MUSIC HISTORY |
A.A. Almazova |
Formation of Style in Tatar Composers’ Works in the 1920s — 1930s (Axiological Paradigm)
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Oleg P. Vasiliev |
Bayan in Michail Bronner’s «Iuda Passions»
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Vera I. Yudina |
The Musical Letters of Vasiliy Kalinnikov: Artistic Pages of the Composers Autobiography
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Aminat S. Mishaeva |
From the Lullaby to the Genre of Children’s Opera
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Sergey N. Lebedev |
Spartan Decree Against Timotheus in the Boethius’ Fundamentals of Music
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Natalia V. Dahl |
The Lost autograph of Nicolo Paganini
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V.I. Antipov |
Sergei Rachmaninoff’s Archives
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G.A. Moiseev |
Musical Collections of the August Patrons of the Imperial Russian Musical Society
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T.A. Zenaishvili |
Virtual Encounter Between Pachelbel and Buxtehude: From the History of Keyboard Suite
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A.G. Vishnyakov |
Music as «Aspiration to the Text». The Image of Musical Theatre in Works by Michel Butor
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Dmitry Z. Kyreyev |
On the Spiritual Essence of Mussorgsky’s Opera «Boris Godunov»
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Julia S. Semyonova |
Catherine II’s Music-Theatrical Pamphlet: Comic Opera «Gore-Bogatyr Kosometovich»
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L.A. Kupets |
Listening to «Carmen» by Bizet … (An Experience of Receptive Interpretation)
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T.V. Bukina |
At the Beginning of the Marxist Musicology: Sociology of Music in the 1920s as a Methodological Project
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Dr. Denis Lomtev |
Die beiden Fra Diabolo: A Viennese Singspiel in Petersburg Style
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Marina A. Egorova |
Mendelssohn’s Piano Sonatas: Characteristics of the Composer’s Early Art Style
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Evgeny I. Maximov |
Keyboard Variations by Joseph Haydn
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Irina A. Skvortsova |
Romanticism as the Genesis of Art Nouveau Style in Russian Music at the Turn of the 20th Century
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Kseniya A. Suponitskaya |
Valery Gavrilin: Searching for Own Way Commemorating Gavrilin’s Birth Anniversary (1939–1999)
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WORK OF YOUNG SCIENTISTS |
S.S. Gandilyan |
Suites in the Works of J. J. Froberger (on the Material of Libro Secondo 1649)
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M.A. Bukrinskaya |
Alyabiev Among His Contemporaries (In the Context of Interrelationships of Russian and Foreign Tendencies in Russian Culture of the 19th Century)
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A.I. Maslyakova |
The Principle of General Unity and It’s Display in Alexandr Skryabin’s Music
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G. Shauyet |
Composers of the Steppes and the Sun. G. Zhubanova and Z. Khangal (Folklore in the Piano Works of Two Composers)
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S.S. Kosyatova |
Spiritual Verses in the System of Traditional Genres of the Southest Areas of Kaluga Region. Peculiarities of Music and Style
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I.A. Redkina |
The Traditional Musical Culture of the Northern District of Penza Region: Mobile and Stabile Features
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A.V. Vyunova |
On Amateur Choir Singing
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Ilya D. Nikoltsev |
Microtonality and Mode. Microtonal Systems
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Raushaniya R. Khatypova |
On the Problem of Dialogue between «the Own» and «the Other» in «Variations on a Paganini’s Theme» by A. Rosenblatt
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Galina V. Anokhina |
Metamorphosis of the Concept of Opus in Gyorgy Kurtag’s Works
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Irina A. Matyushonok |
Polystylistics and Sound Image of Alfred Schnittke’s Music (as Exemplified by the Second Sonata for Violin and Piano)
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Elena V. Popova |
Notes on Sacred Music by Måtropolitan Hilarion
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Maria G. Larina |
Bulgarian Chant in Church Vocal Practice in Russia in the 17th — 18th Centuries
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T.E. Khromenko |
Choir Miniature in Roman Ledenev’s Art
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N.S. Kuznetsova |
Wedding Tradition of Verkhny Oskol in the System of Local Song Style
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E.V. Tsvetkova |
From the History of Music Folkloristics of Voronezh Province (Mitrophan Pyatnitsky’s Ethnographical Record of 1920 as the New Stage in the History of Gathering)
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M.E. Ponomareva |
Jean-Louis Duport and His «Instruction on the Fingering and Bowing of the Violoncello»
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O.V. Yarosh |
Comprehension of Thematic Organization in «Davidsbundler Dances» by R. Schumann in the Synaesthetic Aspect
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V.R. Ramazanova |
