works of John Corigliano Vladislav O. Petrov The article is devoted to the display of one of the main genres of modern music culture – instrumental theater – in the work of the American avant-gardist John Corigliano. For example, such works as «Promenade Overture», «Stomping», Third Symphony and Concerto for Flute and Orchestra («Pied Piper Fantasy») the basic laws of theatrical space tool at the implementation stage opuses – a special disposition of the tool in space scene movement instrumentalists the use of psycho-physical ways to attract public attention (acting), modeling a full theatrical performance. In the analysis of the Concerto for Flute and Orchestra («Pied Piper Fantasy») levels allocated plot and stage drama. It is proved that the structure and form, content and dramaturgy works Corigliano irresistibly depend on the stage incarnation of a particular composition, a particular concept. They defi ne the extramusical factors. The musical number in this context is interconnected with the theatrical side, with it aims to recreate the author’s concept, which involves itself genre of instrumental theater. Keywords: John Corigliano, a synthesis of art, postmodernism, instrumental theater, staging, performance, makrokontsept, interpretation. Contacts: E-mail: petrovagk@yandex.ru Pp. 47-52.