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Musicology

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In the way of «Vesna» (On the artistic interests of the Composer Stravinsky «The Rite of Spring»)
Mikhail A. Lobanov

In the article merged two story with names of artists, anyhow infl uenced the design of the “sacred Spring” by Stravinsky an
d the musical incarnation of the famous ballet. In this connection, article names are Nicholas Roerich and M. Ciurlionis. In one
case, the composer had only his impression of the painting with the artist he was not personally acquainted; in close cooperation
with other recognized as Maître in Russian art of the early 20th century. The last case is a joint work with Roerich on the scenario, the
ballet is well known in the autobiographical sources of Stravinsky; the fi rst acquaintance with the works of Ciurlionis, refl ected in the
documents of the composer, published only in recent decades. However, in either case, there are details not previously attracting
the attention of researchers of creativity of Stravinsky. They are the subject of my interest in this article. Based on them has been,
in particular, I can to establish that the initial theme of the ballet was born under the infl uence of one of the Ćiurlionis paintings
also other details.
Keywords: Slavic antiquities, paganism, ballet, scenario, libretto, exhibition.

Contacts: E-mail: malobanov@yandex.ru

Pp. 36-43.

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