The Faun in the Art World of Debussy’s Works on the Antique Theme
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E.E. Muzyleva |
The Gender Traits of Lyric Songs (by Example of Villages of Southwestern Regions of Kaluzhskaya Oblast)
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Yu.A. Pozdnyakov |
Accordion in Russian Musicology: In Search of Methodological Paradigm
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Ivan S. Starostin |
Another Work of the Team of Theorists
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Ekaterina M. Kuznetsova |
Rachmaninoff and his Steinways: A Story of one Friendship
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A.V. Makina |
On the Problem of Formation of Igor Stravinsky’s Serial Technics
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N.A. Latyshev |
The Unknown Manuscripts of Works for Saxophone by Alexander Glazounov
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Zh.Y. Serova |
The «New» Wal tz of the 20th Century
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Alexey G. Baranov |
Masses of the 18th Century and Haydn’s Masses in the Works of Foreign Musicologists
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Evgeny V. Grishchenko |
The Creation of A.K. Glazounov’s Quartet Cycles (Based on the Manuscripts of String Quartets)
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Yulia V. Yufereva |
Questions of Performing Organ Works by Maurice Durufle
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Natalia A. Gourenko |
Microtonal Music and the Problem of Its Hearing
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Ada G. Aynbinder |
P.I. Tchaikovsky in the Mirror of His Private Library
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Svetlana V. Kosyreva |
Heterophony of Vyatskian Mari: an Experience of Comprehensive Studying
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Maria A. Karachevskaya |
«Rosarium» by Mikhail Gnessin and Chamber Vocal Music of the Silver Age
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Nina D. Sviridovskaya |
Revarsavr: Revolutionary Arseny Avraamov
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Nadejda Yu. Filatova |
Evangelical Ideas and Images in Jury Butsko’s Cantata «Metamorphosis» on Benoit de Dardel’s Verses
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Julia A. Efimova |
Sacred Music by Aleksandr Nikolsky: Problems of Style
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Margarita A. Bouckrinskaya |
Alyabiev’s Early Romances. Aesthetic Aspects
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Nadezhda A. Lobachova |
«I would like to write an opera on a Soviet plot...» About «Distant Seas», an unfinished opera by Sergey Prokofiev
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Ekaterina A. Kalinina |
Music in Theatrical Performances by Ingmar Bergman
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Natia A. Dekanosidze |
Pro et contra: Opera «Music for the living» by Kancheli and Sturua
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Sergey B. Shamov |
The Category of Tempo-rhythm and Percussion Instruments in the Music of Theatrical Performance
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Ethnomusicology |
Natalia N. Giliarova |
The Songs of the Wedding Ceremony in the Penza Region (to the Problem of Regional Stylistics)
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Natella V. Chakhvadze |
On the Constant Terms of World Perception, Reflected the Musical Art of the East
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L.D. Dashieva |
Musical Collections of the August Patrons of the Imperial Russian Musical Society
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Saule I. Utegalieva |
Kazakh Kyl-Kobyz and Mongol Morin-Khuur: An Experience of Comparative-Typological Study
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Olga V. Novikova |
The Intonational Models of the Buryat National Songs and Evolution of the Pentatonic System Modals
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Aylanmaa Kh. Kan-ool |
Song Tradition in the Context of Intonational Culture of the Erzin Tuvas
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Vladimir P. Morozov |
Tibetan and Tyvan Throat Signing in the View of the Resonance Theory of Voice Production
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Natalia S. Ìikhailova |
Musical Instruments of Karelian Shepherds. Their Construction and Geographic Range
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Mikhail A. Lobanov |
Previously Unaccounted Type of Russian Song Polyphony
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Problems performing |
Leonid N. Popov |
Intonational-Connotative Approah to the Process of Interpretation of Musical Piece
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Sergey Y. Vartanov |
Conception in the Piano Interpretation: F. Liszt, Etude ¹6 a-moll (on Paganini)
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D.I. Varlamov, O.Y. Korobova |
Anticipation and Activities of an Accompanying Musician
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CONFERENCE |
V.I. Adischev |
The history of music education as an area of scientific knowledge: status, prospects
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D.N. Chasovitin |
The Passion of the Bologna Process
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Resolution of the International Scientific Conference "National Ethnomusicology: history of science, research methods, prospects of development " (St. Petersburg, September 30 - October 3, 2010)
