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Musicology

Index of articles published in the journals "Musicology" in 2009.

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MUSIC HISTORY
Maksimov E.I. Tradition of Hommage in the Early Variations by Beethoven

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Batagova T.E. Zaur Gagloev: Unrevealed Oeuvres

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Belik P.A. Simphonietta on Russian Themes by I.M. Krassilnikov: Towards the Problem of Interaction Between Folklore and Professional Art

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Dolgushina M.G. The Vocal Nocturne and Russian Period of its History

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Cherepennikova M.S. The Synthesis of Italian Lyric Opera and German Literature: A. Boito and J. W. Goethe

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Onegina O.V. Unknown Piano Works by S.M. Lyapunov

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Podguzova M.M. Ms Erdeli did not yield to the persistence of the audience to play an encore. To the 130th Birth Anniversary of the Outstanding Harpist

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Moiseev G.A. Grand Duke Constantin Nikolaevich of Russia and Russian Musicians

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Degtyareva N.I. Modern Style and Music: Style Phenomenon (a Research Based on Austrian and German Opera in the Early 20th Century)

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Petrushanskaya E.M. Compositions by M.I. Glinka on Original Italian Poetry Texts Dated by 1828: The Particularity of Autographs and Relation Between Text and Music

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Shabshaevich E.M. Concerts of the Students of Moscow Conservatory in the Late 19th Early 20 th Century

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Kotlyarova L.V. E. Denisov and A. Blok: symbolization as a feature of creative method

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Zenaishvili T.A. Uncovered Organ Manuscript by Louis Couperin Sheds Light on His Significance for Keyboard Music

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Krasotina I.V. On the History of the New Musical Renaissance in Catalonia

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Degtyareva N.I. Motives of Jugendstil Iconography in Austrian and German Operas in the Early 20th Century

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Krom A.E. Creation Activity of La Monte Young on the Border of the 1950s 1960s: in a Dialog with John Cage

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Lomtev D.G. Without Excessive Gestures and Pathos. About Georg von Albrechts Church Music

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Kitaeva E.O. Mazepa by P.I. Tchaikovsky: Features of Embodiment of the Tragic in the Scene of Kochubeys Execution

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Suponitskaya K.A. Suponitskaya K.A.

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Batagova T.E. Narts Archetypes in the Music of Ossetian Composers

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Savintseva V.A. Have stuck into work with the most malicious shift of zloba (rage): Some Remarks on the Coordination between Scolar and Art in Mikhail Glinkas Creative Process

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Moiseev G.A. Grand Duke Constantin Nikolaevich of Russia and Moscow Branch of The Russian Musical Society

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Moriya R. Russian Music as a Model for Creation of Japanese National Music in the Second Half of the 20th Century: K. Yamada, Y. Akutagawa and N.Terahara

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Lomtev D.G. Sigismund Neukomm: with Haydns Blessing to Russia. To the 200th Death Anniversary of Joseph Haydn

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Lopantseva V.A. Hugo Distler. Destiny and Music.

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Skvortsova I.A. Signs of Art Nouveau in Russian Music at the Turn of the 20th Century

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Paleography
Chevela O.V. History and tradition of religious concepts of hermeneutics: the musical symbolism in the Byzantine hymnography

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Polozova I.V. The Renewal of Church Singing in Old-Believers Communities of Saratov Regional Tradition of the 18th the Beginning of the 20th Centuries

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Genchenkova M.V. The Composition Methods in the Melodic Chant of The Holy Trinity-St. Sergius Lavra (18th 19th Centuries)

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Kitaeva E.O. Sobstvenno Zvon and its Versions (to the Research of Genres of Orthodox Church Peals)

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Fedorovskaya N.A. The Functions of Musical-Rhetorical Figure Exclamatio in Partes Concertos

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WORK OF YOUNG SCIENTISTS
Osetskaya O.V. On the Role of the Word in the Tintinnabuli Compositions by Arvo Part

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Budaeva T.B. The Vocal Aspects of Peking Opera

