| HISTORY OF MUSIC
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| Demchenko Alexander |
A Century Ago
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| MUSIC THEORY |
| Nikulina Anastasia |
The Verbal Polyphony
in the Electro-Acoustic Composition
«Thema. Omaggio a Joyce» by L. Berio
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| Yessayan Rachia
(Hrachya) |
Mark Andre. The piece "durch"
for soprano saxophone, piano
and percussion: analysis of form-making
and development strategies
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| Devutsky Vladislav |
Architectonic ideas of Beethoven's
Sonatas interpreted by Mikhail Lidsky
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| Makina Anna |
The «Blackbird» for fl ute and piano
by O. Messiaen: analysis
of the technique of musical language
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| Skhaplok Galina |
The Nineteenth Symphony for Wind
Orchestra by Nikolai Myaskovsky
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| Shevchenko Kirill |
Bricolage in Electronic Music:
How Phonk Turns Limitations
Into Creative Opportunities
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| Lipov Anatoliy |
CHENYU BU SOUND AS SILENCE:
Nothingness in the Music
of Anton Webern and John Cage
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| Levin Anton |
Frequency Arrangement. Theoretical
and Practical Aspects of Optimizing
Instruments in Musical Composition
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| Lipov Anatoliy |
William O'Beaman. Silence in Music
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| Mu Tyan'syuj |
A brief Analysis of the Musical form
and Performance Features of the First
Part of Beethoven's Sonata Op. 53
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| Sambrish Elena |
Reflections on the Sonata, or Sonata,What Do You Want from Me?(On the Timbre Microphonyin G. Ciobanu’s “De sonata meditor”)
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| Lipov Anatoliy |
Peter Timmerman Uncaged:
Buddhism, John Cage and the Freeing
of the World
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| Lipov Anatoliy
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Eric de Visscher Silence as a Musical
Sculpture. John Cage and the
Instruments in «4'33»
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| Petruseva Nadezhda,
Vyimova Anastasia
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«1ère Gymnopédie» by E. Satie, «Hymn I»
by A. Schnittke: Interpretation of Genre,
Forms, compositional Techniques
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| Alekseeva Nadezhda |
«From me Flows What you Call Тime»
by Toru Takemitsu: Interpretation
of the Cycle, Orchestra,
Form, Types of Material
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| Skhaplok Galina |
The First Symphony «Overcoming»
by V. Pyankov and its Place
in the Composer's Work
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| ISSUES OF MUSIC PEDAGOGY |
| Gnilov Boris,
Skhaplok Galina |
Special Military Operation
and Musical Art
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| Akhanteva Natalia |
The Role and Importance of Career
Guidance Work With high School Students
in Pre-University Training
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| Wu Xiaolei
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Chinese Musicians are the Founders
of the Methodology, Theory and Practice
of the New Musical Culture of China
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| HISTORY OF MUSIC |
| Adishchev Vladimir |
Russian Folk Songs Transcribed
by N.A. Rimsky-Korsakov (from the History
of Life in Perm Government
at the Beginning of the 20th Century)
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| Yareshko Aleksandr |
Canonic Forms
of Russian Orthodox Chimes
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| Yakovleva Elena |
A.S. Pushkin and F.I. Chaliapin: Crossing
the Lines of Fate
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| Demchenko Alexander
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Titan of the Baroque Era
(on the 340th Anniversary
of Handel's Birth)
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| Demchenko Alexander
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Imaginative Worlds
of Beethoven's Piano Music
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| Demchenko Alexander
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Element of Humour in the Works
of Elena Gokhman. To 90th Anniversary
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| Semenova Natalia
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The Origins of Modern Pop Music
at the Turn of the 19th and 20th Centuries
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| Demchenko Alexander
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Pro et contra. On the centenary
of Dmitry Shostakovich's First Symphony
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| Plotnikova Natalia |
«Nine Sacred Pieces» by P.I. Tchaikovsky:
from the History of Creation
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| Mystery around Mystery |
Devutsky Vladislav
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| MUSIC IN THEATRE AND CINEMA |
| Verbitskaia Ekaterina,
Kostiuk Ekaterina |
Musical and Sound Design in Theatrical
Productions of the Early 21st Century
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| PERFORMING ARTS |
| Safonova Elena |
Violin Portrait of Ludwig Spohr
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| Belik Peter |
Icon of the Passion-Bearer Nicholas II
in the Seventh Symphony A. Kurchenko
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| Wang Rui |
Cadenza in the Dialogue of Performing
Interpretations of R. Levin – F. Busoni
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| Stachinsky Vladimir,
Stachinskaya Irina |
A Contextual Approach to the Work
of Future Concert Performers
on Performance Interpretation
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| Sukhanova Tatiana |
Violinist and composer N.Y. Afanasyev
in the mirror of 19th century
music criticism
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| Glusskaya Daria |
Biographical Portrait
of Boris Kravchenko –
Author of Choral Works
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| Paramonova Svetlana |
The Phenomenon of Stage Fright:
Characteristics of Its Manifestation in Harp Performance
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| FOLKLORE STUDIES
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| Tregulova Natalya |
The Formation of the Concept of «Folklore»
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| QUESTIONS OF MUSIC PEDAGOGY |
| Wang Bojian |
Peculiarities of a Conductor's Work
With a Brass Band
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| Khuat Ngoc My |
Differences in Pronunciation and Opera
Singing Between Italian and Vietnamese:
Analysis and Comparison
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| Deliy Pavel |
A Four-Dimensional Model of the Performing
Competence of a Wind Instrument Performer:
an Interpretive Segment
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| Zalomnova Svetlana |
Children's Music for Piano
by Viktor Khodyashev
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| Deliy Pavel |
A Four-Dimensional Model of the Performing
Competence of a Wind Instrument Performer:
Auto-Psychological Segment
More »
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| Silantieva Maria |
Teacher Self-Determination
in the Context of Artificial Intelligence
Integration in Education
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| Batagova Tatiana |
The Professional Development of an Opera
and Symphony Conductor. A Conversation
Between Musicologist Tatiana Batagova
and Guest Conductor of the Mariinsky
Theatre Georgy Albegov
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| Cherkasova Zoya |
Nina Valentinovna Romanova (1894–1970)
and Her Pedagogical Legacy
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| Devutsky Vladislav
|
Creative Solution of Harmonic Problems
as a way to in-depth Knowledge
of the Structure of the Musical Fabric
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| Manuilov Vladimir |
The Art of Playing the Trumpet
in the USA: Questions of History,
Performance, and Pedagogy.
The Image of the Trumpet in the Artistic
and Methodological Repertoire
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| Manuilov Vladimir |
The Art of Playing the Trumpet in the USA:
Issues of History, Performance, Pedagogy.
Periodization and Prerequisites
for the Development of Trumpet Performance
in the USA in the 17th–19th Centuries
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| Liu Zhewen
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Specific Features of the Violinist's Musical
and Technical Development
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| Andreyko Evgeniya
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The Role of Vocalization in Vocal
Pedagogical Work
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| Zalomnova Svetlana
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Ensemble Music Making in Piano Class
into English (using the Example
of four-hand Pieces by N. Kutyreva)
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| Chikitova-Shadt Kristina
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Working With the Opera Piano
in the Accompanist Class
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| FOLKLORE STUDIES |
| Kosyreva Svetlana |
Karelian Runes as a Phenomenon
of Ancient Tradition Music
More »
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| MUSICAL THEATRE |
| Babicheva Elena |
Actor's Authenticity in the Conventional
Space of Opera
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