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Musicology

Index of articles published in the journals "Musicology" in 2011.

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MUSIC HISTORY
D.V. Larkovitch G.R. Derzhavin and the Ways of Formation of Russian Opera

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M.N. Timofeeva On the Signs of the Instrumentalism of Buffoons in Stravinskys Petrushka (to the Question of Continuity of the Phenomena)

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Zh.B. Pushbarnek The Performing Art Criticism in the Works of Musicologists and Scientists in the 1920s1930s

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N.P. Savkina To the History of an Unfulfilled Idea. Prokofiev, Meyerhold, Malraux, Eisenstein (Part I)

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M.M. Podguzova Our musical leadership has completely relegated the harp to the background. From the Correspondence between K.A. Erdely and N.A. Obukhova

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O.V. Tulinova T.N. Khrennikov. Five Romances on I.A. Bunins Poems op. 39

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N.P. Savkina To the History of an Unfulfilled Idea. Prokofiev, Meyerhold, Malraux, Eisenstein (Part II)

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J.M. Rogacheva Short Method of Singing by Gavriil Lomakin

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O.L. Monde Jerome Kern, the Father of American Musical

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Margarita S. Cherepennikova The Correlation Between the Traditions of European Music and Literature: G. F. H&#228;ndel and T. Tasso. To the 300-th Anniversary of H&#228;ndels Lyric Opera Rinaldo (1711).

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Oksana I. Lukonina N.A. Rimsky-Korsakov in the Creative Consciousness of M.O. Steinberg

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Dr. Denis Lomtev Competition Between Rival Leading Piano Factories in Russia in the Second Half of the 19th Century

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Ekaterina S. Dubravskaya From the History of the Research of the Original Version of Moussorgskys Boris Godunov

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Julia M. Rogacheva From the History of 19th-century Russian Choral Performing: Gavriil Lomakin and His Role in Formation of Enlarged Choir

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Guzel A. Jarullina The Symphonic Fantasy Romeo and Juliet by Johan Svendsen: A Poem of Love or a Drama of Fate?

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Ekaterina D. Kutsenko Performance in Service of A.A.Alyabyevs Church Music

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Olga-Lisa Monde Stephen Sondheim the Chanter of Outsiders in Musical Theatre. Part I

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Sufiya G. Muratalieva The Great Bach

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Natalia Y. Plotnikova The Coronation of Catherine I: to the Question of Music in Imperial Ceremonies in Petrine Era

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Anna A. Zondereger Shostakovich and Babel

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Gulnaz S. Galina On the Form-Building Principles of Uzun-Kyuy Vocal Style in Bashkir Opera

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Pavel E. Karpov First Symphony by Alexander Scryabin: On the Peculiarities of Choral Finale

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Olga-Lisa Monde Stephen Sondheim the Chanter of Outsiders in Musical Theatre. Part II

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Ethnomusicology
A.A. Mikhaylova On Canonical Principles of Traditional Play on Saratov Harmonica: Saratovskie Perebory

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V.Yu. Suzukei Tuvan Music in the 20th Century

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S.I. Utegalieva Kazakh Dombra and Other Typologically Related Musical Instruments of Turkic Peoples

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E.B. Reznichenko The Wedding Lamentations of Pomorye as a Phenomenon of Traditional Culture of Russian North

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Olga V. Novikova Pitch organisation in the East Buryatian tuurelge

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Inna V. Pazicheva The Search of Truth (On Some Aspects of the Study of Azeri Mugham)

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Natella V. Tchakhvadze On Some Features of Space-Time Systems, modeled in Shashmakam

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INSTRUMENTOVEDENIE
T.A. Zenaishvili Baroque Claviers and Keyboard Technique: Historical Approach

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WORK OF YOUNG SCIENTISTS
E.A. Kanakina Heinrich Isaak: A Hero of His Time

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P.V. Osipova The Baroque Pedal? The Problems of Style: the Baroque Music Concepts and the Use of Pedals in the Interpretation of J. S. Bachs Works for the Modern piano.

