Musicology Index of articles published in the journals "Musicology" in 2009. << Back MUSIC HISTORY Maksimov E.I. Tradition of Hommage in the Early Variations by Beethoven More » Batagova T.E. Zaur Gagloev: Unrevealed Oeuvres More » Belik P.A. Simphonietta on Russian Themes by I.M. Krassilnikov: Towards the Problem of Interaction Between Folklore and Professional Art More » Dolgushina M.G. The Vocal Nocturne and Russian Period of its History More » Cherepennikova M.S. The Synthesis of Italian Lyric Opera and German Literature: A. Boito and J. W. Goethe More » Onegina O.V. Unknown Piano Works by S.M. Lyapunov More » Podguzova M.M. “… Ms Erdeli did not yield to the persistence of the audience to play an encore”. To the 130th Birth Anniversary of the Outstanding Harpist More » Moiseev G.A. Grand Duke Constantin Nikolaevich of Russia and Russian Musicians More » Degtyareva N.I. Modern Style and Music: Style Phenomenon (a Research Based on Austrian and German Opera in the Early 20th Century) More » Petrushanskaya E.M. Compositions by M.I. Glinka on Original Italian Poetry Texts Dated by 1828: The Particularity of Autographs and Relation Between Text and Music More » Shabshaevich E.M. Concerts of the Students of Moscow Conservatory in the Late 19th – Early 20 th Century More » Kotlyarova L.V. E. Denisov and A. Blok: symbolization as a feature of creative method More » Zenaishvili T.A. Uncovered Organ Manuscript by Louis Couperin Sheds Light on His Significance for Keyboard Music More » Krasotina I.V. On the History of the New Musical Renaissance in Catalonia More » Degtyareva N.I. Motives of Jugendstil Iconography in Austrian and German Operas in the Early 20th Century More » Krom A.E. Creation Activity of La Monte Young on the Border of the 1950s – 1960s: in a Dialog with John Cage More » Lomtev D.G. «Without Excessive Gestures and Pathos». About Georg von Albrecht’s Church Music More » Kitaeva E.O. «Mazepa» by P.I. Tchaikovsky: Features of Embodiment of the Tragic in the Scene of Kochubey’s Execution More » Suponitskaya K.A. Suponitskaya K.A. More » Batagova T.E. Narts’ Archetypes in the Music of Ossetian Composers More » Savintseva V.A. «Have stuck into work with the most malicious shift of ‘zloba’ (rage)»: Some Remarks on the Coordination between Scolar and Art in Mikhail Glinka’s Creative Process More » Moiseev G.A. Grand Duke Constantin Nikolaevich of Russia and Moscow Branch of The Russian Musical Society More » Moriya R. Russian Music as a Model for Creation of Japanese National Music in the Second Half of the 20th Century: K. Yamada, Y. Akutagawa and N.Terahara More » Lomtev D.G. Sigismund Neukomm: with Haydn’s Blessing to Russia. To the 200th Death Anniversary of Joseph Haydn More » Lopantseva V.A. Hugo Distler. Destiny and Music. More » Skvortsova I.A. Signs of Art Nouveau in Russian Music at the Turn of the 20th Century More » Paleography Chevela O.V. History and tradition of religious concepts of hermeneutics: the musical symbolism in the Byzantine hymnography More » Polozova I.V. The Renewal of Church Singing in Old-Believers Communities of Saratov Regional Tradition of the 18th – the Beginning of the 20th Centuries More » Genchenkova M.V. The Composition Methods in “the Melodic Chant” of The Holy Trinity-St. Sergius Lavra (18th – 19th Centuries) More » Kitaeva E.O. «Sobstvenno Zvon» and its Versions (to the Research of Genres of Orthodox Church Peals) More » Fedorovskaya N.A. The Functions of Musical-Rhetorical Figure Exclamatio in Partes Concertos More » WORK OF YOUNG SCIENTISTS Osetskaya O.V. On the Role of the Word in the Tintinnabuli Compositions by Arvo Part More » Budaeva T.B. The Vocal