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Musicology

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Scientific Textualization as a Process (on the Base of Dissertations in the 1990s–2000s)
Tatiana Naumenko

The paper observes several trends associated with the multiplication of the number of dissertation research in musicology in the period of the 1990s–2000s.The author poses the problem of compilation which leads to disappearance of originality and novelty against the obvious overproduction of texts, and gives examples of similar studies. Among the problems that emerged in the post-Soviet musicology the author highlights the tendency to thematic repetition and borrowing of ideas, approaches, and evenformulations. It is noted that the occurrence of these problems is the result of the quantitative requirements established management structures in education. All the actions to prevent plagiarism in dissertation researches are focused on the increase in the number of publications for PhDs. This process explodes into depreciation of scientific work, which is increasingly becoming a simulation.
Keywords: post-Soviet musicology, thesis, compilation, quantitative indicators.

Contacts: E-mail: t.i.naumenko@gmail.com

Pp. 40-45.

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