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Musicology

Index of articles published in the journals "Musicology" in 2011.

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MUSIC HISTORY
D.V. Larkovitch G.R. Derzhavin and the Ways of Formation of Russian Opera

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M.N. Timofeeva On the Signs of the Instrumentalism of Buffoons in Stravinsky’s «Petrushka» (to the Question of Continuity of the Phenomena)

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Zh.B. Pushbarnek The Performing Art Criticism in the Works of Musicologists and Scientists in the 1920s–1930s

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N.P. Savkina To the History of an Unfulfilled Idea. Prokofiev, Meyerhold, Malraux, Eisenstein (Part I)

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M.M. Podguzova «Our musical “leadership” has completely relegated the harp to the background». From the Correspondence between K.A. Erdely and N.A. Obukhova

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O.V. Tulinova T.N. Khrennikov. «Five Romances on I.A. Bunin’s Poems» op. 39

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N.P. Savkina To the History of an Unfulfilled Idea. Prokofiev, Meyerhold, Malraux, Eisenstein (Part II)

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J.M. Rogacheva «Short Method of Singing» by Gavriil Lomakin

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O.L. Monde Jerome Kern, the Father of American Musical

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Margarita S. Cherepennikova The Correlation Between the Traditions of European Music and Literature: G. F. H&#228;ndel and T. Tasso. To the 300-th Anniversary of H&#228;ndel’s Lyric Opera “Rinaldo” (1711).

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Oksana I. Lukonina N.A. Rimsky-Korsakov in the Creative Consciousness of M.O. Steinberg

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Dr. Denis Lomtev Competition Between Rival Leading Piano Factories in Russia in the Second Half of the 19th Century

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Ekaterina S. Dubravskaya From the History of the Research of the Original Version of Moussorgsky’s «Boris Godunov»

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Julia M. Rogacheva From the History of 19th-century Russian Choral Performing: Gavriil Lomakin and His Role in Formation of Enlarged Choir

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Guzel A. Jarullina The Symphonic Fantasy «Romeo and Juliet» by Johan Svendsen: A Poem of Love or a Drama of Fate?

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Ekaterina D. Kutsenko Performance in Service of A.A. Alyabyev’s Church Music

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Olga-Lisa Monde Stephen Sondheim — the Chanter of Outsiders in Musical Theatre. Part I

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Sufiya G. Muratalieva «The Great Bach»

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Natalia Y. Plotnikova The Coronation of Catherine I: to the Question of Music in Imperial Ceremonies in Petrine Era

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Anna A. Zondereger Shostakovich and Babel

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Gulnaz S. Galina On the Form-Building Principles of Uzun-Kyuy Vocal Style in Bashkir Opera

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Pavel E. Karpov First Symphony by Alexander Scryabin: On the Peculiarities of Choral Finale

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Olga-Lisa Monde Stephen Sondheim — the Chanter of Outsiders in Musical Theatre. Part II

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Ethnomusicology
A.A. Mikhaylova On Canonical Principles of Traditional Play on Saratov Harmonica: «Saratovskie Perebory»

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V.Yu. Suzukei Tuvan Music in the 20th Century

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S.I. Utegalieva Kazakh Dombra and Other Typologically Related Musical Instruments of Turkic Peoples

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E.B. Reznichenko The Wedding Lamentations of Pomorye as a Phenomenon of Traditional Culture of Russian North

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Olga V. Novikova Pitch organisation in the East Buryatian tuurelge

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Inna V. Pazicheva The Search of Truth (On Some Aspects of the Study of Azeri Mugham)

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Natella V. Tchakhvadze On Some Features of Space-Time Systems, modeled in Shashmakam

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INSTRUMENTOVEDENIE
T.A. Zenaishvili Baroque Claviers and Keyboard Technique: Historical Approach

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WORK OF YOUNG SCIENTISTS
E.A. Kanakina Heinrich Isaak: A Hero of His Time

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P.V. Osipova The Baroque Pedal? The Problems of Style: the Baroque Music Concepts and the Use of Pedals in the Interpretation of J. S. Bach’s Works for the Modern piano.

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E.V. Rovenko Ñ.’Debussy and O.’Redon: The New Art Mental Features and Its Riddles

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O.V. Ozerskaya Title and Composition in the Chamber Instrumental Music by Yury Vorontsov

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E.A. Fedulova The Melodies in Sacred Music by Georgy Sviridov

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I.A. Koshcheeva The Main Genres in A.P. Isakova’s Piano Music

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M.V. Belorusova Theatrically-aesthetic Ñonception of Opera by G. Fr. Malipiero «Venere Prigioniera» (1955)

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E.A. Kindyukhina Poulenc’s Musical Theatre

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S.V. Kosyreva Instrumental Timber-intoning in Musical Tradition of Vyatskian Mari

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Anastasiya N. Belyaeva Semyon Abramovich Kazachkov and Kazan School of Choral Conducting

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Zhanna Y. Serova Some Features of the Rhythmic Shape of Tango

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Ekaterina S. Dubravskaya Luigi Dallapiccola: Divertimento in quattro esercizi (1934)

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Maria I. Bakoun «An Unintentional Autobiography», or Francis Poulenc’s Letters in 1910–1963

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Larissa N. Zybkina Noise Instruments in Female Music Performance (On Mordovian Traditional Music Material)

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Svetlana E. Soldatova Double Exposition in the Triple Concerto. A Problem Baroque Didn’t Know.

