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Musicology

Index of articles published in the journals "Musicology" in 2021.

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QUESTIONS OF MUSICAL PEDAGOGY
Pokrovskaya Ilona A. Some Features of the Pianist's Work in Conducting Class

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Stachinskaya Irina V. On the genesis of the French flute style

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A NEW LOOK
Devutsky Vladislav E. Program Music and Semantic Analysis of Musical Compositions

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Skhaplok Galina A. The Origins and General Characteristics of the Concept Postspectralism in Music Composition

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Yesayan Rachya (Hrachya) R. Mark Andre: the Poetic of the Titles

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Alekseeva Aleksandra Yu. Indian Rhythms in the Michael Nymans Second String Quartet

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Yesayan Rachya (Hrachya) R. Mark Andre: the Personality Portrait

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MEDIA AND MUSIC
Budagyan Regina R. Digital Technologies in the Art of Music. Creativity of Gleb Veniaminovich Filshtinsky

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Platonova Olesia A. Minimalism in the Music of Armand Amar for the Films Amen by Costa Gavras, Sagan by Diane Kurys, Its Influence on the Formation of the Films Atmosphere and the Emotional Response of the Audience

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Titova Tatyana M., Zaytceva Marina L. Features of the Interaction of Music, Speech and Video Series in the Animated Film Howls Moving Castle

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Zyryanov Mikhail L. Original Soundtrack and Film Music: Experience of the Comparison

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Barkalaya Nino O. Pianism and Digital Technologies: About the Cycle Online Embassy in Search of Skill With Michael Voskresensky

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MUSICAL THEATRE
Lazanchina Anna V. Tobacco Captain A.A. Eichenwald: Lost Music Comedy

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Sviridovskaya Nina D. N. Evreinov and operetta: the point of intersection

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Verba Natalia I. Interpretation of The Little Mermaid by G. H. Andersen in the ballet by L. Auerbach and J. Neumeier: new sound and eternal meanings of the old plot

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THEORY OF MUSIC
Shmakova Olga V. The conceptual role of finals in symphonic cycles by Russian composers of the 1920-s

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Shoniezova Dinara M. Literatur opera: on the problem of genre definition

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Koshkareva Natalya V. Features of polyphonic texture in secular choral music a cappella by M.M. Ippolitova-Ivanov

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Merzlov Arseny N. About the Guiding Idea of First Piano Sonata Op. 28 by Sergey Rachmaninoff

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Fedusova Alina A. Toposes of love and death in V. Ullmanns melodrama The Lay of the Love and Death of the Cornet Christoph Rilke

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Romodina Larisa V. Constants of V. Rubins Melodic Style

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Shtrom Anna A. The Poetry of F. Tyutchev in N. Medtners Interpretation Based on the Example of the Musical Poem Bessonitsa [Sleeplessness] op. 37 No. 1

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ETHNOMUSICOLOGY
Chernobaeva Oksana V. Calendar-ritual song cycle of the Upper Ook tradition: ethnographic context, semantics, functions

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Gumerova Aysylu T. On the Orthodox singing of the Kryashen Tatars of the Tyulyachinsky district, Republic of Tatarstan (on the materials of musical ethnographic expedition)

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Bondarenko Maria V. They Didnt Blow the Trumpet Early at Dawn: the Origins of a Wedding Lyrical Song from the Repertoire of the P.G. Yarkov Choir near Moscow

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AD LIBITUM
Selitsky Alexander Y. Failed Arrival in Novocherkassk Prima Ballerinas of the Imperial Theaters in the Mirror of the Newspaper Donskoy Vestnik

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INTERNATIONAL MOSAIC
Li Yaping, Krom Anna E. Five elements of the Universe in the symphony suite Wu Xing by Chen Qigang

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Abdurashidov Abduvali A. On the definition of registers and octave modes of tanbur

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Vityuk Alexander A. Musical Collaboration as an Integral Part of Modern Music Making

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Ji Shanshan Solfeggio in China: from Borrowing Experience to Modern Practice

