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Musicology

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The theme of joy in the creation of Sofi a Gubaidulina: the question of religious software in instrumental works of the composer (for example Sonata Rejoice!)
Olga A. Moskvina

The article reveals one aspect of the concept of religious idea in the work of Sofi a Gubaidulina (for example, the Sonata for
Violin and Cello Rejoice). The time in question the beginning of 80-ies of XX century almost a decade separated from the
religious boom in the Soviet and post-Soviet space, which will happen at the end of the 80s-90s, and which is called a new
sanctifi cation. This allows us to consider Gubaidulina work is not something that would be outside the context of sacra nova,
but in many ways parallel to it (and anticipating). The research focuses on the phenomenon of threads of joy in the works
of the composer, which is treated in accordance with denominational (Orthodox) reading. The emphasis is on a double sonata
genre, which allows you to plot to interpret the pages of Scripture. In addition, the dual nature of the genre works: Sonata and
instrumental mass multiplies sacred nature of the work. Analyzed in detail one of the leading methods of Gubaidulina in the
creation of religious scenes a sacred metaphor. Its multi-level hierarchy and allows the composer the apparent plot specifi cs
remain within the high of a generalized software.
Keywords: Gubaidulina; double sonata; Instrumental Mass; Religious software; sacred metaphor.

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Pp. 18-27.

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