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Musicology

Index of articles published in the journals "Musicology" in 2010.

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MUSIC HISTORY
A.A. Almazova Formation of Style in Tatar Composers Works in the 1920s 1930s (Axiological Paradigm)

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Oleg P. Vasiliev Bayan in Michail Bronners Iuda Passions

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Vera I. Yudina The Musical Letters of Vasiliy Kalinnikov: Artistic Pages of the Composers Autobiography

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Aminat S. Mishaeva From the Lullaby to the Genre of Childrens Opera

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Sergey N. Lebedev Spartan Decree Against Timotheus in the Boethius Fundamentals of Music

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Natalia V. Dahl The Lost autograph of Nicolo Paganini

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V.I. Antipov Sergei Rachmaninoffs Archives

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G.A. Moiseev Musical Collections of the August Patrons of the Imperial Russian Musical Society

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T.A. Zenaishvili Virtual Encounter Between Pachelbel and Buxtehude: From the History of Keyboard Suite

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A.G. Vishnyakov Music as Aspiration to the Text. The Image of Musical Theatre in Works by Michel Butor

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Dmitry Z. Kyreyev On the Spiritual Essence of Mussorgskys Opera Boris Godunov

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Julia S. Semyonova Catherine IIs Music-Theatrical Pamphlet: Comic Opera Gore-Bogatyr Kosometovich

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L.A. Kupets Listening to Carmen by Bizet (An Experience of Receptive Interpretation)

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T.V. Bukina At the Beginning of the Marxist Musicology: Sociology of Music in the 1920s as a Methodological Project

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Dr. Denis Lomtev Die beiden Fra Diabolo: A Viennese Singspiel in Petersburg Style

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Marina A. Egorova Mendelssohns Piano Sonatas: Characteristics of the Composers Early Art Style

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Evgeny I. Maximov Keyboard Variations by Joseph Haydn

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Irina A. Skvortsova Romanticism as the Genesis of Art Nouveau Style in Russian Music at the Turn of the 20th Century

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Kseniya A. Suponitskaya Valery Gavrilin: Searching for Own Way Commemorating Gavrilins Birth Anniversary (19391999)

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WORK OF YOUNG SCIENTISTS
S.S. Gandilyan Suites in the Works of J. J. Froberger (on the Material of Libro Secondo 1649)

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M.A. Bukrinskaya Alyabiev Among His Contemporaries (In the Context of Interrelationships of Russian and Foreign Tendencies in Russian Culture of the 19th Century)

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A.I. Maslyakova The Principle of General Unity and Its Display in Alexandr Skryabins Music

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G. Shauyet Composers of the Steppes and the Sun. G. Zhubanova and Z. Khangal (Folklore in the Piano Works of Two Composers)

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S.S. Kosyatova Spiritual Verses in the System of Traditional Genres of the Southest Areas of Kaluga Region. Peculiarities of Music and Style

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I.A. Redkina The Traditional Musical Culture of the Northern District of Penza Region: Mobile and Stabile Features

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A.V. Vyunova On Amateur Choir Singing

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Ilya D. Nikoltsev Microtonality and Mode. Microtonal Systems

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Raushaniya R. Khatypova On the Problem of Dialogue between the Own and the Other in Variations on a Paganinis Theme by A. Rosenblatt

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Galina V. Anokhina Metamorphosis of the Concept of Opus in Gyorgy Kurtags Works

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Irina A. Matyushonok Polystylistics and Sound Image of Alfred Schnittkes Music (as Exemplified by the Second Sonata for Violin and Piano)

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Elena V. Popova Notes on Sacred Music by Mtropolitan Hilarion

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Maria G. Larina Bulgarian Chant in Church Vocal Practice in Russia in the 17th 18th Centuries

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T.E. Khromenko Choir Miniature in Roman Ledenevs Art

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N.S. Kuznetsova Wedding Tradition of Verkhny Oskol in the System of Local Song Style

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E.V. Tsvetkova From the History of Music Folkloristics of Voronezh Province (Mitrophan Pyatnitskys Ethnographical Record of 1920 as the New Stage in the History of Gathering)

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M.E. Ponomareva Jean-Louis Duport and His Instruction on the Fingering and Bowing of the Violoncello

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O.V. Yarosh Comprehension of Thematic Organization in Davidsbundler Dances by R. Schumann in the Synaesthetic Aspect