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Mammadova Leyla M. Cantata Gottes ist der Orient Frangiz Alizadeh: Substantive and Structural Aspects

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Babayeva Minakhanim I. Vocal Performance Features of O Patria mia Performed by the Honored artist of the Republic of Azerbaijan Ilham Nazarov

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HISTORY OF MUSIC
Mikheeva Marina V. Glazunov and Rachmaninoff: meetings, concerts, events

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Krom Anna E. Michael Gordon and the Traditions of American Experimental Music

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Serov Yuri E. Tishchenko and Shostakovich: the Crossroads of Destinies, on a Common Symphonic Path

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Serov Yuri E. Boris Tishchenko: Tribute to Schubert

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Dolinskaya Elena B. Fyodor Druzhinin Maria Yudina. Dialogues and monologues about performance

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Moiseev Grigory A. Mozartiana of the Marble Palace: on the History of Family Listening and Performing Traditions (18301890s)

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Frolov Sergey V. Creative Task: About the Undecated Term in the Scientific Heritage Of B.l. Yavorsky

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PHILOSOPHY AND MUSIC
Serova Natalia S. Man in the picture of the world by A. Schopenhauer and R. Wagner

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PERFORMANCE PROBLEMS
Safonova Elena L. The Violinists Creativity: Towards the Problem of Creating a Performing Interpretatio

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Gutova Svetlana Y. The Role of Composer Neo-Folklorism in Development Authentic Vocal Performance Style

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MUSICAL PEDAGOGY ISSUES
Mikhailov Ilya E. Literary and Musical Living Rooms: Educational and Methodological Module

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Bakshi Lyudmila S. Music and Art-Therapy: Observation Practice

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Kameko Elena M. Some Aspects of P.A. Serebryakovs Pedagogical Activity

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NEW LOOK
Egorova Tatyana K. Transmutations of the Genre of Instrumental Theater, or Artvision Music by Alexander Bakshi

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Imamutdinova Zilia A. Evolution of the Quranic Reciting by the Russian Muslim Tatars and Bashkirs

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QUESTIONS OF MUSIC PEDAGOGY
Blok Oleg A. Development of the Creative Imagination of Students-Musicians in the Classes of Instrumentalists of Institutions of Additional Education for Children

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Gnilov Boris G., Nikoltsev Ilya D. System of Exercises in Brief Structures in Harmony Lessons

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MUSICAL THEATER
Baeva Alla A. From the History of the Russian Opera Theatre of the Late 1950s Early 1990s: Events, Observations, Notes

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Selitsky Alexander Ya. On the Road to 1931. To the 90th Anniversary of the Rostov State Theater of Musical Comedy

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MUSIC HISTORY
Burmatov Maxim A. Domestic and American Pop Song in the 1920s1930s: Specificity and Influence on the Musical Culture of the Russian Emigration

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Tyuryakova Yuliya V. The Use of Unchangeable Chants in the Singing Practice of the Syzran District of the Simbirsk Diocese at the Turn of the XIXXX Centuries (Based on Materials from Church Periodicals)

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Gerasimova Irina V. Five-Voice Partes Concert Parts of the Late XVIIthXVIIIth Centuries: Repertoire Analysis

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INSTRUMENTATION
Finkelshtein Yuliya A. Transformation the Timbre of a Classical Guitar

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MUSIC THEORY
Petruseva Nadezhda A., Glebova Elena S. About Two Compositions for Guitar by Maurice Ohana: "Tiento" and the Cycle "If the Day Comes..."

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Devutsky Vladislav E. Fundamental Dissimilarity of the Semantic Perception of Music by Amateurs and Professionals. Potential Convergence Predictions

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Sanko Anatoly K. String Quartets by Evgeny Golubev

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Serov Yuri E. Instrumental Concerts of B. Tishchenko of the 1960s in a Context of Renewal of the Genre in Russian Music of the Second Half of the Twentieth Century

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Koshkareva Natalya V. Koshkareva N.V. Polyphonic Techniques in Choral Concerts Russian Fairy Tale and Wreath to Alyabyev by A. Nikolaev

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