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Grigoriy A. Rymko From a Literary Word to a Musified Word

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Alexander O. Maksimenko Leonid Sabaneev: The Musical Archive in the Library of Congress. «apocalypsis ioannis apostoli»

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Assol O. Mitina A.S. Arensky’s Orchestral Songs in the Context of the History of the Genre

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Anton V. Fokin The Potential of Protest in Russian Rock Music and Its Transformations

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Anna P. Nedospasova From the History of Swedish Military Music of the 17th — 18th Centuries

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Yaroslava A. Kabalevskaya Word and Music in the Melologue «L&#233;lio» by Hector Berlioz

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Anastasia Vl. Novoselova On the Zither Qin Tradition in the Structure of Modern Chinese Musical Culture

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Julia V. Lobova The Phenomenon of «naturalism» in French Art of the last third of the 19th century, Or «The Case» of Rescuing France

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Maria M. Luchkina The Musical Myth about Russia in G. Sviridov’s Works: The Archetype of Transition

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Viktor G. Aktisov A. Glazunov and S. Rasch&#232;r: The History of the Concerto for Saxophone with Orchestra

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Aleksandra V. Ustyugova B.A. Struve’s Organology Works: Problems and Methodology

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Irina A. Koshcheeva The Genre of Piano Concerto in Alemdar Karamanovs Music

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Tatiana I. Sorokina Polish Aspect in Glinka`s Opera «A Life for the Tsar»: Elected Context Problems

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Maria A. Kazachkova «The Voice drowning in the roar of times». Allan Pettersson and His Seventh Symphony (On the 100th Birth Anniversary of the Composer)

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QUESTIONS OF THE THEORY
M.N. Tchebourkina About the Term «French Baroque»: «Baroque Music» of J.-J. Rousseau (1768)

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M.N. Tchebourkina «Gallant Style», «Rococo», «Mannerism», «Decadence» in the System of French «Baroque Music»

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V.D. Kartashov Partita concertante ¹1 in Modo di jazz-improvvisazione: Towards the Problem of Composer V. Zubitsky’s Style

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V.O. Petrov Instrumental Composition with Word: Problems of Theory and History of the Genre

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Marina N. Tchebourkina French Classicism: From «Classical» to «Ñlassicism», or From «Exemplary» to «Obsolete»

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Marina N. Tchebourkina French «Classicism» as a «Minor Style» in the System of French Baroque Organ Music

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Igor M. Krasilnikov Stereophonic Type of Music Texture — Essential Feature of Electronic Music

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Mikhail E. Pylaev To the Evolution of Musical Analysis in the 18th–19th Centuries (After Carl Dahlhaus)

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Marina N. Tchebourkina Rhetoric and «Passions» in the Systhem of French Baroque Organ Music

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Marina N. Tchebourkina The «Rational Concept» as Method of Thinking in French Baroque Organ Art

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Marina E. Girfanova Some Notes on Mensural Rhythm of the French Ars Nova: the Time Signature of Tempus and Its Implementation in Philippe de Vitry’s Motets

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Vyacheslav N. Gratchev Simple music by A. P&#228;rt and V. Martynov: Translating of Ostinato Repetitions

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Irina S. Stogniy The Phenomenon of «Second Plan» in Music

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Natalia Y. Plotnikova On Canon Technique in V. Titov’s Works

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Anna V. Makina Meditation No. 1 «La vierge et l’enfant» from Olivie Messiaen’s Organ Cycle «La Nativit&#233; du Seigneur»: Rhythmic Technics and Form

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Marina N. Tchebourkina «Pathetique» as the Fundamental Category of French Baroque Organ Art

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Marina N. Tchebourkina «Light and Dark» as Essential Quality of French Baroque Organ Art

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Vladislav Ol. Petrov On Eventfullness of Plots in Instrumental Theatre Works

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MATTERS OF PEDAGOGY
R.A. Akhmadeeva Some Aspects of Vocal Apparatus Diseases Diagnostics in the Solo Singing Class

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Questions OF THE THEORY
M.N. Tchebourkina About the Term «French Baroque»: «Baroque Music» of J.-J. Rousseau (1768)

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M.N. Tchebourkina «Gallant Style», «Rococo», «Mannerism», «Decadence» in the System of French «Baroque Music»

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V.D. Kartashov Partita concertante ¹1 in Modo di jazz-improvvisazione: Towards the Problem of Composer V. Zubitsky’s Style

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V.O. Petrov Instrumental Composition with Word: Problems of Theory and History of the Genre

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Marina N. Tchebourkina French Classicism: From «Classical» to «Ñlassicism», or From «Exemplary» to «Obsolete»

