Musicology Annotation << Back Composers of the «Sixties» and Cinema: Results Egorova Tatiana K. The article attempts an analytical review of the results of the creative activity of the generation of composers of the "sixties" in the most popular of the arts of the XX century – cinema through the prism of the subsequent introduction of new technologies of creativity and enrichment of original stylistic solutions of compositions of academic music, on the one hand, and the formation of individual characteristics, the creation of the phenomenon of Soviet cinema music, on the other. The purpose of the study is to identify the specifics and distinctive features of the Soviet school of film music, the core of which, according to the established tradition, were the brightest and most extraordinary representatives of the Russian musical avant-garde, who achieved fame and world recognition in various genres of academic and experimental music of the post-war period. The more local tasks of the work are to comprehend, both in each specific case, and in the general laws of direct and feedback (i.e., the degree of mutual influence), focused on the perception of the mass audience of cinema, on the one hand, and the manifestation and development of the creative individuality of the composer, on the other. Keywords: Soviet school of cinema music, cinema of the "thaw" period, "Moscow Troika", N. Karetnikov, V. Ovchinnikov, M. Tariverdiev, E. Artemyev, A. Petrov. DOI: 10.25791/musicology.3.2022.1239 Pp. 12-22.