Musicology Annotation << Back Double Exposition in the Triple Concerto. A Problem Baroque Didn’t Know. Svetlana E. Soldatova In the paper the Concert for piano, violin and violoncello op. 56 by L. van. Beethoven is analyzed from a special point of view: how the presence of three soloists influences on double-exposition sonata form. The Triple concert is compared with the preceding genre of symphony concertante in which the presence of several soloists was standart. Keywords: Beethoven, triple concert, evolution of a genre of a concert, sonatas form with a double exposition, the symphony concertante. E-mail: s.vetka@list.ru. Pp. 42-47