| QUESTIONS OF THE THEORY |
| Shinkaryova M.I. |
Ricercar Composition in the 17th Century against the Background of Cultural and Artistic Processes of Baroque
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| Izotova E.A. |
Musical Set Theory and Experimental Twelve-tone Theories of the 20th Century
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| Makina A.V. |
Olivier Messiaen’s «Organ Book»: Towards the New Concept of Rhythm
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| Hasanova A.N. |
On Some Aspects of Quantitativity in Composers’ Music (by the Example of Salikh Saidashev’s Vocal and Instrumental Compositions)
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| Viskova I.V. |
Instrumental Timbre as an Element of Exxpression in Art
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| MUSIC HISTORY |
| Zharova A.S. |
Industrial Theme in Twentieth-Century Music
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| Paleography |
| Fedorovskaya N.A. |
Music-Rhetorical Figures in Old Russian Chants
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| MODERN MUSIC CULTURE |
| Dahl N.V. |
Lower Saxony – a «Land of Music»: Politics Focused on the Importance of Music Culture
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| WORK OF YOUNG SCIENTISTS |
| Trainina E.L. |
«Postmodern Sensibility» and its Realization on Several Stages of Gyorgy Ligeti’s Style Evolution
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| IN MEMORIAM |
| Lobkova G.V. |
Memory A.M. Mehnetsova
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| Safonova E.L. |
On the 100th David Oistrach’s Birth Anniversary
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