| THEORY OF MUSIC |
| Glivinsky Valery |
The Listener and the Work
as the Dualistic Basis
for the Morphological Analysis of Music
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| Skhaplok Galina |
Musical Sound Recording
in the Choral Works of V. Pyankov:
Observation and Analysis
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| Deliy Pavel |
A Four-Dimensional Model of the Performing
Competence of a Wind Instrument Performer:
Structure and Hierarchy
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| Skhaplok Galina |
Opera «Stepan Kalashnikov»
by Valery Pyankov:
a Comprehensive Analysis
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| Skhaplok Galina |
Collection «Piano Pieces for Children»
by V. Pyankov: Features of the Composer's
Creative Approach
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| Krishtalyuk Olga |
See the Sound – Hear the Gesture: the Role
of Unconventional Methods of Sound
Production in Chamber Instrumental
Compositions by Yuri Kasparov
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| Skhaplok Galina |
Instrumental Music by Valery Pyankov
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| Skhaplok Galina |
Valery Pyankov's Third Symphony:
from Idea to Embodiment
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| Demchenko Alexander
|
One of the Antithesis Paradigms
and the Artistic World of Alfred Schnittke
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| Skhaplok Galina |
«Concerto-Variations» for Solo Piano
and String Orchestra by V. Pyankov:
on the Question of the Genre
Specifi cs of the Work
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| Abdurashidov Abduvali |
On the Connection Between the Rules
of the Composition of Sarakhbori Rost
and the Pitch Structure of the Tanbur
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|
| Belenkiy Stepan |
Genres of Song of the XX–XXI Century:
Peculiarities of Artistic Expression
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| HISTORY OF MUSIC |
| Ogarkova Natalia |
Aristocratic Salon of A.F. Lvov.
Music and Power
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| Demchenko Alexander |
Igor Stravinsky – First Steps
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| Kuzkina Anastasiya |
Kiev Chant in the Russian Handwritten
Tradition – Features of Transplantation
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| Sergeev Maxim |
The Legendary Master Piano Builder
Friedrich Diederichs
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| Deliy Pavel,
Abramov Oleg |
Euphonium is Sweet-Voiced
and Undeservedly Forgotten
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|
| Li Zhen |
Theatricality in Vocal Music
of the Twentieth Century
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|
| Diego Fernando
Carrion Granda
|
Luis Humberto Salgado in Ecuadorian Music:
the Ecuadorian School of Composition
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| Demchenko Alexander
|
British Orpheus
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| Shabalina Tatiana |
Oratorio «Isaac» at St. Thomas Church:
to the History of Music in Leipzig
in the Middle of the 18th Century
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| Demchenko Alexander |
Igor Stravinsky and Sergei Prokofi ev:
Different Destinies Under the Patronage
of Sergei Diaghilev
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| Demchenko Alexander |
Russian Conservatories as a Cultural
and Educational Institution
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| PERFORMING ARTS |
| Makina Anna |
Modern Performing Technique
and Composition in «Whisper of the Phoenix»
for Solo Violin by A. Khubeyev
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| Petruseva Nadezhda |
"Anthemes I" for Solo Violin by Pierre Boulez: Interpretation of the form and the "Virtual Theme"
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| Skhaplok Galina |
The concert «Sad Songs»
by Valery Pyankov
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| Chikitova-Shadt Kristina,
Xie Tianchi |
Piano Accompaniment as an Element of Drama
and a Means of Emotional Expression
in the Vocal Cycle «The Poet’s Love» by R. Schuman
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| ETHNOMUSICOLOGY
|
| Tischenkova Tatyana |
Spiritual (Memorial) "Poems"
of the Smolensk Region: Meaning in the Rite,
Genre and Performance Aspects
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|
| Yunusova Gyzel |
Systematization of Musical Sources
on the Tatar Lullaby
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| HISTORY OF MUSIC
|
| Grachyova Veronika |
The Work of Erik Satie and French
Dadaism of the Early 1920s
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|
| Kharlov Andrey |
On the Issue of the Existence
of the Labor Refrain «Hod-Vodom»
in the Nizhny Novgorod Region
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| MUSIC AND CINEMA |
| Perevozchikova Kristina |
A Musical Tragedy by Alfred Shnittke
and Michael Schweitzer.