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V.R. Ramazanova The Faun in the Art World of Debussys Works on the Antique Theme

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E.E. Muzyleva The Gender Traits of Lyric Songs (by Example of Villages of Southwestern Regions of Kaluzhskaya Oblast)

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Yu.A. Pozdnyakov Accordion in Russian Musicology: In Search of Methodological Paradigm

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Ivan S. Starostin Another Work of the Team of Theorists

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Ekaterina M. Kuznetsova Rachmaninoff and his Steinways: A Story of one Friendship

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A.V. Makina On the Problem of Formation of Igor Stravinskys Serial Technics

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N.A. Latyshev The Unknown Manuscripts of Works for Saxophone by Alexander Glazounov

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Zh.Y. Serova The New Wal tz of the 20th Century

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Alexey G. Baranov Masses of the 18th Century and Haydns Masses in the Works of Foreign Musicologists

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Evgeny V. Grishchenko The Creation of A.K. Glazounovs Quartet Cycles (Based on the Manuscripts of String Quartets)

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Yulia V. Yufereva Questions of Performing Organ Works by Maurice Durufle

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Natalia A. Gourenko Microtonal Music and the Problem of Its Hearing

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Ada G. Aynbinder P.I. Tchaikovsky in the Mirror of His Private Library

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Svetlana V. Kosyreva Heterophony of Vyatskian Mari: an Experience of Comprehensive Studying

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Maria A. Karachevskaya Rosarium by Mikhail Gnessin and Chamber Vocal Music of the Silver Age

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Nina D. Sviridovskaya Revarsavr: Revolutionary Arseny Avraamov

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Nadejda Yu. Filatova Evangelical Ideas and Images in Jury Butskos Cantata Metamorphosis on Benoit de Dardels Verses

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Julia A. Efimova Sacred Music by Aleksandr Nikolsky: Problems of Style

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Margarita A. Bouckrinskaya Alyabievs Early Romances. Aesthetic Aspects

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Nadezhda A. Lobachova I would like to write an opera on a Soviet plot... About Distant Seas, an unfinished opera by Sergey Prokofiev

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Ekaterina A. Kalinina Music in Theatrical Performances by Ingmar Bergman

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Natia A. Dekanosidze Pro et contra: Opera Music for the living by Kancheli and Sturua

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Sergey B. Shamov The Category of Tempo-rhythm and Percussion Instruments in the Music of Theatrical Performance

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Ethnomusicology
Natalia N. Giliarova The Songs of the Wedding Ceremony in the Penza Region (to the Problem of Regional Stylistics)

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Natella V. Chakhvadze On the Constant Terms of World Perception, Reflected the Musical Art of the East

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L.D. Dashieva Musical Collections of the August Patrons of the Imperial Russian Musical Society

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Saule I. Utegalieva Kazakh Kyl-Kobyz and Mongol Morin-Khuur: An Experience of Comparative-Typological Study

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Olga V. Novikova The Intonational Models of the Buryat National Songs and Evolution of the Pentatonic System Modals

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Aylanmaa Kh. Kan-ool Song Tradition in the Context of Intonational Culture of the Erzin Tuvas

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Vladimir P. Morozov Tibetan and Tyvan Throat Signing in the View of the Resonance Theory of Voice Production

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Natalia S. ikhailova Musical Instruments of Karelian Shepherds. Their Construction and Geographic Range

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Mikhail A. Lobanov Previously Unaccounted Type of Russian Song Polyphony

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Problems performing
Leonid N. Popov Intonational-Connotative Approah to the Process of Interpretation of Musical Piece

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Sergey Y. Vartanov Conception in the Piano Interpretation: F. Liszt, Etude 6 a-moll (on Paganini)

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D.I. Varlamov, O.Y. Korobova Anticipation and Activities of an Accompanying Musician

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CONFERENCE
V.I. Adischev The history of music education as an area of scientific knowledge: status, prospects

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D.N. Chasovitin The Passion of the Bologna Process

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- Resolution of the International Scientific Conference "National Ethnomusicology: history of science, research methods, prospects of development " (St. Petersburg, September 30 - October 3, 2010)

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Questions OF THE THEORY
Zoya I. Glyadeshkina French Music in the Second Half of the 16th Century: Characteristics of Composition

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Irina S. Stogniy Metaphorical Language of Music

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Marianna S. Vysotskaya To the Theory of Intertextuality: Citation as a Principle in Faradzh Karaevs Works

