| QUESTIONS OF THE THEORY |
| A.E. Krom |
The Art of Strict Forms: American Minimalism in Painting and Music
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| A.E. Lebedev |
Logic of Musical Playing in the Genre of Concerto for Accordion and Orchestra (Based on Concertos by A. Repnikov)
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| S.V. Ponomarev |
On the Problem of Formbuilding Meaning of Instrumentation. Timbre-Tectonical Principles of Musical Form
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| MUSIC HISTORY |
| L.A. Kupets |
Listening to «Carmen» by Bizet … (An Experience of Receptive Interpretation)
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| T.V. Bukina |
At the Beginning of the Marxist Musicology: Sociology of Music in the 1920s as a Methodological Project
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| Problems performing |
| D.I. Varlamov, O.Y. Korobova |
Anticipation and Activities of an Accompanying Musician
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| WORK OF YOUNG SCIENTISTS |
| A.V. Makina |
On the Problem of Formation of Igor Stravinsky’s Serial Technics
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| N.A. Latyshev |
The Unknown Manuscripts of Works for Saxophone by Alexander Glazounov
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| Zh.Y. Serova |
The «New» Wal tz of the 20th Century
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