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Musicology

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The Russian national musical instruments in Buryatia and works of A.A. Pribylov
Anastasiya V. Klepchenko

The relevance of the study is conditioned in that it attempts to analyze the russian national musical instruments as a region of republic`s Buryatia musical life. The aim of this article is to defi ne infl uence of the russian national instruments on the musical life of Buryatia to subsequent use of material in «The history of the musical culture of the Transbaikal». First of all the text says, that appearance of the russian national instruments in the Transbaikal is tied with elucidative activity of the exiles. Further the author indicates to activity of V.V. Andreev, the grate russian musician. The text says that opened in 1929 Musically-theatrical studio influenced on the professional musical education in Buryatia. Opened in 1962 the National Instrument`s Department in the East Siberian State Institute of culture is marked as important event for development playing on the russian national instruments. Then the text says about national music`s ensemble named «Siberian souvenir», created by teacher V.V. Kitov. Further the text touches upon the originality of collective named «Amusement», created by N. Osipov. The text deals with the characteristic of some pieces of music composed by A. Pribylov. The composer A. Pribylov writes his works for the orchestra of the russian national instruments, the ensemble and the instruments solo. In conclusion the author stresses, that professional orchestras of the russian national instruments, numerous amateur collectives function in republic to present tense. The graduating students of Buryatia`s educational institution replace regular this orchestras and collectives.
Keywords: the musical culture of Buryatia, Transbaikal orchestras, republican collectives, the section of the russian national instruments, Aleksandr Pribylov.

Contacts: E-mail: Nastyamurmino@mail.ru

Pp. 49-56.

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