Musicology Annotation << Back Formation of Style in Tatar Composers’ Works in the 1920s — 1930s (Axiological Paradigm) A.A. Almazova Musical language as a structural and semiotic object in general scheme can be represented by the interaction of three levels: pragmatics, semantics and syntactics. The author supposes that only the principally new relations based on an innovative model of the world are able to create objective or potential values. This method of acsiological analysis is shown on the example of Tatar music of the beginning of the 20th century represented by the works of Sultan Gabashi and Salikh Saidashev. Key words: semiotic system, pragmatic, syntactic, semantic, axiology, style, contents and form, Tatar music. E-mail: aida_almazova@mail ru