Musicology Index of articles published in the journals "Musicology" in 2010. << Back MUSIC HISTORY A.A. Almazova Formation of Style in Tatar Composers’ Works in the 1920s — 1930s (Axiological Paradigm) More » Oleg P. Vasiliev Bayan in Michail Bronner’s «Iuda Passions» More » Vera I. Yudina The Musical Letters of Vasiliy Kalinnikov: Artistic Pages of the Composers Autobiography More » Aminat S. Mishaeva From the Lullaby to the Genre of Children’s Opera More » Sergey N. Lebedev Spartan Decree Against Timotheus in the Boethius’ Fundamentals of Music More » Natalia V. Dahl The Lost autograph of Nicolo Paganini More » V.I. Antipov Sergei Rachmaninoff’s Archives More » G.A. Moiseev Musical Collections of the August Patrons of the Imperial Russian Musical Society More » T.A. Zenaishvili Virtual Encounter Between Pachelbel and Buxtehude: From the History of Keyboard Suite More » A.G. Vishnyakov Music as «Aspiration to the Text». The Image of Musical Theatre in Works by Michel Butor More » Dmitry Z. Kyreyev On the Spiritual Essence of Mussorgsky’s Opera «Boris Godunov» More » Julia S. Semyonova Catherine II’s Music-Theatrical Pamphlet: Comic Opera «Gore-Bogatyr Kosometovich» More » L.A. Kupets Listening to «Carmen» by Bizet … (An Experience of Receptive Interpretation) More » T.V. Bukina At the Beginning of the Marxist Musicology: Sociology of Music in the 1920s as a Methodological Project More » Dr. Denis Lomtev Die beiden Fra Diabolo: A Viennese Singspiel in Petersburg Style More » Marina A. Egorova Mendelssohn’s Piano Sonatas: Characteristics of the Composer’s Early Art Style More » Evgeny I. Maximov Keyboard Variations by Joseph Haydn More » Irina A. Skvortsova Romanticism as the Genesis of Art Nouveau Style in Russian Music at the Turn of the 20th Century More » Kseniya A. Suponitskaya Valery Gavrilin: Searching for Own Way Commemorating Gavrilin’s Birth Anniversary (1939–1999) More » WORK OF YOUNG SCIENTISTS S.S. Gandilyan Suites in the Works of J. J. Froberger (on the Material of Libro Secondo 1649) More » M.A. Bukrinskaya Alyabiev Among His Contemporaries (In the Context of Interrelationships of Russian and Foreign Tendencies in Russian Culture of the 19th Century) More » A.I. Maslyakova The Principle of General Unity and It’s Display in Alexandr Skryabin’s Music More » G. Shauyet Composers of the Steppes and the Sun. G. Zhubanova and Z. Khangal (Folklore in the Piano Works of Two Composers) More » S.S. Kosyatova Spiritual Verses in the System of Traditional Genres of the Southest Areas of Kaluga Region. Peculiarities of Music and Style More » I.A. Redkina The Traditional Musical Culture of the Northern District of Penza Region: Mobile and Stabile Features More » A.V. Vyunova On Amateur Choir Singing More » Ilya D. Nikoltsev Microtonality and Mode. Microtonal Systems More » Raushaniya R. Khatypova On the Problem of Dialogue between «the Own» and «the Other» in «Variations on a Paganini’s Theme» by A. Rosenblatt More » Galina V. Anokhina Metamorphosis of the Concept of Opus in Gyorgy Kurtag’s Works More » Irina A. Matyushonok Polystylistics and Sound Image of Alfred Schnittke’s Music (as Exemplified by the Second Sonata for Violin and Piano) More » Elena V. Popova Notes on Sacred Music by Måtropolitan Hilarion More » Maria G. Larina Bulgarian Chant in Church Vocal Practice in Russia in the 17th — 18th Centuries More » T.E. Khromenko Choir Miniature in Roman Ledenev’s Art More » N.S. Kuznetsova Wedding Tradition of Verkhny Oskol in the System of Local Song Style More » E.V. Tsvetkova From the History of Music Folkloristics of Voronezh Province (Mitrophan Pyatnitsky’s Ethnographical Record of 1920 as the New Stage in the History of Gathering) More » M.E. Ponomareva Jean-Louis Duport and His «Instruction on the Fingering and Bowing of the Violoncello» More » O.V. Yarosh Comprehension of Thematic Organization in «Davidsbundler