Aspects of Peking Opera More » Pankratova O.V. On the Biblical and Poetical Texts in the Vocal-Symphonic Compositions by J. Brahms More » Karavanskaya S.V. From Trains to Factories: Symbols of Russian Music Constructionism of the 1920s More » Pavlova P.A. Towards the Term of “Napevka” More » Gurova J.J. “World celebrities”. Memoirs of Baron B.A. Vietinghof-Scheel More » Makina A.V. Threni by I. Stravinsky: on the Idea of Multiparametric Composition More » Red’kova E.S. Stylistic Features of Children’s Folk Music Genres (on the Pskov Region Expedition Materials) More » Gero O.V. Classification of Vocal Music by D. Buxtehude. Questions of Terminology More » Golubeva E.B. The Opera “Lord of the Flies” by Efrem Podgaits: the Composer’s Interpretation of William Golding’s Novel More » Martsinkevich A.A. The New-York Mass by E. Podgaits More » Kiriakhno N.I. Understanding the Culture – Understanding the Man: to the Problem of Intercultural Dialogue Realization More » Moiseeva M.A. Registration in the Spanish Organ School in the 16th – 18th Centuries More » Toutova O.A. The Quiet Achievements of Michail Kollontay (Ermolaev) More » Salikhova L.I. National Musical Departments and Opera Studios at the Moscow State Conservatory in the 1930s More » Soudareva M.A. The Piano Quintet by A. Dvorak as the Composer’s Masterpiece More » Chemezova E.V. Astor Piazzolla’s «New Tango»: On the Style Features More » Kosyatova S.S. «Folk Orthodoxy» through the Prism of Traditional Spiritual Poetry of the Funeral Ceremony More » Surminova O.V. Onomaphonic Formulas in the Context of M. Bakhtin’s «Dialogic Word» (by the Example of 20th – 21st Century Composers’ Works) More » Gerasimova I.V. New Approach to the Reconstruction of Biography of the 17th Century Composers: Nikolay Diletsky and Eustaphy Manevsky More » Gromadin V.V. Luciano Berio’s Visage: The Beginnig of Electronic Music More » Nagin R.A. On European Tendencies in the Orchestration of Mikhail Glinka’s Operas More » Boulatova O.G. Whether Transcription Changes the Idea? To the History of Creative Contacts between Ferruccio Busoni and Arnold Schoenberg More » Tarasova O.V. Ñanonical and Non-Canonical in «Liturgical Songs» by Yury Falik More » CONFERENCE Polyakova A.V., Pahomova E.I., Zhiganova S.A., Artamonova J.V., Vinarchik L.M. Ethnomusicology and Folkloristics Conferences in 2008 More » Alyabieva A.G. The 4th International Scientific Conference "Music of Nations of the World: Problems of Studying" More » Konson G.R. The International Conference "The Performing Art and Musicology. Parallels and Interactions" More » Adischev V.I. International Scientific and Practical Conference «Traditional Folk Culture in the Modern System of Education» More » QUESTIONS OF THE THEORY Konson G.R. The Concept of Symphonism in the Works of Boris Asafiev and Iosif R¿zhkin More » Sladkov P.P. Towards the Problem of Forming of Stylistic Hearing More » Shmakova O.V. Figurative System in “Music for String, Percussion and Celesta” by Bela Bartok. On the Question of the Climax Function of the Final Movement More » Solovieva P.A. On Reflection of Russian Orthodox Chants Features in Modest Mussorgsky’s Music More » Tchub E.A. On the Features of Arseny Tarkovsky’s Poetry in the Compositions by Krasnoyarsk Composer Vladimir Ponomariov More » Konson G.R. Aesthetics Concept of L. Mazel. The Problem of Mutual Approach of Music Theory and Aesthetics More » Krasnikova T.N. Musical Texture in the Aspect of Synthesis of Arts More » Ponomarev S.V. To the Problem of Form-Building Meaning of Instrumentation. Timbral Organized Forms More » Polozov S.P. The Problem of the Zero Sound Information in the Contents of