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Marina N. Tchebourkina French «Classicism» as a «Minor Style» in the System of French Baroque Organ Music

More »

Igor M. Krasilnikov Stereophonic Type of Music Texture — Essential Feature of Electronic Music

More »

Mikhail E. Pylaev To the Evolution of Musical Analysis in the 18th–19th Centuries (After Carl Dahlhaus)

More »

Marina N. Tchebourkina Rhetoric and «Passions» in the Systhem of French Baroque Organ Music

More »

Marina N. Tchebourkina The «Rational Concept» as Method of Thinking in French Baroque Organ Art

More »

Marina E. Girfanova Some Notes on Mensural Rhythm of the French Ars Nova: the Time Signature of Tempus and Its Implementation in Philippe de Vitry’s Motets

More »

Vyacheslav N. Gratchev Simple music by A. P&#228;rt and V. Martynov: Translating of Ostinato Repetitions

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Irina S. Stogniy The Phenomenon of «Second Plan» in Music

More »

Natalia Y. Plotnikova On Canon Technique in V. Titov’s Works

More »

Anna V. Makina Meditation No. 1 «La vierge et l’enfant» from Olivie Messiaen’s Organ Cycle «La Nativit&#233; du Seigneur»: Rhythmic Technics and Form

More »

Marina N. Tchebourkina «Pathetique» as the Fundamental Category of French Baroque Organ Art

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Marina N. Tchebourkina «Light and Dark» as Essential Quality of French Baroque Organ Art

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Vladislav Ol. Petrov On Eventfullness of Plots in Instrumental Theatre Works

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Problems performing
V.P. Fomina The Problems of Contemporary Vocal Interpretation of 17th Century Italian Opera in the Aspect of Historically Informed Performance

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S.M. Filaretova Singing in the Cadet Corps of Imperial Russia: in the Class, in Hull, in Church

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A.V. Tretyakova «Jenseits der Schatten»: Parallel Meanings

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R.G. Varenko The Particularities of Information Resources for Specialists of Musical Art in the Sphere of the Higher Education

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PALEOGRAPHY
Irina V. Starikova Polyeleos in the Old-Russian Chant Tradition from the 15th to the Middle of the 17th Century

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ETHNOMUSICOLOGY
A.A. Mikhaylova On Canonical Principles of Traditional Play on Saratov Harmonica: «Saratovskie Perebory»

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V.Yu. Suzukei Tuvan Music in the 20th Century

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S.I. Utegalieva Kazakh Dombra and Other Typologically Related Musical Instruments of Turkic Peoples

More »

E.B. Reznichenko The Wedding Lamentations of Pomorye as a Phenomenon of Traditional Culture of Russian North

More »

Olga V. Novikova Pitch organisation in the East Buryatian tuurelge

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Inna V. Pazicheva The Search of Truth (On Some Aspects of the Study of Azeri Mugham)

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Natella V. Tchakhvadze On Some Features of Space-Time Systems, modeled in Shashmakam

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***
- Äèàëîãè ìàñòåðîâ — äðåâíèõ è íîâûõ

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CONFERENCES
- Îòêðûòàÿ îò÷åòíî-ýêñïåäèöèîííàÿ ñåññèÿ (êîíôåðåíöèÿ) ïî ðåçóëüòàòàì ïîëåâûõ èññëåäîâàíèé 2009–2010 ãîäîâ

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Îêñàíà Òâåðäîõëåáîâà Íîâûå èìåíà: Ðèêêàðäî Äçàíäîíàè

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K.A.Mehnetsova The international scientific conference «The folklorno-ethnographic atlas of east Slavs: Methods and results of areal researches»

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E.N.Hadeeva Corporate style of the Kazan musical science

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ANNIVERSARIES
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ARCHIVES
Zhanna V. Kniazeva Jacques Handschin on the Events in 1917: Soviet Russia, as Viewed by a «Neutral Swiss»

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REVIEWS
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ÏÐÎÁËÅÌÛ ÈÑÏÎËÍÈÒÅËÜÑÒÂÀ
Sergey J. Vartanov Ñonception in Interpretation. C. Debussy: «Les sons et les parfums toument dans l’air du soir»

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- Magazine "Musicology" publications For 2011

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- Rules of consideration, the publication and reviewing of articles

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 Sections

«About journal

«Archive

«Thematic focus of the journal

«Formatting rules

«Stages of the review and publication

«Review process

«Editorial and Professional Ethics

«Detecting plagiarism

«Editors and Editorial Board

«News journal


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Instruments and Systems: Monitoring, Control, and Diagnostics
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Instrument-Making and Automation Means. Encyclopedic Textbook
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Industrial Automatic Control Systems and Controllers
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Aerospace Instrument-Making
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Engineering Physics
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History of Science and Engineering
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Music and Time
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Note Album
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Musicology
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Universal History
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Directory of engineer
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Applied Physics and Mathematics
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News Academy of Engineering Sciences A.M. Prokhorov
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