«The Requiem for the Art»
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| INTERNATIONAL MOSAIC |
| Sambrish Elena |
Artistic Paradigms of Ghenadie Ciobanu’s
Symphonic Creativity: New “Old”
Programming (About the Method
of Conceptual Programming)
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| ISSUES OF MUSIC PEDAGOGY
|
| Kaminskaya Elena |
About one Approach to the Implementation
of the Academic Discipline "History
of Russian Music" in Universities
of Culture and Art
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| Devutsky Vladislav,
Devutsky Oleg |
Harmony: on the Way
to the Art of Arrangement
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| MUSICAL THEATRE
|
| Amirova Elnara |
About the Musical Dramaturgy
of Azerbaijani Ballets
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| EXECUTION PROBLEMS |
| Batagova Tatiana
|
On Some Aspects of the Professional
Development of an Opera and Symphony
Conductor. A Conversation Between
Musicologist Tatyana Batagova
and the Conductor of the Krasnodar
Musical Theater Mikhail Serenko
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| Stachinsky Vladimir,
Rothers Tatyana
|
Performing Interpretation as a Criterion
for the Competence of a Future
Concert Performer
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| Batagova Tatiana |
The Image of the Poet in the Composer's
Reception. Kosta Khetagurov
and Ossetian Musical Culture
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| Berkul Tatyana
|
The Development of the Genre
of Caprice for Violin Solo in the Late
18th – early 19th Centuries
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| ISSUES OF MUSIC PEDAGOGY |
| Deliy Pavel
|
Formation of Performing Competencies
of Orchestral Flutists in the Process
of Mastering Professional
Education Programs
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| Safonova Elena |
A Violin Journey from St. Petersburg to Moscow:
L. Auer – S. Korguev – A. Yampolsky – L. Kogan
(to the 100th Anniversary of the Birth
of L.B. Kogan)
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| Kuzkina Anastasiya,
Skhaplok Galina
|
Methods of Intensive Teaching of Harmony
to Foreign Military Personnel
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| Kozlov Maxim
|
Formation of the Performing Apparatus
of Children Studying in the Baritone
Class of Institutions of Additional
Education for Children
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| Vasilenko Anastasia,
Ivanova Svetlana,
Ignatenko Anastasia |
The Violin School of J. Joachim
and A. Moser: the Experience
of Methodological Analysis
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|
| Musin Firgat |
Competency-Based Approach
to Teaching Tuba Students
at the University
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|
| Devutsky Vladislav,
Devutsky Oleg |
Harmony: on the Way to the Art
of Arrangement. Part 2
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|
| Polecha Angelina,
Batagova Tatiana |
Two Facets of a Unique Hearing:
Color Perception and Relativity
by David Berge
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| Furukin Aleksey
|
Initial Training to Plains the Horn
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| Dong Xinyu
|
Analysis of the Formation of the Methodology
of Modern Piano Teaching in China
in the Context of Public Policy
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| IN MEMORIAM |
| Batagova Tatiana
|
An Outstanding Lecturer, Musicologist,
Musical and Public Figure.
In Memory of Zh.G. Dozortseva
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| ETHNOMUSICOLGY |
| Gucheva Andzhela |
«Sound Painting» and «Nomination»
of Divine Characters and Images of Myth
in the Adyghe Magico-Healing Rite
Chapsh (based on the Material
of Smallpox Conspiracy Songs)
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|
| Tregulova Natalya |
Cultural Relations Between Song Traditions
of Mordovia and Russia (Using Materials
from Musical and Ethnographic Expeditions
of the Department of Folk Music
of the N.P. Ogarev National Research
Mordovian State University)
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| Chernobaeva Oksana |
Genre and Style Characteristics
of the Song Folklore of the Upper
Pooch Region: General
and Specific Features
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|
| MUSIC THEORY |
| Abdurashidov Abduvali |
About the Publication of a New
Edition and Version of the Book
Shashmaqom in Tajikistan
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