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Musicology

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Features style interactions in piano sonatas A. Ukrainskogo «Winds of alarms»
Olga A. Kalashnikova

The article deals with the problem of style interactions in piano sonatas Russian composers of the second half of the XX century. This question is particularly relevant in connection with the fundamental changes the foundations of compositional thinking that took place throughout the XX century. Along with the search for new solutions in the fi eld of formation, musical and expressive means, piano texture, the authors are actively used to achieve musical past breaking features known styles in his work. A striking example of such interactions is a piano sonata Voronezh composer Alexander Ukrainsky «Winds of alarms» (1991). The author concludes that the organic combination in the composition of various stylistic characteristics in conjunction with the individual artistic conception creates the preconditions for the birth of the original dramatic concept.
Keywords: interaction style, modern piano sonatas, neoclassicism, romanticism, impressionism, Voronezh composer A. Ukrainsky.

Contacts: E-mail: kalashnikovy.v.o@gmail.com

Pp. 15-20.

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