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Musicology

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Philosophy of Music in the Heritage of the Arab-Spanish Thinker Ibn Bajja
Sergeeva Tatiana S.

The relevance of the research and scientific novelty lies in the fact that for the first time in the scientific circulation of Russian musicology the treatise by the outstanding medieval Andalusian scientist-encyclopedist, physician, musician and poet Ibn Bajja is introduced. Risāla fi-l-alhān ("Treatise on the melodies") is a unique source on music of medieval Andalusia, long considered lost. This treatise is viewed in the context of Bajia’s philosophical heritage, the cornerstone of which is the doctrine of the soul. The hypothesis of the research is to substantiate the integrity and originality of the views of the Andalusian philosopher, despite the fact that most of his works are commentaries on the works by Aristotle, al-Farabi, al-Kindi. The author comes to the conclusion that Bajja, in his treatise on the Arab lute (al-ud), the methods of playing it, the symbolism of its strings, the healing effect of the sound of strings on a person, etc., develops the Neoplatonism ideas about Universal Harmony (in particular, the concept of the Arab scholar al-Kindi). However, following philosophical anthropology, Bajja endows music with the function of a mediator helping the soul in search of its perfection (this is evidenced by the introduction of the tab category as a concept of psychotherapeutic effect of music on the human soul, and the defi nition of the qualities of the correct music performance, including the ways of playing the al-ud, and listening rules).
Keywords: philosophy of music, Arab Peripatetic School, Ibn Bajja, "Treatise on the melodies", Andalusian musical classics, music therapy.


DOI: 10.25791/musicology.1.2022.1231

Pp. 32-38.

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