Music More » Konson G.R. B. Asafyev’s Intonational Analysis of «Evgenie Onegin» by Pyotr Tchaikovsky. To the 125 Anniversary from the Date of B. Asafyev’s Birth and to the 130 Anniversary from the Date of the First Representation of Pyotr Tchaikovsky’s «Evgeniy Onegin» on the Scene of the Moscow Small Theatre (on March, 17th, 1879) More » Savvina L.V. Musical Communication of the 20th Century: on the Question of Correlation of Notions Information and Sense More » Konson G.R. V. Zuckermann’s Method of Integral Analysis More » Rumiantseva M.A. Johannes Ciconia’s Creativity as the Beginning of Reorganization of Musical Thinking More » Zenaishvili T.A. Hexachordum Apollinis by Johann Pachelbel More » Presnyakova I.A. Formation of Russian-Language Terminology in Russian Music Theory of Late 18th — 1st Half of the 19th Century More » Ethnomusicology Shamilli G.B. The Term Dastgah in the Persian Manuscripts on Music of the 17th –19th Centuries More » Kartashova T.V. Towards the Problem of Genesis of Vocal Genre Thumri of North India More » Azizi F.A. Falak as the Basis of Professional Music of Mountain Tajiks More » Mongush A. D.-B. Problems of Classifications of Tuvan Music Folklore More » Karelina Ye.K. Modern Folk-Groups of Tuva: New Minstrelation? More » Azizi F.A. “Bayozi Shashmaqom” by F. Shahobov: Contemporary Classics More » Nekrasova I.N. Early Spring Rites of Tver Region’s Borderlands More » Dashieva L.D. The Shamanic Taylagan Darkhan Udkha of Western Buryat More » Nguyen L. The Canons of Vocal Music in Vietnamese Traditional Theatre More » Savelieva N.M. «Davno li Ya, Davno u Batjushki Byla». Genesis of the West Russian Calendar Songs. (Questions of Form of Russian Folk Songs) More » Chelebiev F.I. Regs Dastg’ahy – the Multipart Cyclic Composition of Instrumental Dancing Melodies More » Dashieva L.D. Shamanic Song of Uley’s Girl in the Western Buryats’ Folk Music More » Rishmawi O. The Middle Eastern Musical Instrument Oud (al-‘ud) More » Imamutdinova Z.A. Professional and Non-professional in Oral Music Traditions of the Ural-Volga Muslims More » Vishnevskaya L.A. Bases of Vocal Polyphony in Bourdon Two-voice Songs of Circassians and Karachains More » Problems performing Lymareva T.V. Tasks and Methods of Interpretation of Vocal Compositions by the Performer More » Stachinskiy V.I. An Experience of Semiotic Approach to Conducting Performance More » Safonova E.L. To the Problem of Personality in the History of Violin Performance (Through the Conversations with Viktor Pikaisen and Eduard Grach) More » Beskrovnaya G.N. On Correlative Sets in Concert Activity of a Performing Musician More » QUESTIONS OF PEDAGOGY Pogadaeva N.O. Fyodor Druzhinin’s Pedagogical Principles (to the 77th Birth Anniversary) More » Litvinova T.A. Timbre Perception and Thinking: to Determine Semantics More » Sladkov P.P. Reformation of Teaching Solfeggio in Music Schools as an Urgent Task of Modern Musical Pedagogics More » Lyudko M.G. Style Solfeggio in Today’s Vision More » Koval L.M. Modern Approach to the Education of Variety Singer More » IN MEMORIAM Sigida S.Y., Pereverzeva M.V. In the Memory of H. W. Hitchcock More » REVIEWS Kazachkova M.A., Gurova J.J. Editions of Russian Musical Institutes in 2008 More » Giliarova N.N., Kazachkova M.A. Editions of Russian Musical Institutes in 2008 More » INSTRUMENTOVEDENIE Gouseva A.N. Music of the bell: methods of approach More » Guryanova L.V. We hear the polyphony of a lute, It is the voice of guitar through time… More » ANNIVERSARIES Saponov M.A. Ten Letters to a Friend. Commemorating the Centenary of Valentina Konen (July 29/August 11, 1909, Baku – December 8, 1991, Moscow) More »