| WORKS OF YOUNG SCIENTISTS |
| Mikhail N. Bakumenko |
About Relations of Melodic Declamation with Hebrew Cantillation Traditions in the Operas of Steve Reich
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| Nadim Zh. Aidarov |
Eduard Napravnik’s Draft Letters (Toward the Problem of Epistolary Heritage Studying)
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| Vladimir Adishchev |
The History and the Present of Musical Education: Fundamental and Applied Aspects
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| Ethnomusicology |
| Nailya M. Scharifullina |
Lullabies of Uliyanovsk Region Tatar-Mishars
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| Tatiana S. Sergeeva |
How Myths about Musicians Were Born:
From the History of Medieval Andalusia
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| Irina M Nurieva |
The Problems of Areal Researches in Udmurt Folklore Study
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| Violetta N. Yunusova |
The Phenomenon of Buddhist Meditation in Traditional Music Culture and Eastern Avant-garde
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| Mikhail A. Lobanov |
Contexts of Antonida’s Romance
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| Lidia D. Dashieva |
Intonational Models of the Ritual Long Songs of Mongolian Peoples
More »
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| Natalia S. Kuznetsova |
Special Types of Polyphonic Texture in Verkhny Oskol Tradition
More »
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| Mikhail A. Lobanov |
Bell and Song (about the Historical Age of a Wedding Song)
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| Igor V. Solovjov |
The Phenomenon of Sound Imitations in Saami Tradition
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| MUSICAL HISTORY |
| Kirill Vl. Posternak |
A New Life of «Partes» Music During the Age of Classicism
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| Natalie V. Zabolotnaya |
Oral Traditions of Kievan Rus’ Chant Culture
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| Natalia V. Tararatskaya |
Bell Music of K.K. Saradjev: From the Archive Documents
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| ВОПРОСЫ ТЕОРИИ |
| Ljudmila S. Dyachkova |
Yuri Kasparov. Chamber Symphony No. 3 Light and Shade — Setting Off for Seven Performers (1999): The Concepts of Senses
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| Krasilnikov I.M. |
The Types of Electronic Music Art
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| QUESTIONS OF THE THEORY |
| Ljudmila S. Dyachkova |
Poetics of Nonlinearity in Contemporary Music
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| Natalya A. Fedorovskaya |
The Functions of Music-Rhetorical Figure Circulatio
in West European Baroque Music
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| Vitaly Al. Shuranov |
The Sacral Space of Music Sound: Mythology, Physics, Metaphysics
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| Tatiana N. Krasnikova |
The Phenomenon of Artistic Time in 20th Century Music
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| Gdaliy I. Garmiza |
Conceptual Base of Musical Sound Recording. Approaches and Solutions
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| Marina V. Pereverzeva |
Musical Mobile: Genre or Form?
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| Marina N. Tchebourkina |
«The Resonance Effect» in the René Descartes' System of Harmony
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| Galina V. Zadnepovskaya |
Iraida Jusupova’s Media-opera as the New Genre of Contemporary Russian Opera at the Turn of the 21st Century
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| Marina N. Tchebourkina |
The Phenomenon of Metric Extrapolation in the Time of J. Titelouze and the Theory of «Song-Form»
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| Dr. Denis Lomtev |
Terminology paradoxes in A. B. Marx's textbook on Compositional Theory Die Lehre von der musikalischen Komposition
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| Vladislav Ol. Petrov |
The Concepts of Instrumental Theatre
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| Marina N. Tchebourkina |
«Period» and «Periodical» Forms in French Organ Music of the 18th Century
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| Alexandr S. Ryzhinskiy |
The Idea of ‘Unity’ as the Conceptual Basis of L. Berio’s ‘Coro’
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| Marina N. Tchebourkina |
Principles of Organ Performance in the French Baroque Era: «Stops-Combination's Genre», «Toucher», «Manner» of Execution, «Articulation», «Notes inégales»
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| Shao Xiao Yong |
Modality and Tonality in Tian Fong’s Music
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| Julia M. Oparina |
«The Sound Approaches…». Poetic Intonation and the Problems of its Realisation in Music (on Examples from Alexandr Blok's Poetry)
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| rina S. Stognij |
Semantic Multidimensionality of Music: On the Problem of Connotations of Meaning
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| Alexandr E. Lebedev |
Instrumental Texture of Contemporary Works for Bayan
in the Context of Traditional Performing of Music
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| МУЗЫКАЛЬНАЯ ИСТОРИЯ |
| Oksana I. Lukonina |
Motives of Modern Iconography in Maximilian Steinberg’s Works
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| Lomtev D.G. |
The Germans in Russian Music Public Associations
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| PALEOGRAPHY |
| Natalie V. Zabolotnaya |
Chant Manuscripts of Patriarch Library in the 17th Century
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| Irina P. Shehovtsova |
Greek Chant Manuscripts Collection of Russian State Library: Cataloguing Experience
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| Natalia Y. Plotnikova |
Traditions of Multi-Version Melody in Partes-Style (on an Example of Makarismos Chant)
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| ЭТНОМУЗЫКОЛОГИЯ |
| Natella V. Tchakhvadze |
Melodic of the Instrumental Parts of Shashmakam as Representationof Shifting Views of Time and Space
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| Kamirova A.N.
