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Musicology Annotation << Back
Sonata for clarinet and piano: the issue of cyclical in sonatas for wind instruments by Francis Poulenc (the question of interpretation) |
Shibanov Andrey V.
The posthumous work of the great French composer Francis Poulenc (7.01.1899-30.01.1963) – Sonata for clarinet and piano – is one of his most popular works. In the performance of various musicians on the concert stage and in recordings, it is available to get acquainted with the work. At the same time, the intonation-content side of the interpretation, the musician’s artistic concept does not always look convincing to the audience. One of the reasons for the musicians' conceptual errors in working on the work can be considered the lack of musicological research in the field of compositions for wind instruments by F. Poulenc. This article will help performers find the right understanding of the author's concept, style, and choose the right performing techniques. For the first time in the context of historical and performing analysis of the work author considers feature of cycle of three sonatas for wind instruments by F. Poulenc, considering all the composer's works written for clarinet or in an ensemble with, to identify unifying rules, traces the evolution of the composer's work in the field of compositions for wind instruments. Important emphasis in the study of the topic is placed on the chronological review of Other works by F. Poulenc, on his statements in conversations, letters, diaries, memoirs.
Keywords: F. Poulenc, French music of the twentieth century, Sonata, clarinet, interpretation, history of performance on wind instruments.
DOI: 10.25791/musicology.08.2020.1142
Pp. 15-26. |
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