| QUESTIONS OF THEORY OF MUSIC |
| Irina S. Stogniy |
Musical connotations and their role in uncovering the meaning of the work
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| Nadezhda A. Petruseva |
Deconstruction of a genre of a song: Furrer’s «Lied»
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| Svetlana I. Khudozhnikova |
Problems of the Russian-language translation of the musical treatises (for example, J. J. Quantz and his «Versuch»)
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| Elena V. Fedyanina |
Contemporary melodics' peculiarities in the creation of R. Ledenyov
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| Ekaterina M. Tarakanova |
Idea of «Phonosphere»
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| Larisa V. Brazhnik |
Anhemitonics in Prokofi ev’s melodies
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| Denis O. Grockij |
V. Barkauskas. Fifth symphony: some aspects of poetics
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| Andrei V. Denisov |
About musical semantics diachronical transformations (questions of analysis)
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| Aleksey I. Chekmenev |
Intertextuality as a Composition Method of A. Lourie’s Piano Cycle «Five preludes fragile» (Cinq preludes fragiles) op. 1, 1908–1910
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| Ludmila M. Korchinskaya |
Paul Hindemith’s early chamber sonatas. Interpretation of the cycle
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| Vladimir P. Konnov |
Anton Bruckner’s Quintett F-dur, its genre identification and architectonics of musical design
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| HISTORY OF MUSIC |
| Valentina I. Moiseeva |
About music education Elias Lönnrot on the example of his manuscripts «Bellmanin lauluja nuotteineen», Lönnrotiana 314
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| Aleksey V. Furukin |
The Evolution of the Natural Horn: Russian Sources
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| Olga V. Onegina |
S.M. Lyapunov in music classes of nizhny novgorod branch of the Russian Musical Society
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| Vladislav O. Petrov |
The actionism of conductor in the works of instrumental theater
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| Yulia G. Chernyavskaya |
Fantasy or not Fantasy? Rejected titles of Schumann's works in genre fantasy
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| Violetta V. Nevalyanaya |
«Summertime» George Gershwin: a Comparative Analysis of interpretation by Ella Fitzgerald and Billie Holliday
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| Alexander S. Yareshko |
Bell art poetics in S. Rakhmaninov's music
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| Elena G. Maltseva |
«Concerts A. Siloti»: composition features of the programs
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| Olga Ì. Shabunina |
Symphonic Plots of the Great Russian Orchestra of V.V. Andreyev: from History of Russian Music Early Twentieth Century
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| Yulia M. Rogacheva |
The problem of interaction of words and music in «10 poems on words of revolutionary poets» by D. Shostakovich
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| Vladislav O. Petrov |
Verbal intertextuality in vocal-instrumental works of Mauricio Kagel 90-ies of XX century
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| Anastasia À. Logunova |
The Genesis of Verdi`s «Don Carlos»: Auto-da-fe Scene
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| Aleksey A. Karabanov |
From «International» to the anthem of the USSR
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| Aleksey A. Karabanov |
From «International» to the anthem of the USSR
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| Natalia I. Verba |
«Undine» by Albert Lortzing: to the Question about the Main Image of the Opera
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| Elena V. Bezbakh |
Unknown D.B. Kabalevskiy in Letters to a Friend or «Sad Creative Confession». Essay I
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| Aleksey A. Karabanov |
From «International» to the anthem of the USSR
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| Galina V. Petrova |
The First Arrival of Berlioz in St. Petersburg (1847), New Sources and Documents
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| Irina N. Mikhailova |
The vocal cycle «Flowers of Evil» of A. Gretchaninov: the problem of musical reading of the symbolist poetry
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| Alexandra N. Khanova |
The Birth of the German Oratorio
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| Anna E. Krom |
Samuel Barber in a dialogue with the Russian musical culture
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| Anna S. Kazunina |
Epistolary episode of «stormy summer» (about A.K. Lyadov’s musical letters in Novgorod the Great)
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| Natalia A. Golovnina |
«Les Biches» by F. Poulenc: the vocal line in the context of the ideas of the ballet
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| MEMORABLE DATES |
| Vera I. Yudina |
Vasily Sergeyevich Kalinnikov. In Memoriam The 150th anniversary of the composer`s birthday (1866–1901)
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| FOLKLIFE |
| Saule I. Utegalieva |
On the Formation of Timbre-register Sound Model in the Instrumental music of the Central Asian Turkic Peoples
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| Svetlana N. Chaban, Tatyana V. Tischenkova |
Collection and study of musical folklore as one of the modern directions of researches in the fi eld of folklore (on example of Oryol tradition)