Kosyreva S.V. |
About the Project «Musical Tradition of the Sami of the Kola Peninsula»
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| WORK OF YOUNG SCIENTISTS |
| Gulnara I. Bekirova |
«Homo Cantans» by Ekaterinburg Composer Olga Viktorova
(on Arrangement of Folk Tunes in Contemporary Composers’ Works)
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| Irena A. Redkina |
On the History of Collecting and Studying
the Folk Music of Penza Region
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| Olga B. Shevtsova |
Prince V.F. Odoevski: The Theory of Church Singing
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| Larisa V. Guryanova |
Selected Features of Polyphony
in Guitar Music of Western European Classicism
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| Anastasiya A. Vasilenko |
The Poetics of Benjamin Britten’s Vocal Cycles
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| Varvara V. Bubchikova |
Verdi’s Works in Sacred Music: Towards the Evolution of the Composer’s Style
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| Dmitry B. Goudimov |
Instrumental Performance in Russia in the 18th — First Half of the 19th Centuries: Regarding Creation of Bowed String School
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| Аnton N. Pavlovsky |
Russian Cello Concert in the 20th Century
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| Vera Al. Lopantseva |
Hugo Distler’s Choral Cycle Dance of Death
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| Vasilisa A. Zharkova |
Concert Arias: Traditions of the Genre and Their Realization in W. A. Mozart’s Works
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| Olga B. Shevtsova |
Тhe Beginning of the Church Music Studies in Russia
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| Polina V. Pavlova |
Traditions of Heroic Epos Olonkho in Dramaturgic Concepts of Yakut Opera
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| Nikolai A. Latyshev |
Reverie Orientale by Alexander Glazounov:Historical and Textual Aspects of Research
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| Araksya Al. Hayrapetyan |
An Unknown Concerto of Arno Babadjanyan
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| REVIEWS |
| Оксана Твердохлебова
|
«Дон Жуан» в Ла Фениче:
во власти замкнутого круга
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| Т.Е. Морозова |
Рабиндранат Тагор. «ГИТАНДЖАЛИ». Музыкальные поэмы
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| MUSIC HISTORY |
| Nina V. Pilipenko |
Franz Schubert’s Farse «Die Zwillengsbrüder»
and Viennese Singspiel
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| Sona G. Ibragimova |
To the Problem of Development of Professional Musical Education
in Azerbaijan
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| Marina S. Filatova |
To the Question about Anton Arensky’s Theatre Music
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| Antonina S. Yakovleva |
Traditions and Continuity of Moscow Conservatory School of Singing
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| Maya S. Fattakhutdinova |
Iraida Jusupova’s Media-opera as the New Genre of Contemporary Russian Opera at the Turn of the 21st Century
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| Natalia V. Rastvorova |
Interpretation of the Evangelic Story in Composition “Carrying Cross” by Vladimir Kobekin
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| Dana Zh. Zhumabekova |
Musical Culture of Kazakhstan in the Context of the Modern Historical Approach: Problems of Periodization
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| Vladimir A. Kotov |
Son Habanero and its Genre Status in the Cuban Music
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| Nina R. Melik-Davtyan |
Variations on the Theme of Russian National Anthem «God Save the Tsar» by Charles Mayer
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| ETHNOMUSICOLOGY |
| Nailya M. Scharifullina |
Lullabies of Uliyanovsk Region Tatar-Mishars
More »
|
| Tatiana S. Sergeeva |
How Myths about Musicians Were Born:
From the History of Medieval Andalusia
More »
|
| Irina M Nurieva |
The Problems of Areal Researches in Udmurt Folklore Study
More »
|
| Violetta N. Yunusova |
The Phenomenon of Buddhist Meditation in Traditional Music Culture and Eastern Avant-garde
More »
|
| Mikhail A. Lobanov |
Contexts of Antonida’s Romance
More »
|
| Lidia D. Dashieva |
Intonational Models of the Ritual Long Songs of Mongolian Peoples
More »
|
| Natalia S. Kuznetsova |
Special Types of Polyphonic Texture in Verkhny Oskol Tradition
More »
|
| Mikhail A. Lobanov |
Bell and Song (about the Historical Age of a Wedding Song)
More »
|
| Igor V. Solovjov |
The Phenomenon of Sound Imitations in Saami Tradition
More »
|
| CONFERENCE |
| - |
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| Т.И. Науменко, И.П. Сусидко |
О международной конференции «Музыковедение в XXI веке. Музыкальные культуры России и Германии: диалоги и параллели» (РАМ им. Гнесиных, 3–5 апреля 2012 года)
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|
| Г. Консон |
Международная научная конференция
«Искусствознание и гуманитарные науки современной России. Параллели и взаимодействия» (ГКА им. Маймонида, 9–12 апреля 2012 года)
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|
| Т.С. Сергеева |
«Музыка народов мира в XXI веке: проблемы и перспективы».
