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Musicology

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Instrumental Concerts of B. Tishchenko of the 1960s in a Context of Renewal of the Genre in Russian Music of the Second Half of the Twentieth Century
Serov Yuri E.

The article examines the instrumental concerts of the 1960s by the outstanding Russian composer of the second half of the twentieth century Boris Ivanovich Tishchenko (1939–2010). A special aspect of the study is Tishchenko’s art in the context of the movement to renew symphonism that arose in Soviet music in the wake of the political "thaw". The author of the article gives a panorama of Russian instrumental concerts in the 1960s–1970s, the sound world that surrounds Tishchenko, the achievements of his colleagues and likeminded people in the development of the genre are important to us. Therefore, the first section of the article analyzes the works of the leaders of Soviet music A. Eshpai, B. Tchaikovsky, R. Shchedrin, A. Schnittke, S. Slonimsky, Y. Falik, E. Denisov are analyzed. The second section examines Tishchenko’s contribution to the development of the in-strumental concert genre, which is difficult to overestimate. Three of his early works of the 1960s demonstrate to us various compositional talents and skills, an obvious desire to go beyond the limits outlined by tradition, the search for individual solutions in the field of shaping, harmonic language, rhythm, timbre, the special role of the solo voice, and also, which has become characteristic of Tishchenko, intonational content, imparting to his works an impressive bright-ness and strength.
Keywords: Boris Tishchenko, instrumental concert, genre renewal, soviet music of the second half of the twentieth century.


DOI: 10.25791/musicology.12.2021.1224

Pp. 09-23.

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