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E.V. Rovenko .Debussy and O.Redon: The New Art Mental Features and Its Riddles

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O.V. Ozerskaya Title and Composition in the Chamber Instrumental Music by Yury Vorontsov

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E.A. Fedulova The Melodies in Sacred Music by Georgy Sviridov

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I.A. Koshcheeva The Main Genres in A.P. Isakovas Piano Music

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M.V. Belorusova Theatrically-aesthetic onception of Opera by G. Fr. Malipiero Venere Prigioniera (1955)

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E.A. Kindyukhina Poulencs Musical Theatre

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S.V. Kosyreva Instrumental Timber-intoning in Musical Tradition of Vyatskian Mari

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Anastasiya N.Belyaeva Semyon Abramovich Kazachkov and Kazan School of Choral Conducting

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Zhanna Y. Serova Some Features of the Rhythmic Shape of Tango

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Ekaterina S. Dubravskaya Luigi Dallapiccola: Divertimento in quattro esercizi (1934)

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Maria I. Bakoun An Unintentional Autobiography, or Francis Poulencs Letters in 19101963

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Larissa N. Zybkina Noise Instruments in Female Music Performance (On Mordovian Traditional Music Material)

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Svetlana E. Soldatova Double Exposition in the Triple Concerto. A Problem Baroque Didnt Know.

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Grigoriy A. Rymko From a Literary Word to a Musified Word

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Alexander O. Maksimenko Leonid Sabaneev: The Musical Archive in the Library of Congress. apocalypsis ioannis apostoli

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Assol O. Mitina A.S.Arenskys Orchestral Songs in the Context of the History of the Genre

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Anton V. Fokin The Potential of Protest in Russian Rock Music and Its Transformations

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Anna P. Nedospasova From the History of Swedish Military Music of the 17th 18th Centuries

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Yaroslava A. Kabalevskaya Word and Music in the Melologue L&#233;lio by Hector Berlioz

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Anastasia Vl. Novoselova On the Zither Qin Tradition in the Structure of Modern Chinese Musical Culture

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Julia V. Lobova The Phenomenon of naturalism in French Art of the last third of the 19th century, Or The Case of Rescuing France

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Maria M. Luchkina The Musical Myth about Russia in G.Sviridovs Works: The Archetype of Transition

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Viktor G. Aktisov A. Glazunov and S. Rasch&#232;r: The History of the Concerto for Saxophone with Orchestra

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Aleksandra V. Ustyugova B.A.Struves Organology Works: Problems and Methodology

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Irina A. Koshcheeva The Genre of Piano Concerto in Alemdar Karamanovs Music

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Tatiana I. Sorokina Polish Aspect in Glinka`s Opera A Life for the Tsar: Elected Context Problems

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Maria A. Kazachkova The Voice drowning in the roar of times. Allan Pettersson and His Seventh Symphony (On the 100th Birth Anniversary of the Composer)

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QUESTIONS OF THE THEORY
M.N. Tchebourkina About the Term French Baroque: Baroque Music of J.-J. Rousseau (1768)

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M.N. Tchebourkina Gallant Style, Rococo, Mannerism, Decadence in the System of French Baroque Music

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V.D. Kartashov Partita concertante 1 in Modo di jazz-improvvisazione: Towards the Problem of Composer V. Zubitskys Style

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V.O. Petrov Instrumental Composition with Word: Problems of Theory and History of the Genre

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Marina N. Tchebourkina French Classicism: From Classical to lassicism, or From Exemplary to Obsolete

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Marina N. Tchebourkina French Classicism as a Minor Style in the System of French Baroque Organ Music

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Igor M. Krasilnikov Stereophonic Type of Music Texture Essential Feature of Electronic Music

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Mikhail E. Pylaev To the Evolution of Musical Analysis in the 18th19th Centuries (After Carl Dahlhaus)

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Marina N. Tchebourkina Rhetoric and Passions in the Systhem of French Baroque Organ Music

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Marina N. Tchebourkina The Rational Concept as Method of Thinking in French Baroque Organ Art

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Marina E. Girfanova Some Notes on Mensural Rhythm of the French Ars Nova: the Time Signature of Tempus and Its Implementation in Philippe de Vitrys Motets

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Vyacheslav N. Gratchev Simple music by A. P&#228;rt and V. Martynov: Translating of Ostinato Repetitions

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Irina S. Stogniy The Phenomenon of Second Plan in Music

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Natalia Y. Plotnikova On Canon Technique in V. Titovs Works

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Anna V. Makina Meditation No.1 La vierge et lenfant from Olivie Messiaens Organ Cycle La Nativit&#233; du Seigneur: Rhythmic Technics and Form

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Marina N. Tchebourkina Pathetique as the Fundamental Category of French Baroque Organ Art

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Marina N. Tchebourkina Light and Dark as Essential Quality of French Baroque Organ Art

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Vladislav Ol. Petrov On Eventfullness of Plots in Instrumental Theatre Works

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MATTERS OF PEDAGOGY
R.A. Akhmadeeva Some Aspects of Vocal Apparatus Diseases Diagnostics in the Solo Singing Class

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Questions OF THE THEORY
M.N. Tchebourkina About the Term French Baroque: Baroque Music of J.-J. Rousseau (1768)