К юбилею В.Н. Юнусовой (МГК им. Чайковского, 13–15 апреля 2012 года)
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|
| paleography |
| Natalie V. Zabolotnaya |
Chant Manuscripts of Patriarch Library in the 17th Century
More »
|
| Irina P. Shehovtsova |
Greek Chant Manuscripts Collection of Russian State Library: Cataloguing Experience
More »
|
| Natalia Y. Plotnikova |
Traditions of Multi-Version Melody in Partes-Style (on an Example of Makarismos Chant)
More »
|
| ARCHIVES |
| Ekaterina N. Sadikova |
An Interrupted Dialogue with the Past. Ivan Gardener’s Unpublished Letters
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| *** |
| - |
Научные издания, выпущенные российскими музыкальными
вузами в 2011 году
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| PROBLEMS OF PERFORMING |
| Valentina P. Fomina |
Vocalists Artistism in the Aspect of Contemporary Vocal Interpretation of Italian Opera of the First Half of the 17th Century
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| INSTRUMENTOVEDENIE |
| Alexandr E. Lebedev |
The Phenomenon of Timbre and Typology of Texture in the Genre of Accordion Concerto
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| PALEORGRAPHY |
| Nora Al. Potemkina |
The Catalogization of Church-Chant Manuscripts: the Problems of Description of the Eparchial Collection of the State Historical Museum (GIM), Moscow
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| QUESTIONS OF THE PEDAGOGY |
| Valentina P. Fomina |
Vocal Diction in The Aspect of the Problems of Contemporary Vocal Interpretation of Italian Operas of the First Half of the 17th Century
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| Музыкальная история |
| Oksana I. Lukonina |
Motives of Modern Iconography in Maximilian Steinberg’s Works
More »
|
| Lomtev D.G. |
The Germans in Russian Music Public Associations
More »
|
| Палеография |
| Shehovtsova I.P. |
Greek Music Manuscripts Collection of The State Historical Museum:
A Preliminary Review
More »
|
| Starikova I.V. |
The Special Melodic Formulas in the Psalm Cycles of the Vigil
in Russian Manuscripts of the 16th to 18th Centuries
More »
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| Этномузыкология |
| Natella V. Tchakhvadze |
Melodic of the Instrumental Parts of Shashmakam as Representationof Shifting Views of Time and Space
More »
|
| Kamirova A.N.
Kosyreva S.V. |
About the Project «Musical Tradition of the Sami of the Kola Peninsula»
More »
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| Работы молодых ученых |
| Muzychenko M.M. |
Music of Russian Funeral Ritualism
More »
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| ВОПРОСЫ ТЕОРИИ
|
| Tchebourkina M.N. |
French Baroque Organ Art.
Periodization. The Categories of “Plein jeu” and “Préluder”
More »
|
| Kuleshova A.N. |
The Specifics of “the Sensitive Style” of the 18th Century in Germany
and Aesthetics of “Empfindsamkeit”
More »
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| Музыкальная история
|
| Kovalyova E.A.
Maximova A.Ye. |
The Historical Performance “The Early Reign of Oleg” (1970)
More »
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| Работы молодых ученых
|
| Glazkova Yulia V. |
Maurice Duruflé: About Some Features of the Composer`s Style
More »
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| Kuz’kina A.V. |
Kievan Chant Psalms in the Books of Church Songs
More »
|
| Efanova A.V. |
About the Methods of Analysis of Folk Songs Melodic Structure
More »
|
| Публикации журнала «Музыковедение»
за 2012 год
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