Dances» by R. Schumann in the Synaesthetic Aspect More » V.R. Ramazanova The Faun in the Art World of Debussy’s Works on the Antique Theme More » E.E. Muzyleva The Gender Traits of Lyric Songs (by Example of Villages of Southwestern Regions of Kaluzhskaya Oblast) More » Yu.A. Pozdnyakov Accordion in Russian Musicology: In Search of Methodological Paradigm More » Ivan S. Starostin Another Work of the Team of Theorists More » Ekaterina M. Kuznetsova Rachmaninoff and his Steinways: A Story of one Friendship More » A.V. Makina On the Problem of Formation of Igor Stravinsky’s Serial Technics More » N.A. Latyshev The Unknown Manuscripts of Works for Saxophone by Alexander Glazounov More » Zh.Y. Serova The «New» Wal tz of the 20th Century More » Alexey G. Baranov Masses of the 18th Century and Haydn’s Masses in the Works of Foreign Musicologists More » Evgeny V. Grishchenko The Creation of A.K. Glazounov’s Quartet Cycles (Based on the Manuscripts of String Quartets) More » Yulia V. Yufereva Questions of Performing Organ Works by Maurice Durufle More » Natalia A. Gourenko Microtonal Music and the Problem of Its Hearing More » Ada G. Aynbinder P.I. Tchaikovsky in the Mirror of His Private Library More » Svetlana V. Kosyreva Heterophony of Vyatskian Mari: an Experience of Comprehensive Studying More » Maria A. Karachevskaya «Rosarium» by Mikhail Gnessin and Chamber Vocal Music of the Silver Age More » Nina D. Sviridovskaya Revarsavr: Revolutionary Arseny Avraamov More » Nadejda Yu. Filatova Evangelical Ideas and Images in Jury Butsko’s Cantata «Metamorphosis» on Benoit de Dardel’s Verses More » Julia A. Efimova Sacred Music by Aleksandr Nikolsky: Problems of Style More » Margarita A. Bouckrinskaya Alyabiev’s Early Romances. Aesthetic Aspects More » Nadezhda A. Lobachova «I would like to write an opera on a Soviet plot...» About «Distant Seas», an unfinished opera by Sergey Prokofiev More » Ekaterina A. Kalinina Music in Theatrical Performances by Ingmar Bergman More » Natia A. Dekanosidze Pro et contra: Opera «Music for the living» by Kancheli and Sturua More » Sergey B. Shamov The Category of Tempo-rhythm and Percussion Instruments in the Music of Theatrical Performance More » Ethnomusicology Natalia N. Giliarova The Songs of the Wedding Ceremony in the Penza Region (to the Problem of Regional Stylistics) More » Natella V. Chakhvadze On the Constant Terms of World Perception, Reflected the Musical Art of the East More » L.D. Dashieva Musical Collections of the August Patrons of the Imperial Russian Musical Society More » Saule I. Utegalieva Kazakh Kyl-Kobyz and Mongol Morin-Khuur: An Experience of Comparative-Typological Study More » Olga V. Novikova The Intonational Models of the Buryat National Songs and Evolution of the Pentatonic System Modals More » Aylanmaa Kh. Kan-ool Song Tradition in the Context of Intonational Culture of the Erzin Tuvas More » Vladimir P. Morozov Tibetan and Tyvan Throat Signing in the View of the Resonance Theory of Voice Production More » Natalia S. Ìikhailova Musical Instruments of Karelian Shepherds. Their Construction and Geographic Range More » Mikhail A. Lobanov Previously Unaccounted Type of Russian Song Polyphony More » Problems performing Leonid N. Popov Intonational-Connotative Approah to the Process of Interpretation of Musical Piece More » Sergey Y. Vartanov Conception in the Piano Interpretation: F. Liszt, Etude ¹6 a-moll (on Paganini) More » D.I. Varlamov, O.Y. Korobova Anticipation and Activities of an Accompanying Musician More » CONFERENCE V.I. Adischev The history of music education as an area of scientific knowledge: status, prospects More » D.N. Chasovitin The Passion of the Bologna Process More » - Resolution of the International Scientific Conference "National Ethnomusicology: history of science, research methods, prospects of development " (St. Petersburg, September 30 - October 