Musicology Index of articles published in the journals "Musicology" in 2011. << Back MUSIC HISTORY D.V. Larkovitch G.R. Derzhavin and the Ways of Formation of Russian Opera More » M.N. Timofeeva On the Signs of the Instrumentalism of Buffoons in Stravinsky’s «Petrushka» (to the Question of Continuity of the Phenomena) More » Zh.B. Pushbarnek The Performing Art Criticism in the Works of Musicologists and Scientists in the 1920s–1930s More » N.P. Savkina To the History of an Unfulfilled Idea. Prokofiev, Meyerhold, Malraux, Eisenstein (Part I) More » M.M. Podguzova «Our musical “leadership” has completely relegated the harp to the background». From the Correspondence between K.A. Erdely and N.A. Obukhova More » O.V. Tulinova T.N. Khrennikov. «Five Romances on I.A. Bunin’s Poems» op. 39 More » N.P. Savkina To the History of an Unfulfilled Idea. Prokofiev, Meyerhold, Malraux, Eisenstein (Part II) More » J.M. Rogacheva «Short Method of Singing» by Gavriil Lomakin More » O.L. Monde Jerome Kern, the Father of American Musical More » Margarita S. Cherepennikova The Correlation Between the Traditions of European Music and Literature: G. F. H&#228;ndel and T. Tasso. To the 300-th Anniversary of H&#228;ndel’s Lyric Opera “Rinaldo” (1711). More » Oksana I. Lukonina N.A. Rimsky-Korsakov in the Creative Consciousness of M.O. Steinberg More » Dr. Denis Lomtev Competition Between Rival Leading Piano Factories in Russia in the Second Half of the 19th Century More » Ekaterina S. Dubravskaya From the History of the Research of the Original Version of Moussorgsky’s «Boris Godunov» More » Julia M. Rogacheva From the History of 19th-century Russian Choral Performing: Gavriil Lomakin and His Role in Formation of Enlarged Choir More » Guzel A. Jarullina The Symphonic Fantasy «Romeo and Juliet» by Johan Svendsen: A Poem of Love or a Drama of Fate? More » Ekaterina D. Kutsenko Performance in Service of A.A. Alyabyev’s Church Music More » Olga-Lisa Monde Stephen Sondheim — the Chanter of Outsiders in Musical Theatre. Part I More » Sufiya G. Muratalieva «The Great Bach» More » Natalia Y. Plotnikova The Coronation of Catherine I: to the Question of Music in Imperial Ceremonies in Petrine Era More » Anna A. Zondereger Shostakovich and Babel More » Gulnaz S. Galina On the Form-Building Principles of Uzun-Kyuy Vocal Style in Bashkir Opera More » Pavel E. Karpov First Symphony by Alexander Scryabin: On the Peculiarities of Choral Finale More » Olga-Lisa Monde Stephen Sondheim — the Chanter of Outsiders in Musical Theatre. Part II More » Ethnomusicology A.A. Mikhaylova On Canonical Principles of Traditional Play on Saratov Harmonica: «Saratovskie Perebory» More » V.Yu. Suzukei Tuvan Music in the 20th Century More » S.I. Utegalieva Kazakh Dombra and Other Typologically Related Musical Instruments of Turkic Peoples More » E.B. Reznichenko The Wedding Lamentations of Pomorye as a Phenomenon of Traditional Culture of Russian North More » Olga V. Novikova Pitch organisation in the East Buryatian tuurelge More » Inna V. Pazicheva The Search of Truth (On Some Aspects of the Study of Azeri Mugham) More » Natella V. Tchakhvadze On Some Features of Space-Time Systems, modeled in Shashmakam More » INSTRUMENTOVEDENIE T.A. Zenaishvili Baroque Claviers and Keyboard Technique: Historical Approach More » WORK OF YOUNG SCIENTISTS E.A. Kanakina Heinrich Isaak: A Hero of His Time More » P.V. Osipova The Baroque Pedal? The Problems of Style: the Baroque Music Concepts and the Use of Pedals in the Interpretation of J. S. Bach’s Works for the Modern piano. More » E.V. Rovenko Ñ.’Debussy and O.’Redon: The New Art Mental Features and Its Riddles More » O.V. Ozerskaya Title and Composition in the Chamber Instrumental Music by Yury Vorontsov More » E.A. Fedulova The Melodies in Sacred Music by Georgy Sviridov More » I.A. Koshcheeva The Main Genres in A.P. Isakova’s Piano Music More » M.V. Belorusova Theatrically-aesthetic Ñonception of Opera by G. Fr. Malipiero «Venere Prigioniera» (1955) More » E.A. Kindyukhina Poulenc’s Musical Theatre More » S.V. Kosyreva Instrumental Timber-intoning in Musical Tradition of Vyatskian