QUESTIONS OF THEORY
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Irina Tukova
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On the General Bases in the Development
of Music and Natural Sciences
of New and Newest Time
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Valentina Fomina
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Stylistic principles of Italian opera of the first half of the XVII century in the cultural and historical context
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Margarita Rumyantseva
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About reading the alterations in modern transcriptions of medieval polyphonic music
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Nelly Gataullina
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Painting As the Major Factor of Development
of Compositional Style in the Piano Music of Edison Denisov
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Marina Girfanova
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«Theorization» of practical music as a branch
of knowledge by Johannes de Muris in his treatise «Notitia artis musicae»
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Elena Zaverukha
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Dramaturgical function of texture
in concerto–chant «Glorifying the Birth
of Christ» by V. Runchak
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MUSICAL HISTORY
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Irina Stepanova
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Stylistic horizons of «The Stone Guest»
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Julia Medvedeva
Wu Jing Yu
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The plot of «Turandot» G. Puccini
in the context of Chinese culture
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Antonina Olshevskaya
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The verses read on notes
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ETHNOMUSICOLOGY
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Galina Shchupak
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Wedding group lamentation songs
of tirade-strophic composition:
to the problem of attribution
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Irina Egorova
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To the question about correlation of verbal
and musical components of folk text
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Elena Kiseleva |
Stylistic and structural-typological features
of the birth-christening ritual songs of Russian-Belarussian borderland
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Anastasia Novoselova |
Ba yin: the Eight Categories of Sound
in Chinese Musical Culture
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Ekaterina Tiron
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Genre differentiation of lyrical
songs of Tuva-Toju
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YOUNG SCIENTISTS' WORKS
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PROBLEMS EXECUTIONS
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Antonina Voronina |
Organ Sonata «The 94th Psalm» by Julius Reubke and the questions of its registration
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Dmitry Dyatlov |
Rachmaninoff’s Serenade. «Dimensional»
and «color» solutions of musical texture
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MUSICAL HISTORY |
Ivan Semeryaga |
On the Role of Czech Musicians in the History of French Horn Playing Jan Václav Stich (Giovanni Punto)
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Vitaliy Dotsenko |
«Magical Realism» and the Music of Latin America
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Natalia Verba
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The Mythologeme of Water in the Opera «Sadko» by N.A. Rimsky-Korsakov and in C. Debussy's Creativity:
Sides of Archetype
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Vlada Melyushchuk
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Professional Singing Traditions of Ancient Egypt on Archeological Data. The Singing Tradition ḥś from the End of the Period of the Ancient Empire (2686–2181)
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Yulia Glazkova |
«Musical universities» of Maurice Duruflé: creativity of the organistshis — his predecessors and contemporaries
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Irina Krivoshey |
Biblical motifs in Musorgsky’s vocal chamber music
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Ekaterina Kalinina |
Modern music in the films of Ingmar Bergman
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Nadezhda Ganenko
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The archival finds: «Two triumphal choirs
to enter guests» of Sergei Taneyev (to the question about the history of the creating)
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YOUNG SCIENTISTS' WORKS |
PROBLEMS EXECUTIONS |
Dmitry Dyatlov |
Artistic Subject of Piano Interpretation — Vectors of Research
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Bookshelf
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Bookshelf
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INSTRUMENTS |
Anna Guseva |
Musical and sound possibilities of Russian historical bells (history and modern)
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MUSICAL HISTORY
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Olga Zhestkova
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On historical truth and fiction in Scribe’s operatic libretto «Gustave III ou Le bal masque»
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Nikolay Latyshev
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Fanfares genre in A. K. Glasunov`s works:
historic-textological aspects of research
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Elena Smagina
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D.Y. Struiskiy and his Opera
«Parasha-Siberian»
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Nelly Gataullina
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«Music speech» of Edison Denisov’s
piano works
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Svetlana Izotova
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«Faithful to the cult of Bach»: Activity
of A. Siloti in his American period
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ISSUES OF PEDAGOGY |
Dana Zhumabekova
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Violin music education in Kazakhstan:
retrospective and perspective
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CONFERENCE |
Marina Kosmovskaya
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Scientific Council on the history of music
education: the question of activity
public association
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Tatyana Starostina |
Smolensk read in Kazan
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REVIEWS |
Violetta Yunusova |
Immortal Tunes «Koroglu»
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Tatyana Zaytseva |
New on Tchaikovsky
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QUESTIONS OF THEORY |
Elena Lagutina |
Schenker and Schoenberg
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Nataliya Reneva |
Numerical rows in Boulez’s analytical
studies on Stravinsky’s rhythmics
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Natalia Fedorovskaya |
The role of musical-rhetorical figure circulatio
in creation the Pundjab lasso image
in the musical by A.L. Webber
«The Phantom of the Opera»
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YOUNG SCIENTISTS' WORKS
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MUSICAL HISTORY
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Nina Sviridovskaya
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Antique silhouettes by Kandinsky,
Hartmann and Sakharoff
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Petr Gordeev
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Music and revolution: the election
of the manager of the opera troupe
of the Mariinsky theatre in 1917
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ETHNOMUSICOLOGY
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Liliya Vishnevskaya
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Structural and Intonation Foundationsof Karachay and Balkar Traditional
Vocal Polyphony
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Eseniya Petrova
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Performing techniques and principles
of variation in the tradition of playing
the piano harmonica
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Alibi Abdinurov
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Traditional kazakh kui –
basis symphony kui
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YOUNG SCIENTISTS' WORKS
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PROBLEMS PERFORMING
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Dmitry Dyatlov
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Intonational solutions of agogic problems
of music text (the example of Shopin’s Nocturne B major op.32 ¹ 1)
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