Musicology Annotation << Back А.N. Scriabin: Implementation of the World as Beauty Anna Maslyakova The phenomenon of beauty, as well as finding ways to implement it, attracted mankind for centuries. In our research this subject is seen by the example of musical and aesthetic concept of Alexander Scriabin, one of the most enigmatic composers and thinkers of the XIX–XX centuries. The article defines the essence of musical and aesthetic concept of A. Scriabin, which lies in immediate, practical implementation of beauty of the universe. Magnitude of the composer’s idea is determined by the breadth of his interests (lumiere, pedagogy, poetry, aesthetics, etc.). Particular attention is paid to the evolution of attitudes of A. Scriabin and forms of their expression in sound in the dynamics of the three major phases of his work: early (before 1900), average (1900 to 1910) and late (1910 to 1915). Keywords: beauty, sound, meaning, musical and aesthetic, А.N. Scriabin, «Mystery», aesthetic impulse, implementation. Contacts: E-mail: fly.zoo@mail.ru Pp. 51-60.