Mari More » Anastasiya N. Belyaeva Semyon Abramovich Kazachkov and Kazan School of Choral Conducting More » Zhanna Y. Serova Some Features of the Rhythmic Shape of Tango More » Ekaterina S. Dubravskaya Luigi Dallapiccola: Divertimento in quattro esercizi (1934) More » Maria I. Bakoun «An Unintentional Autobiography», or Francis Poulenc’s Letters in 1910–1963 More » Larissa N. Zybkina Noise Instruments in Female Music Performance (On Mordovian Traditional Music Material) More » Svetlana E. Soldatova Double Exposition in the Triple Concerto. A Problem Baroque Didn’t Know. More » Grigoriy A. Rymko From a Literary Word to a Musified Word More » Alexander O. Maksimenko Leonid Sabaneev: The Musical Archive in the Library of Congress. «apocalypsis ioannis apostoli» More » Assol O. Mitina A.S. Arensky’s Orchestral Songs in the Context of the History of the Genre More » Anton V. Fokin The Potential of Protest in Russian Rock Music and Its Transformations More » Anna P. Nedospasova From the History of Swedish Military Music of the 17th — 18th Centuries More » Yaroslava A. Kabalevskaya Word and Music in the Melologue «L&#233;lio» by Hector Berlioz More » Anastasia Vl. Novoselova On the Zither Qin Tradition in the Structure of Modern Chinese Musical Culture More » Julia V. Lobova The Phenomenon of «naturalism» in French Art of the last third of the 19th century, Or «The Case» of Rescuing France More » Maria M. Luchkina The Musical Myth about Russia in G. Sviridov’s Works: The Archetype of Transition More » Viktor G. Aktisov A. Glazunov and S. Rasch&#232;r: The History of the Concerto for Saxophone with Orchestra More » Aleksandra V. Ustyugova B.A. Struve’s Organology Works: Problems and Methodology More » Irina A. Koshcheeva The Genre of Piano Concerto in Alemdar Karamanovs Music More » Tatiana I. Sorokina Polish Aspect in Glinka`s Opera «A Life for the Tsar»: Elected Context Problems More » Maria A. Kazachkova «The Voice drowning in the roar of times». Allan Pettersson and His Seventh Symphony (On the 100th Birth Anniversary of the Composer) More » QUESTIONS OF THE THEORY M.N. Tchebourkina About the Term «French Baroque»: «Baroque Music» of J.-J. Rousseau (1768) More » M.N. Tchebourkina «Gallant Style», «Rococo», «Mannerism», «Decadence» in the System of French «Baroque Music» More » V.D. Kartashov Partita concertante ¹1 in Modo di jazz-improvvisazione: Towards the Problem of Composer V. Zubitsky’s Style More » V.O. Petrov Instrumental Composition with Word: Problems of Theory and History of the Genre More » Marina N. Tchebourkina French Classicism: From «Classical» to «Ñlassicism», or From «Exemplary» to «Obsolete» More » Marina N. Tchebourkina French «Classicism» as a «Minor Style» in the System of French Baroque Organ Music More » Igor M. Krasilnikov Stereophonic Type of Music Texture — Essential Feature of Electronic Music More » Mikhail E. Pylaev To the Evolution of Musical Analysis in the 18th–19th Centuries (After Carl Dahlhaus) More » Marina N. Tchebourkina Rhetoric and «Passions» in the Systhem of French Baroque Organ Music More » Marina N. Tchebourkina The «Rational Concept» as Method of Thinking in French Baroque Organ Art More » Marina E. Girfanova Some Notes on Mensural Rhythm of the French Ars Nova: the Time Signature of Tempus and Its Implementation in Philippe de Vitry’s Motets More » Vyacheslav N. Gratchev Simple music by A. P&#228;rt and V. Martynov: Translating of Ostinato Repetitions More » Irina S. Stogniy The Phenomenon of «Second Plan» in Music More » Natalia Y. Plotnikova On Canon Technique in V. Titov’s Works More » Anna V. Makina Meditation No. 1 «La vierge et l’enfant» from Olivie Messiaen’s Organ Cycle «La Nativit&#233; du Seigneur»: Rhythmic Technics and Form More » Marina N. Tchebourkina «Pathetique» as the Fundamental Category of French Baroque Organ Art More » Marina N. Tchebourkina «Light and Dark» as Essential Quality of French Baroque Organ Art More » Vladislav Ol. Petrov On Eventfullness of Plots in Instrumental Theatre Works More » MATTERS OF PEDAGOGY R.A. Akhmadeeva Some Aspects of Vocal Apparatus Diseases Diagnostics in the Solo Singing Class More » Questions OF THE THEORY M.N. Tchebourkina About the Term «French Baroque»: «Baroque Music» of J.