Musicology Annotation << Back Systematization of Musical Sources on the Tatar Lullaby Yunusova Gyzel The article discusses sources on the Tatar folk lullaby. The role of philologists in collecting examples of this genre is noted. A critical assessment of some of the results of their activities is given. Trends in the development of Tatar folklore are noted. The main attention is paid to music publications of various formats containing lullabies. Two groups of sources on the lullaby of the Tatar people can be distinguished: written and audiovisual materials. The fi rst group includes collections of works of musical folklore and sheet music arrangements, as well as books and articles. Audiovisual materials consist of CDs and Internet resources. A brief overview of all listed sources is given. Tables have been developed indicating their content, composition and other features. Individual samples of lullabies included in them are analyzed. Different approaches to deciphering by Moscow and Siberian scientists are noted. Problems in this area regarding lullabies are identifi ed. In this regard, the relationship between verbal and musical text in samples of this genre is considered. Techniques for arranging reprises in couplets are proposed. Attention is drawn to the quality and completeness of information in the comments. Keywords: Tatar lullaby, musical notation of folk music, musical folklore, audio recordings, reprise of poetic lines. DOI: 10.25791/musicology.3.2024.1366 Pp. 20-29.