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| Victoria G. Grigoryeva |
Three vocal styles in the musical folklore of the Sakha people (The genre intonational aspect)
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| APPLIED MUSIC |
| Tatyana K. Egorova |
Music of Cinema: Beginning (Mute Cinema)
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| Alexander V. Naumov |
In the dialog with times: G. Popov’s music in the performances by B. Livanov in Moscow Art teatre
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| QUESTIONS MUSICAL PEDAGOGY |
| Aleksei N. Pleskonosov |
Development of Peripheral Vision of Children Musical School's Pupils for the Sight Read
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| Ayshat M. Kokkezova |
Matvey Presman: at the source of professional musical education in Rostov-on-Don
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| Lev Belenov |
Raising the question of perfection tehnicheskihi design possibilities of wind instruments
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| Lev Belenov |
Leading pedagogical training school playing the horn
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| Nikolay I. Kuznetsov |
Problems of Actualization of F.I. Shalyapin’s Theoretical Heritage in the 21st Century
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| Evgeny M. Ilyichev |
The value of extracurricular musical and aesthetic activities of students in school
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| Anna I. Makhova |
«Teacher-Pupil-Parent» Communication Link: Influencing Wind Musician’s Performing Skills (through the example of pupils of children’s music schools)
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| REVIEWS |
| Yevgeniya Skurko |
Myth and Modernity in the Bashkir Opera
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| Elena Dolinskaya |
New Blue Bird Fluttered
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| Tatyana K. Egorova |
Manuscripts don’t burn (based on statement A. Konchalovsky E. Artemyev’s Opera «Crime and punishment»)
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| Farizat H. Gulieva (Zanukoeva) |
The new word in Adyghe ethnomusicology (Review on the book «Circassian (Adyghe) music folklore: instrumental music»)
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| Elena Dolinsk |
Alexander Blok and Sergei Slonimsky – poetry meeting in February 2016
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| COMPETITIONS |
| Lev Belenov, Pavel Karpov |
All-Russia competition of choirs Conductors named after A.A. Yurlova
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| FOLKLORE STUDIES |
| Oksana V. Chernobaeva |
Traditional lyric Songs of the Smolensk Region: Particular Musical Style
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| ANNIVERSARIES |
| Anna E. Krom |
Erik Satie in America: from the Ñage to the minimalists
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| Oksana M. Zarodnyuk |
Paradoxes of concert genre in the works of Sergey Berinsky
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| Maxim V. Sergeev |
Piano maker Johann Friedrich Schröder (1785–1852): 200th anniversary of the piano company «C. M. Schroder»
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| Irina P. Dabaeva, Irina M. Shabunova |
Evgeniy Vladimirovich Nazaykinskiy
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| OTHER |
| Elena Î. Kazmina |
Of the activities of the Choral Society of the Tambov region
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| MUSIC CULTUROLOGICAL CONCEPTS |
| Anna V. Bibikova |
Relationship musical mass and elite culture
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| Daniil I. Topilin |
Alexander Scriabin: to Approachless Worlds
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| ETHNOMUSICOLOGY |
| Liliya A. Vishnevskaya |
Karachay and Balkar Historic and Heroic Song in Time and Space
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| Valentina I. Moiseeva |
Runo Singers of Elias Lonnrot
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| Anna V. Kalaberda |
Sound emulation (voice imitation and tunes of decoy) in the traditional culture of Karelian
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| Alexandra V. Ustugova |
To the terminology question: ancient Russian Bow Instruments – Smyk
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| Olga A. Ivanova |
The system of genres of folk songs Astrakhan Lipovans
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| Svetlana V. Kosyreva |
Finno-ugric ethnomusical systems: to the problem of the polyphony of the monodic cultures
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| MUSIC HISTORY |
| Polina Y. Tsvetkova |
A. Schnittke. Three Poems by Viktor Schnittke
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| PROBLEMS EXECUTIONS |
| Mikihail A. Gotsdiner |
We play the quartet. Not dull technique
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| Regina R. Budagyan |
Problem performing style in contemporary violin art
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| Petr A. Vasnin |
Development of a classical brass quintet in the twentieth century
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| PORTRAITS |
| Vitaliy P. Fartushnyy |
Vladimir Mikhaylovich Kurlin – touches to the portrait of the Maestro
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| MUSICAL THEATRE |
| Ivan S. Fedoseev |
«The Oprichnik» at the crossroads
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| A NEW LOOK |
| Glivinsky Valery V. |
«Fly in borsch» or the Story how Allen Fort with Richard Taruskin have quarreled
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