-J. Rousseau (1768) More » M.N. Tchebourkina «Gallant Style», «Rococo», «Mannerism», «Decadence» in the System of French «Baroque Music» More » V.D. Kartashov Partita concertante ¹1 in Modo di jazz-improvvisazione: Towards the Problem of Composer V. Zubitsky’s Style More » V.O. Petrov Instrumental Composition with Word: Problems of Theory and History of the Genre More » Marina N. Tchebourkina French Classicism: From «Classical» to «Ñlassicism», or From «Exemplary» to «Obsolete» More » Marina N. Tchebourkina French «Classicism» as a «Minor Style» in the System of French Baroque Organ Music More » Igor M. Krasilnikov Stereophonic Type of Music Texture — Essential Feature of Electronic Music More » Mikhail E. Pylaev To the Evolution of Musical Analysis in the 18th–19th Centuries (After Carl Dahlhaus) More » Marina N. Tchebourkina Rhetoric and «Passions» in the Systhem of French Baroque Organ Music More » Marina N. Tchebourkina The «Rational Concept» as Method of Thinking in French Baroque Organ Art More » Marina E. Girfanova Some Notes on Mensural Rhythm of the French Ars Nova: the Time Signature of Tempus and Its Implementation in Philippe de Vitry’s Motets More » Vyacheslav N. Gratchev Simple music by A. P&#228;rt and V. Martynov: Translating of Ostinato Repetitions More » Irina S. Stogniy The Phenomenon of «Second Plan» in Music More » Natalia Y. Plotnikova On Canon Technique in V. Titov’s Works More » Anna V. Makina Meditation No. 1 «La vierge et l’enfant» from Olivie Messiaen’s Organ Cycle «La Nativit&#233; du Seigneur»: Rhythmic Technics and Form More » Marina N. Tchebourkina «Pathetique» as the Fundamental Category of French Baroque Organ Art More » Marina N. Tchebourkina «Light and Dark» as Essential Quality of French Baroque Organ Art More » Vladislav Ol. Petrov On Eventfullness of Plots in Instrumental Theatre Works More » Problems performing V.P. Fomina The Problems of Contemporary Vocal Interpretation of 17th Century Italian Opera in the Aspect of Historically Informed Performance More » S.M. Filaretova Singing in the Cadet Corps of Imperial Russia: in the Class, in Hull, in Church More » A.V. Tretyakova «Jenseits der Schatten»: Parallel Meanings More » R.G. Varenko The Particularities of Information Resources for Specialists of Musical Art in the Sphere of the Higher Education More » PALEOGRAPHY Irina V. Starikova Polyeleos in the Old-Russian Chant Tradition from the 15th to the Middle of the 17th Century More » ETHNOMUSICOLOGY A.A. Mikhaylova On Canonical Principles of Traditional Play on Saratov Harmonica: «Saratovskie Perebory» More » V.Yu. Suzukei Tuvan Music in the 20th Century More » S.I. Utegalieva Kazakh Dombra and Other Typologically Related Musical Instruments of Turkic Peoples More » E.B. Reznichenko The Wedding Lamentations of Pomorye as a Phenomenon of Traditional Culture of Russian North More » Olga V. Novikova Pitch organisation in the East Buryatian tuurelge More » Inna V. Pazicheva The Search of Truth (On Some Aspects of the Study of Azeri Mugham) More » Natella V. Tchakhvadze On Some Features of Space-Time Systems, modeled in Shashmakam More » *** - Äèàëîãè ìàñòåðîâ — äðåâíèõ è íîâûõ More » CONFERENCES - Îòêðûòàÿ îò÷åòíî-ýêñïåäèöèîííàÿ ñåññèÿ (êîíôåðåíöèÿ) ïî ðåçóëüòàòàì ïîëåâûõ èññëåäîâàíèé 2009–2010 ãîäîâ More » Îêñàíà Òâåðäîõëåáîâà Íîâûå èìåíà: Ðèêêàðäî Äçàíäîíàè More » K.A.Mehnetsova The international scientific conference «The folklorno-ethnographic atlas of east Slavs: Methods and results of areal researches» More » E.N.Hadeeva Corporate style of the Kazan musical science More » ANNIVERSARIES - - More » ARCHIVES Zhanna V. Kniazeva Jacques Handschin on the Events in 1917: Soviet Russia, as Viewed by a «Neutral Swiss» More » REVIEWS - - More » ÏÐÎÁËÅÌÛ ÈÑÏÎËÍÈÒÅËÜÑÒÂÀ Sergey J. Vartanov Ñonception in Interpretation. C. Debussy: «Les sons et les parfums toument dans l’air du soir» More » - - Magazine "Musicology" publications For 2011 More » - Rules of consideration, the publication and reviewing of articles More »