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Musicology

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Organ Sonata «The 94th Psalm» by Julius Reubke and the questions of its registration
Antonina Voronina

The questions of registration of organ sonata «The 94th Psalm» by Julius Reubke (1834–1858), a pupil of Liszt and an outstanding representative of Weimar school, are discussed in the present article. The disposition of Merseburg Dom organ (1855, F. Ladegast), is also the object of analyzes because the sound of this instrument gave the real impulse to create the mentioned above sonata as well as such significant organ works of Franz Liszt as Prelude and Fugue on BACH theme and Fantasy and fugue on the theme «Ad nos, ad salutarem undam». Emphasis is given to the author’s registrations that demonstrate superior knowledge of the specific features of the instrument and the organ performance in whole. The characteristic stylistic features of the German organ romanticism in particular, the timbre, dynamic and register preferences common to Liszt and J. Reubke are examined on the example of the sonata «The 94th Psalm».
Keywords: Julius Reubke, Franz Liszt, organ music, registration, romanticism.

Contacts: E-mail: voronina_a_o@mail.ru

Pp. 62-71.

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