Musicology Annotation << Back On Some Aspects of Quantitativity in Composers’ Music (by the Example of Salikh Saidashev’s Vocal and Instrumental Compositions) Hasanova A.N. In this article an attempt has been made to reach beyond the borders of the deeprooted ideas and notions concerning the sphere of dissamination of the quantitative rhythmics, having added to the number of the cultures, refracting the norms of time measuring, the traditions of the composers’ music. On the example of the vocal and instrumental creativity of Salikh Saidashev it is shown that in the creative activity of the Tatar composers not just the «inlaid work» of quantitative rhythmic intonations into the alien for them minor and major accent environment takes place, but the very reproduction of them with the full preservation of the logics of the quantitative organization, expressing itself in particular in the character of the interrelation of the metre, harmony and factur. Key words: quantitative rhythmics, Tatar composers, Saidashev. E-mail: 14121953@mail.ru