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Musicology

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Salsa and Academic music: New ways to dialogue
Olesia A. Platonova

Article is dedicated to the dialogue of salsa (genre of Latin musical culture)and academic music in the context of interaction of
opera-orchestral music and the third stratum of music. Special attention is paid to works of American and Puertorican composer
Roberto Sierra, for whom salsa becomes one of the most important stylistic and generic components in the general spanishcaribbean
line of his art. Noting the implementation of the salsa in the chamber and orchestral works of Sierra, author identifi es
the common features of “salsera” style: an important role of rhythm, perception of salsa patterns as a rhythmic and intonational
basis of the compositions, particular importance of improvisation and specifi c elements of orchestration. And all this are in line with the common aspirations of Latin American composers of the XX-XXI century. For them fi nding the balance between national and
international, individual and universal, Latin American and European is important.
Keywords: Academic music, the Third Stratum of music, avant-garde, salsa, genre, spanish-caribbean roots of music, pattern,
piano guajeo.

Contacts: E-mail: nimrodel-saty@yandex.ru

Pp. 46-50.

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