Musicology Annotation << Back To the Evolution of Musical Analysis in the 18th–19th Centuries (After Carl Dahlhaus) Mikhail E. Pylaev The article deals with the evolution of views, which belong to outstanding representatives of German music-theoretical thought of the 18th — early 19th centuries. They are shown on the basis of books and articles of Carl Dahlhaus, one of the most prominent musicologists of second half of the 20th century. The principal problem here is the correlation between two most important paradigms of analysis of music: aesthetics of feelings and form theory. In opinion of Dahlhaus as a representative of so-called «new» musical hermeneutics, the unity of these two paradigms must be re-established on the new basis in contemporary musical aesthetics and musical theory. Keywords: «new» musical hermeneutics, Dahlhaus, aesthetics of feelings, form theory. E-mail: pylaevm@mail.ru. Pp. 2-6