3, 2010) More » Questions OF THE THEORY Zoya I. Glyadeshkina French Music in the Second Half of the 16th Century: Characteristics of Composition More » Irina S. Stogniy Metaphorical Language of Music More » Marianna S. Vysotskaya To the Theory of Intertextuality: Citation as a Principle in Faradzh Karaev’s Works More » Vladislav O. Petrov Text in the Instrumentional Composition (Concerning One Peculiarity of the Composer’s Creative Work in the Late 20th Century) More » Nino O. Barlalaya Syntax of «Emotional», or «Psychoanalytical» Form of Nikolay Obukhov More » Z.I. Glyadeshkina Modal Harmony in French Music of the 17th Century: Its Criteria and Basises in the Works by Gerard Geay More » Irina S. Stogniy Semantic Realities of J. S. Bach’s Clavier Toccatas More » A.E. Krom The Art of Strict Forms: American Minimalism in Painting and Music More » A.E. Lebedev Logic of Musical Playing in the Genre of Concerto for Accordion and Orchestra (Based on Concertos by A. Repnikov) More » S.V. Ponomarev On the Problem of Formbuilding Meaning of Instrumentation. Timbre-Tectonical Principles of Musical Form More » Viacheslav N. Gratchev Orthodox Music by Vladimir Martynov: The Problem of Individual Style More » Vladislav O. Petrov On the Theory of Instrumental Theatre More » Diana V. Sardarian Temporal Dodecaphony as the Compositional Method of Alexander Vustin More » Nadejda A. Petrusyova From «Touching» to «Comprehension» of Music by Helmut Lachenmann More » Aleksandr V. Chernyshov Music Theory of Media Genres More » Paleography Natalia Y. Plotnikova The Singing Culture of Novgorod Archiereus’ Choir in the 18th Century More » Natalia A. Fedorovskaya The Music-rhetorical Figures anabasis and catabasis in Russian Choral Concertos in the 17th — 18th Centuries More » Alisa S. Belshova «Inok mnogestva» : the Sticheron Dedicated to Saint Anthony the Great within the Context of Old-Russian Hymnography More » Questions OF PEDAGOGY Pavel P. Sladkov Psychological Bases of Intonational and Analytical Activities in the Development of Musical Hearing More » ANNIVERSARIES Olga V. Tulinova Musical and Enlightment Activities of Museum in a Small Town (to the 10th Anniversary of Tikhon Khrennikov’s House Museum in Elets) More » Viktor E. Faizullin Literary and Educational Activities of Composer Dzhaudat Fayzi. Commemorating 100th Birth Anniversary (1910–1973) More » QUESTIONS OF THE THEORY Zoya I. Glyadeshkina French Music in the Second Half of the 16th Century: Characteristics of Composition More » Irina S. Stogniy Metaphorical Language of Music More » Marianna S. Vysotskaya To the Theory of Intertextuality: Citation as a Principle in Faradzh Karaev’s Works More » Vladislav O. Petrov Text in the Instrumentional Composition (Concerning One Peculiarity of the Composer’s Creative Work in the Late 20th Century) More » Nino O. Barlalaya Syntax of «Emotional», or «Psychoanalytical» Form of Nikolay Obukhov More » Z.I. Glyadeshkina Modal Harmony in French Music of the 17th Century: Its Criteria and Basises in the Works by Gerard Geay More » Irina S. Stogniy Semantic Realities of J. S. Bach’s Clavier Toccatas More » A.E. Krom The Art of Strict Forms: American Minimalism in Painting and Music More » A.E. Lebedev Logic of Musical Playing in the Genre of Concerto for Accordion and Orchestra (Based on Concertos by A. Repnikov) More » S.V. Ponomarev On the Problem of Formbuilding Meaning of Instrumentation. Timbre-Tectonical Principles of Musical Form More » Viacheslav N. Gratchev Orthodox Music by Vladimir Martynov: The Problem of Individual Style More » Vladislav O. Petrov On the Theory of Instrumental Theatre More » Diana V. Sardarian Temporal Dodecaphony as the Compositional Method of Alexander Vustin More » Nadejda A. Petrusyova From «Touching» to «Comprehension» of Music by Helmut Lachenmann More » Aleksandr V. Chernyshov Music Theory of Media Genres More »