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Pankratova O.V. On the Biblical and Poetical Texts in the Vocal-Symphonic Compositions by J. Brahms

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Karavanskaya S.V. From Trains to Factories: Symbols of Russian Music Constructionism of the 1920s

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Pavlova P.A. Towards the Term of Napevka

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Gurova J.J. World celebrities. Memoirs of Baron B.A. Vietinghof-Scheel

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Makina A.V. Threni by I. Stravinsky: on the Idea of Multiparametric Composition

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Redkova E.S. Stylistic Features of Childrens Folk Music Genres (on the Pskov Region Expedition Materials)

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Gero O.V. Classification of Vocal Music by D. Buxtehude. Questions of Terminology

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Golubeva E.B. The Opera Lord of the Flies by Efrem Podgaits: the Composers Interpretation of William Goldings Novel

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Martsinkevich A.A. The New-York Mass by E. Podgaits

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Kiriakhno N.I. Understanding the Culture Understanding the Man: to the Problem of Intercultural Dialogue Realization

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Moiseeva M.A. Registration in the Spanish Organ School in the 16th 18th Centuries

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Toutova O.A. The Quiet Achievements of Michail Kollontay (Ermolaev)

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Salikhova L.I. National Musical Departments and Opera Studios at the Moscow State Conservatory in the 1930s

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Soudareva M.A. The Piano Quintet by A. Dvorak as the Composers Masterpiece

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Chemezova E.V. Astor Piazzollas New Tango: On the Style Features

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Kosyatova S.S. Folk Orthodoxy through the Prism of Traditional Spiritual Poetry of the Funeral Ceremony

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Surminova O.V. Onomaphonic Formulas in the Context of M. Bakhtins Dialogic Word (by the Example of 20th 21st Century Composers Works)

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Gerasimova I.V. New Approach to the Reconstruction of Biography of the 17th Century Composers: Nikolay Diletsky and Eustaphy Manevsky

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Gromadin V.V. Luciano Berios Visage: The Beginnig of Electronic Music

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Nagin R.A. On European Tendencies in the Orchestration of Mikhail Glinkas Operas

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Boulatova O.G. Whether Transcription Changes the Idea? To the History of Creative Contacts between Ferruccio Busoni and Arnold Schoenberg

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Tarasova O.V. anonical and Non-Canonical in Liturgical Songs by Yury Falik

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CONFERENCE
Polyakova A.V., Pahomova E.I., Zhiganova S.A., Artamonova J.V., Vinarchik L.M. Ethnomusicology and Folkloristics Conferences in 2008

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Alyabieva A.G. The 4th International Scientific Conference "Music of Nations of the World: Problems of Studying"

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Konson G.R. The International Conference "The Performing Art and Musicology. Parallels and Interactions"

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Adischev V.I. International Scientific and Practical Conference Traditional Folk Culture in the Modern System of Education

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QUESTIONS OF THE THEORY
Konson G.R. The Concept of Symphonism in the Works of Boris Asafiev and Iosif Rzhkin

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Sladkov P.P. Towards the Problem of Forming of Stylistic Hearing

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Shmakova O.V. Figurative System in Music for String, Percussion and Celesta by Bela Bartok. On the Question of the Climax Function of the Final Movement

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Solovieva P.A. On Reflection of Russian Orthodox Chants Features in Modest Mussorgskys Music

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Tchub E.A. On the Features of Arseny Tarkovskys Poetry in the Compositions by Krasnoyarsk Composer Vladimir Ponomariov

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Konson G.R. Aesthetics Concept of L. Mazel. The Problem of Mutual Approach of Music Theory and Aesthetics

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Krasnikova T.N. Musical Texture in the Aspect of Synthesis of Arts

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Ponomarev S.V. To the Problem of Form-Building Meaning of Instrumentation. Timbral Organized Forms

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Polozov S.P. The Problem of the Zero Sound Information in the Contents of Music

