Musicology Index of articles published in the journals "Musicology" in 2021. << Back QUESTIONS OF MUSICAL PEDAGOGY Pokrovskaya Ilona A. Some Features of the Pianist's Work in Conducting Class More » Stachinskaya Irina V. On the genesis of the French flute style More » A NEW LOOK Devutsky Vladislav E. Program Music and Semantic Analysis of Musical Compositions More » Skhaplok Galina A. The Origins and General Characteristics of the Concept Postspectralism in Music Composition More » Yesayan Rachya (Hrachya) R. Mark Andre: the Poetic of the Titles More » Alekseeva Aleksandra Yu. Indian Rhythms in the Michael Nyman’s Second String Quartet More » Yesayan Rachya (Hrachya) R. Mark Andre: the Personality Portrait More » MEDIA AND MUSIC Budagyan Regina R. Digital Technologies in the Art of Music. Creativity of Gleb Veniaminovich Filshtinsky More » Platonova Olesia A. Minimalism in the Music of Armand Amar for the Films «Amen» by Costa Gavras, «Sagan» by Diane Kurys, Its Influence on the Formation of the Film’s Atmosphere and the Emotional Response of the Audience More » Titova Tatyana M., Zaytceva Marina L. Features of the Interaction of Music, Speech and Video Series in the Animated Film «Howl’s Moving Castle» More » Zyryanov Mikhail L. Original Soundtrack and Film Music: Experience of the Comparison More » Barkalaya Nino O. Pianism and Digital Technologies: About the Cycle «Online Embassy in Search of Skill With Michael Voskresensky» More » MUSICAL THEATRE Lazanchina Anna V. «Tobacco Captain» A.A. Eichenwald: Lost Music Comedy More » Sviridovskaya Nina D. N. Evreinov and operetta: the point of intersection More » Verba Natalia I. Interpretation of The Little Mermaid by G. H. Andersen in the ballet by L. Auerbach and J. Neumeier: new sound and eternal meanings of the old plot More » THEORY OF MUSIC Shmakova Olga V. The conceptual role of finals in symphonic cycles by Russian composers of the 1920-s More » Shoniezova Dinara M. Literatur opera: on the problem of genre definition More » Koshkareva Natalya V. Features of polyphonic texture in secular choral music a cappella by M.M. Ippolitova-Ivanov More » Merzlov Arseny N. About the «Guiding Idea» of First Piano Sonata Op. 28 by Sergey Rachmaninoff More » Fedusova Alina A. Toposes of love and death in V. Ullmann’s melodrama «The Lay of the Love and Death of the Cornet Christoph Rilke» More » Romodina Larisa V. Constants of V. Rubin’s Melodic Style More » Shtrom Anna A. The Poetry of F. Tyutchev in N. Medtner’s Interpretation Based on the Example of the Musical Poem “Bessonitsa” [Sleeplessness] op. 37 No. 1 More » ETHNOMUSICOLOGY Chernobaeva Oksana V. Calendar-ritual song cycle of the Upper Ook tradition: ethnographic context, semantics, functions More » Gumerova Aysylu T. On the Orthodox singing of the Kryashen Tatars of the Tyulyachinsky district, Republic of Tatarstan (on the materials of musical ethnographic expedition) More » Bondarenko Maria V. «They Didn’t Blow the Trumpet Early at Dawn»: the Origins of a Wedding Lyrical Song from the Repertoire of the P.G. Yarkov Choir near Moscow More » AD LIBITUM Selitsky Alexander Y. Failed Arrival in Novocherkassk Prima Ballerinas of the Imperial Theaters in the Mirror of the Newspaper «Donskoy Vestnik» More » INTERNATIONAL MOSAIC Li Yaping, Krom Anna E. Five elements of the Universe in the symphony suite «Wu Xing» by Chen Qigang More » Abdurashidov Abduvali A. On the definition of registers and octave modes of tanbur More » Vityuk Alexander A. Musical Collaboration as an Integral Part of Modern Music Making More » Ji Shanshan Solfeggio in China: from Borrowing Experience to Modern Practice More » Mammadova Leyla M. Cantata «Gottes ist der Orient» Frangiz Alizadeh: Substantive and Structural Aspects More » Babayeva Minakhanim I. Vocal Performance Features of «O Patria mia» Performed by the Honored artist of the Republic of Azerbaijan Ilham Nazarov More » HISTORY OF MUSIC Mikheeva Marina V. Glazunov and Rachmaninoff: meetings, concerts, events More » Krom Anna E. Michael Gordon and the Traditions of American Experimental Music More » Serov Yuri E. Tishchenko and Shostakovich: the Crossroads of Destinies, on a Common Symphonic Path More » Serov Yuri E. Boris Tishchenko: Tribute to Schubert More » Dolinskaya Elena B. Fyodor Druzhinin – Maria Yudina. Dialogues and monologues about performance More » Moiseev Grigory A. Mozartiana of the Marble Palace: on the History of Family Listening and Performing Traditions (1830–1890s) More » Frolov Sergey V. Creative Task: About the Undecated Term in the Scientific Heritage Of B.l. Yavorsky More » PHILOSOPHY AND MUSIC Serova Natalia S. Man in the picture of the world by A. Schopenhauer and R. Wagner More » PERFORMANCE PROBLEMS Safonova Elena L. The Violinist’s Creativity: Towards the Problem of Creating a Performing Interpretatio More » Gutova Svetlana Y. The Role of Composer Neo-Folklorism in Development Authentic Vocal Performance Style More » MUSICAL PEDAGOGY ISSUES Mikhailov Ilya E. Literary and Musical Living Rooms: Educational and Methodological Module More » Bakshi Lyudmila S. Music and Art-Therapy: Observation Practice More » Kameko Elena M. Some Aspects of P.A. Serebryakov’s Pedagogical Activity More » NEW LOOK Egorova Tatyana K. Transmutations of the Genre of Instrumental Theater, or Artvision Music by Alexander Bakshi More » Imamutdinova Zilia A. Evolution of the Qur’anic Reciting by the Russian Muslim – Tatars and Bashkirs More » QUESTIONS OF MUSIC PEDAGOGY Blok Oleg A. Development of the Creative Imagination of Students-Musicians in the Classes of Instrumentalists of Institutions of Additional Education for Children More » Gnilov Boris G., Nikoltsev Ilya D. System of Exercises in Brief Structures in Harmony Lessons More » MUSICAL THEATER Baeva Alla A. From the History of the Russian Opera Theatre of the Late 1950s – Early 1990s: Events, Observations, Notes More » Selitsky Alexander Ya. On the Road to 1931. To the 90th Anniversary of the Rostov State Theater of Musical Comedy More » MUSIC HISTORY Burmatov Maxim A. Domestic and American Pop Song in the 1920s–1930s: Specificity and Influence on the Musical Culture of the Russian Emigration More » Tyuryakova Yuliya V. The Use of Unchangeable Chants in the Singing Practice of the Syzran District of the Simbirsk Diocese at the Turn of the XIX–XX Centuries (Based on Materials from Church Periodicals) More » Gerasimova Irina V. Five-Voice Partes Concert Parts of the Late XVIIth–XVIIIth Centuries: Repertoire Analysis More » INSTRUMENTATION Finkelshtein Yuliya A. Transformation the Timbre of a Classical Guitar More » MUSIC THEORY Petruseva Nadezhda A., Glebova Elena S. About Two Compositions for Guitar by Maurice Ohana: "Tiento" and the Cycle "If the Day Comes..." More » Devutsky Vladislav E. Fundamental Dissimilarity of the Semantic Perception of Music by Amateurs and Professionals. Potential Convergence Predictions More » Sanko Anatoly K. String Quartets by Evgeny Golubev More » Serov Yuri E. Instrumental Concerts of B. Tishchenko of the 1960s in a Context of Renewal of the Genre in Russian Music of the Second Half of the Twentieth Century More » Koshkareva Natalya V. Koshkareva N.V. Polyphonic Techniques in Choral Concerts «Russian Fairy Tale» and «Wreath to Alyabyev» by A. Nikolaev More »