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Musicology

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Artistic Subject of Piano Interpretation — Vectors of Research
Dmitry Dyatlov

The topic of the article is figurative subject of music interpretation. The vectors of research are directed to overcoming borders, to the classification of musical imagery and musical expression, to the eidetic subject. The interpretation transcends the borderlines of interpretation of «other» and «constant», «formation» and «become», «nothingness» and «being». The article presents a general classification of types of musical imagery, that correspond to the general principles of musical expression. Sound images are conditionally divided into three large groups: affective, contextual and integrative imagery. Musical expression operates with the basic principles of contrast, connections and integer. Types of musical imagery are matched with types of perception: affective image with psychophysical type, contextual image with aesthetic type, integrative image with symbolic type. The study moves from the reception of the interpreter, through the definition of the expression of the sound image, musical formation to anagogics, apophatics of symbol, eidos.
Keywords: eidetic subject, piano interpretation, musical formation, anagogiya, apophatics of symbol, eidos.


Contacts: E-mail: diatlovda@mail.ru

Pp. 61-68.

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