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M.N. Tchebourkina Gallant Style, Rococo, Mannerism, Decadence in the System of French Baroque Music

More »

V.D. Kartashov Partita concertante 1 in Modo di jazz-improvvisazione: Towards the Problem of Composer V. Zubitskys Style

More »

V.O. Petrov Instrumental Composition with Word: Problems of Theory and History of the Genre

More »

Marina N. Tchebourkina French Classicism: From Classical to lassicism, or From Exemplary to Obsolete

More »

Marina N. Tchebourkina French Classicism as a Minor Style in the System of French Baroque Organ Music

More »

Igor M. Krasilnikov Stereophonic Type of Music Texture Essential Feature of Electronic Music

More »

Mikhail E. Pylaev To the Evolution of Musical Analysis in the 18th19th Centuries (After Carl Dahlhaus)

More »

Marina N. Tchebourkina Rhetoric and Passions in the Systhem of French Baroque Organ Music

More »

Marina N. Tchebourkina The Rational Concept as Method of Thinking in French Baroque Organ Art

More »

Marina E. Girfanova Some Notes on Mensural Rhythm of the French Ars Nova: the Time Signature of Tempus and Its Implementation in Philippe de Vitrys Motets

More »

Vyacheslav N. Gratchev Simple music by A. P&#228;rt and V. Martynov: Translating of Ostinato Repetitions

More »

Irina S. Stogniy The Phenomenon of Second Plan in Music

More »

Natalia Y. Plotnikova On Canon Technique in V. Titovs Works

More »

Anna V. Makina Meditation No.1 La vierge et lenfant from Olivie Messiaens Organ Cycle La Nativit&#233; du Seigneur: Rhythmic Technics and Form

More »

Marina N. Tchebourkina Pathetique as the Fundamental Category of French Baroque Organ Art

More »

Marina N. Tchebourkina Light and Dark as Essential Quality of French Baroque Organ Art

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Vladislav Ol. Petrov On Eventfullness of Plots in Instrumental Theatre Works

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Problems performing
V.P. Fomina The Problems of Contemporary Vocal Interpretation of 17th Century Italian Opera in the Aspect of Historically Informed Performance

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S.M. Filaretova Singing in the Cadet Corps of Imperial Russia: in the Class, in Hull, in Church

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A.V. Tretyakova Jenseits der Schatten: Parallel Meanings

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R.G. Varenko The Particularities of Information Resources for Specialists of Musical Art in the Sphere of the Higher Education

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PALEOGRAPHY
Irina V. Starikova Polyeleos in the Old-Russian Chant Tradition from the 15th to the Middle of the 17th Century

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ETHNOMUSICOLOGY
A.A. Mikhaylova On Canonical Principles of Traditional Play on Saratov Harmonica: Saratovskie Perebory

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V.Yu. Suzukei Tuvan Music in the 20th Century

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S.I. Utegalieva Kazakh Dombra and Other Typologically Related Musical Instruments of Turkic Peoples

More »

E.B. Reznichenko The Wedding Lamentations of Pomorye as a Phenomenon of Traditional Culture of Russian North

More »

Olga V. Novikova Pitch organisation in the East Buryatian tuurelge

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Inna V. Pazicheva The Search of Truth (On Some Aspects of the Study of Azeri Mugham)

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Natella V. Tchakhvadze On Some Features of Space-Time Systems, modeled in Shashmakam

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CONFERENCES
- - () 20092010

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K.A.Mehnetsova The international scientific conference The folklorno-ethnographic atlas of east Slavs: Methods and results of areal researches

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E.N.Hadeeva Corporate style of the Kazan musical science

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ANNIVERSARIES
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ARCHIVES
Zhanna V. Kniazeva Jacques Handschin on the Events in 1917: Soviet Russia, as Viewed by a Neutral Swiss

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REVIEWS
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Sergey J. Vartanov onception in Interpretation. C. Debussy: Les sons et les parfums toument dans lair du soir

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- Magazine "Musicology" publications For 2011

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- Rules of consideration, the publication and reviewing of articles

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 Sections

«About journal

«Archive

«Thematic focus of the journal

«Formatting rules

«Stages of the review and publication

«Review process

«Editorial and Professional Ethics

«Detecting plagiarism

«Editors and Editorial Board

«News journal


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Instrument-Making and Automation Means. Encyclopedic Textbook
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Industrial Automatic Control Systems and Controllers
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Ecological Systems and Devices
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Aerospace Instrument-Making
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Engineering Physics
...................................
History of Science and Engineering
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Music and Time
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Note Album
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Musicology
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Universal History
...................................
Directory of engineer
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Applied Physics and Mathematics
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News Academy of Engineering Sciences A.M. Prokhorov
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