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Konson G.R. B. Asafyevs Intonational Analysis of Evgenie Onegin by Pyotr Tchaikovsky. To the 125 Anniversary from the Date of B. Asafyevs Birth and to the 130 Anniversary from the Date of the First Representation of Pyotr Tchaikovskys Evgeniy Onegin on the Scene of the Moscow Small Theatre (on March, 17th, 1879)

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Savvina L.V. Musical Communication of the 20th Century: on the Question of Correlation of Notions Information and Sense

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Konson G.R. V. Zuckermanns Method of Integral Analysis

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Rumiantseva M.A. Johannes Ciconias Creativity as the Beginning of Reorganization of Musical Thinking

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Zenaishvili T.A. Hexachordum Apollinis by Johann Pachelbel

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Presnyakova I.A. Formation of Russian-Language Terminology in Russian Music Theory of Late 18th 1st Half of the 19th Century

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Ethnomusicology
Shamilli G.B. The Term Dastgah in the Persian Manuscripts on Music of the 17th 19th Centuries

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Kartashova T.V. Towards the Problem of Genesis of Vocal Genre Thumri of North India

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Azizi F.A. Falak as the Basis of Professional Music of Mountain Tajiks

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Mongush A. D.-B. Problems of Classifications of Tuvan Music Folklore

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Karelina Ye.K. Modern Folk-Groups of Tuva: New Minstrelation?

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Azizi F.A. Bayozi Shashmaqom by F. Shahobov: Contemporary Classics

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Nekrasova I.N. Early Spring Rites of Tver Regions Borderlands

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Dashieva L.D. The Shamanic Taylagan Darkhan Udkha of Western Buryat

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Nguyen L. The Canons of Vocal Music in Vietnamese Traditional Theatre

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Savelieva N.M. Davno li Ya, Davno u Batjushki Byla. Genesis of the West Russian Calendar Songs. (Questions of Form of Russian Folk Songs)

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Chelebiev F.I. Regs Dastgahy the Multipart Cyclic Composition of Instrumental Dancing Melodies

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Dashieva L.D. Shamanic Song of Uleys Girl in the Western Buryats Folk Music

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Rishmawi O. The Middle Eastern Musical Instrument Oud (al-ud)

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Imamutdinova Z.A. Professional and Non-professional in Oral Music Traditions of the Ural-Volga Muslims

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Vishnevskaya L.A. Bases of Vocal Polyphony in Bourdon Two-voice Songs of Circassians and Karachains

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Problems performing
Lymareva T.V. Tasks and Methods of Interpretation of Vocal Compositions by the Performer

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Stachinskiy V.I. An Experience of Semiotic Approach to Conducting Performance

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Safonova E.L. To the Problem of Personality in the History of Violin Performance (Through the Conversations with Viktor Pikaisen and Eduard Grach)

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Beskrovnaya G.N. On Correlative Sets in Concert Activity of a Performing Musician

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QUESTIONS OF PEDAGOGY
Pogadaeva N.O. Fyodor Druzhinins Pedagogical Principles (to the 77th Birth Anniversary)

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Litvinova T.A. Timbre Perception and Thinking: to Determine Semantics

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Sladkov P.P. Reformation of Teaching Solfeggio in Music Schools as an Urgent Task of Modern Musical Pedagogics

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Lyudko M.G. Style Solfeggio in Todays Vision

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Koval L.M. Modern Approach to the Education of Variety Singer

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IN MEMORIAM
Sigida S.Y., Pereverzeva M.V. In the Memory of H. W. Hitchcock

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REVIEWS
Kazachkova M.A., Gurova J.J. Editions of Russian Musical Institutes in 2008

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Giliarova N.N., Kazachkova M.A. Editions of Russian Musical Institutes in 2008

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INSTRUMENTOVEDENIE
Gouseva A.N. Music of the bell: methods of approach

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Guryanova L.V. We hear the polyphony of a lute, It is the voice of guitar through time

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ANNIVERSARIES
Saponov M.A. Ten Letters to a Friend. Commemorating the Centenary of Valentina Konen (July 29/August 11, 1909, Baku December 8, 1991, Moscow)

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