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Vladislav O. Petrov Text in the Instrumentional Composition (Concerning One Peculiarity of the Composers Creative Work in the Late 20th Century)

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Nino O. Barlalaya Syntax of Emotional, or Psychoanalytical Form of Nikolay Obukhov

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Z.I. Glyadeshkina Modal Harmony in French Music of the 17th Century: Its Criteria and Basises in the Works by Gerard Geay

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Irina S. Stogniy Semantic Realities of J. S. Bachs Clavier Toccatas

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A.E. Krom The Art of Strict Forms: American Minimalism in Painting and Music

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A.E. Lebedev Logic of Musical Playing in the Genre of Concerto for Accordion and Orchestra (Based on Concertos by A. Repnikov)

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S.V. Ponomarev On the Problem of Formbuilding Meaning of Instrumentation. Timbre-Tectonical Principles of Musical Form

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Viacheslav N. Gratchev Orthodox Music by Vladimir Martynov: The Problem of Individual Style

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Vladislav O. Petrov On the Theory of Instrumental Theatre

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Diana V. Sardarian Temporal Dodecaphony as the Compositional Method of Alexander Vustin

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Nadejda A. Petrusyova From Touching to Comprehension of Music by Helmut Lachenmann

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Aleksandr V. Chernyshov Music Theory of Media Genres

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Paleography
Natalia Y. Plotnikova The Singing Culture of Novgorod Archiereus Choir in the 18th Century

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Natalia A. Fedorovskaya The Music-rhetorical Figures anabasis and catabasis in Russian Choral Concertos in the 17th 18th Centuries

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Alisa S. Belshova Inok mnogestva : the Sticheron Dedicated to Saint Anthony the Great within the Context of Old-Russian Hymnography

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Questions OF PEDAGOGY
Pavel P. Sladkov Psychological Bases of Intonational and Analytical Activities in the Development of Musical Hearing

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ANNIVERSARIES
Olga V. Tulinova Musical and Enlightment Activities of Museum in a Small Town (to the 10th Anniversary of Tikhon Khrennikovs House Museum in Elets)

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Viktor E. Faizullin Literary and Educational Activities of Composer Dzhaudat Fayzi. Commemorating 100th Birth Anniversary (19101973)

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QUESTIONS OF THE THEORY
Zoya I. Glyadeshkina French Music in the Second Half of the 16th Century: Characteristics of Composition

More »

Irina S. Stogniy Metaphorical Language of Music

More »

Marianna S. Vysotskaya To the Theory of Intertextuality: Citation as a Principle in Faradzh Karaevs Works

More »

Vladislav O. Petrov Text in the Instrumentional Composition (Concerning One Peculiarity of the Composers Creative Work in the Late 20th Century)

More »

Nino O. Barlalaya Syntax of Emotional, or Psychoanalytical Form of Nikolay Obukhov

More »

Z.I. Glyadeshkina Modal Harmony in French Music of the 17th Century: Its Criteria and Basises in the Works by Gerard Geay

More »

Irina S. Stogniy Semantic Realities of J. S. Bachs Clavier Toccatas

More »

A.E. Krom The Art of Strict Forms: American Minimalism in Painting and Music

More »

A.E. Lebedev Logic of Musical Playing in the Genre of Concerto for Accordion and Orchestra (Based on Concertos by A. Repnikov)

More »

S.V. Ponomarev On the Problem of Formbuilding Meaning of Instrumentation. Timbre-Tectonical Principles of Musical Form

More »

Viacheslav N. Gratchev Orthodox Music by Vladimir Martynov: The Problem of Individual Style

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Vladislav O. Petrov On the Theory of Instrumental Theatre

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Diana V. Sardarian Temporal Dodecaphony as the Compositional Method of Alexander Vustin

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Nadejda A. Petrusyova From Touching to Comprehension of Music by Helmut Lachenmann

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Aleksandr V. Chernyshov Music Theory of Media Genres

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«Formatting rules

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«Editorial and Professional Ethics

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«News journal


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Aerospace Instrument-Making
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Engineering Physics
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History of Science and Engineering
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Music and Time
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Note Album
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Musicology
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Bulletin of the Central Botanical Garden
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Universal History
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Directory of engineer
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Applied Physics and Mathematics
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News Academy of Engineering Sciences A.M. Prokhorov
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