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Questions OF THE THEORY |
Zoya I. Glyadeshkina |
French Music in the Second Half of the 16th Century: Characteristics of Composition
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Irina S. Stogniy |
Metaphorical Language of Music
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Marianna S. Vysotskaya |
To the Theory of Intertextuality: Citation as a Principle in Faradzh Karaev’s Works
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Vladislav O. Petrov |
Text in the Instrumentional Composition (Concerning One Peculiarity of the Composer’s Creative Work in the Late 20th Century)
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Nino O. Barlalaya |
Syntax of «Emotional», or «Psychoanalytical» Form of Nikolay Obukhov
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Z.I. Glyadeshkina |
Modal Harmony in French Music of the 17th Century: Its Criteria and Basises in the Works by Gerard Geay
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Irina S. Stogniy |
Semantic Realities of J. S. Bach’s Clavier Toccatas
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A.E. Krom |
The Art of Strict Forms: American Minimalism in Painting and Music
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A.E. Lebedev |
Logic of Musical Playing in the Genre of Concerto for Accordion and Orchestra (Based on Concertos by A. Repnikov)
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S.V. Ponomarev |
On the Problem of Formbuilding Meaning of Instrumentation. Timbre-Tectonical Principles of Musical Form
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Viacheslav N. Gratchev |
Orthodox Music by Vladimir Martynov: The Problem of Individual Style
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Vladislav O. Petrov |
On the Theory of Instrumental Theatre
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Diana V. Sardarian |
Temporal Dodecaphony as the Compositional Method of Alexander Vustin
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Nadejda A. Petrusyova |
From «Touching» to «Comprehension» of Music by Helmut Lachenmann
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Aleksandr V. Chernyshov |
Music Theory of Media Genres
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Paleography |
Natalia Y. Plotnikova |
The Singing Culture of Novgorod Archiereus’ Choir in the 18th Century
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Natalia A. Fedorovskaya |
The Music-rhetorical Figures anabasis and catabasis in Russian Choral Concertos in the 17th — 18th Centuries
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Alisa S. Belshova |
«Inok mnogestva» : the Sticheron Dedicated to Saint Anthony the Great within the Context of Old-Russian Hymnography
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Questions OF PEDAGOGY |
Pavel P. Sladkov |
Psychological Bases of Intonational and Analytical Activities in the Development of Musical Hearing
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ANNIVERSARIES |
Olga V. Tulinova |
Musical and Enlightment Activities of Museum in a Small Town (to the 10th Anniversary of Tikhon Khrennikov’s House Museum in Elets)
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Viktor E. Faizullin |
Literary and Educational Activities of Composer Dzhaudat Fayzi. Commemorating 100th Birth Anniversary (1910–1973)
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QUESTIONS OF THE THEORY |
Zoya I. Glyadeshkina |
French Music in the Second Half of the 16th Century: Characteristics of Composition
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Irina S. Stogniy |
Metaphorical Language of Music
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Marianna S. Vysotskaya |
To the Theory of Intertextuality: Citation as a Principle in Faradzh Karaev’s Works
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Vladislav O. Petrov |
Text in the Instrumentional Composition (Concerning One Peculiarity of the Composer’s Creative Work in the Late 20th Century)
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Nino O. Barlalaya |
Syntax of «Emotional», or «Psychoanalytical» Form of Nikolay Obukhov
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Z.I. Glyadeshkina |
Modal Harmony in French Music of the 17th Century: Its Criteria and Basises in the Works by Gerard Geay
More »
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Irina S. Stogniy |
Semantic Realities of J. S. Bach’s Clavier Toccatas
More »
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A.E. Krom |
The Art of Strict Forms: American Minimalism in Painting and Music
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A.E. Lebedev |
Logic of Musical Playing in the Genre of Concerto for Accordion and Orchestra (Based on Concertos by A. Repnikov)
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S.V. Ponomarev |
On the Problem of Formbuilding Meaning of Instrumentation. Timbre-Tectonical Principles of Musical Form
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Viacheslav N. Gratchev |
Orthodox Music by Vladimir Martynov: The Problem of Individual Style
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Vladislav O. Petrov |
On the Theory of Instrumental Theatre
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Diana V. Sardarian |
Temporal Dodecaphony as the Compositional Method of Alexander Vustin
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Nadejda A. Petrusyova |
From «Touching» to «Comprehension» of Music by Helmut Lachenmann
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Aleksandr V. Chernyshov |
Music Theory of Media Genres
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